Poéticas paridas: a dança como política de aparecimento

Abstract

This memorial thesis, divided into a poetic-series, aimed to understand dance as a policy of appearance from the processes of dialectical creation (thesis, antithesis and synthesis): Cinderela (2018), Nas Brenhas (2020) and Subterrânea ( 2021). The first two deliveries were poetic births from the life stories of the Grupo de Mulheres Prostitutas do Estado do Pará, a pioneer association in the human rights militancy of prostitutes in Brazil, which has been active since 1990. The creation of the works : Cinderela, Nas Brenhas and Subterrânea reveal narratives about Love, motherhood, violence, militancy, work, about orgasms and displeasures within the prostitute. Through the metodological paths and veins. I assume myself as a creator- intabitant (FERREIRA, 2012) in walkability (SPECK, 2013), immersing myself as a creator of life/dance with the street, finding on street corners and crossoroads authors such a Judith Butler (2018), André Lepecki (2012), Di Monteiro (2016), Bia Medeiros e Natasha de Albuquerque (2016), Thereza Rocha e Márcia Tiburi (2012), Juliana Moraes (2013), among so many others Who helped me to think of the street and dance as a policy of apperance of a disappearing people. To immerse yourself is also to immerse yourself in the uterus, in the intimate, in th secrets of the lives os those Who live there, of processes thar are created in the anxiety of what is lived, moved to “make it appear”