O som das marcantes: conexões sensíveis existentes entre a música brega paraense e seus ouvintes

Abstract

This research paper aims to study the cultural and sensible universe of brega musicality in Pará State. It seeks to thematize and reflect on the sensible experience resulting from the relationship between this musical style and people who experience it in their daily lives. In general, brega music presents in its compositions messages that involve people's daily life issues and that arouse nostalgic sense of belonging and personal and cultural identification. The research is developed based on the interactive content extracted from a specific brega music channel on YouTube, on the basis of the formation and analysis of typified categories, using the typification methods by Alfred Schutz (1979). In order to build a theoretical reflection, the concepts of Heideggerian thought of everydayness, banality, Alfred Schutz's phenomenological perspective of Culture and Castro's semiotical blues (2015), will be phenomenological applications that will permeate to consolidate the understanding of this research. Therefore, a sensible, longing and intersubjective aspect was perceived in the temporal and nostalgic peculiarity of brega music from Pará State, which is present in the social fabric and in the popular imagination and guarantees the entry, passage and remaining of brega rhythm in Amazonian culture.