Programa de Pós-Graduação em Ciências Sociais - PPGCS/IFCH

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/2349

O Programa de Pós-graduação em Sociologia e Antropologia (PPGSA) é vinculado ao Instituto de Filosofia e Ciências Humanas (IFCH) da Universidade Federal do Pará (UFPA) e foi aprovado pela CAPES no ano de 2002, ainda com o nome de Programa de Pós-graduação em Ciências Sociais. Iniciou suas atividades no primeiro semestre de 2003, com o funcionamento da primeira turma de Doutorado. Atualmente o Programa oferece também curso de Mestrado Acadêmico.

Navegar

Navegando Programa de Pós-Graduação em Ciências Sociais - PPGCS/IFCH por Orientadores "COSTA, Antonio Maurício Dias da"

Filtrar resultados informando as primeiras letras
Agora exibindo 1 - 2 de 2
  • Imagem de Miniatura
    ItemAcesso aberto (Open Access)
    Identidades musicais no Curso de Licenciatura em Música da Universidade do Estado do Pará: uma composição em acordes dissonantes
    (Universidade Federal do Pará, 2011) BRAGA, Lívia Alexandra Negrão; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361
    This study aims at interpreting the different musical routes taken by the Music Course students of the Universidade do Estado do Para- UEPA. The ethnographic work allowed me to observe three profiles which stand out in the Course: the erudite musician, the gospel musician and the popular musician. From the categories cultural identity, musical identity, diversity and carrier, I sought to understand how these musical identities interact and compound the singularity of a Course whose purpose is to form musical educators. The study is presented in three parts: the first one deals with the dense description of the Music Course, the students, the professor/researcher and the role the disciplines Cultura Popular and Música e Sociedade - taught by me- played considering the elaboration of the problem. The second part begins with a theoretical approach related to the construction of socialization networks among musicians and it also describes the profile of each group, the erudite, the gospel and the popular, according to the way they present themselves in the researched context. The interaction between these three groups is the object of the third part. From the perspective of musical diversity – musical preference and identities and cultural diversity – I point out the identities.
  • Imagem de Miniatura
    ItemAcesso aberto (Open Access)
    Insólitos sons da Amazônia? Experiência e espírito de época na cena e no circuito rock de Belém do Pará entre 1982 e 1993
    (Universidade Federal do Pará, 2013-08-14) OLIVEIRA, Enderson Geraldo de Souza; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361; https://orcid.org/0000-0002-0223-9264
    In this work I seek to discuss and understand if the current reports of individual and collective experiences, especially by musicians, producers and consumers of rock in Belém, communicate some sort of relation between a chronological period (going from 1982 to 1993) of the musical scene (Straw, 1991) and circuit (see Magnani) and a possible “spirit of the age” (Zeitgeist). Aiming to demonstrate those relationships, I observed and sought to establish a dialogue between the memory of the individuals, who experienced that period, and their specific transits through the city as well as the ownership and attribution of meaning to the spaces and experiences. Going beyond, the spirit of the time is not be “trapped” chronologically, but can (could) also currently be evoked through places that individualize speech and make the eighties a retrospectively peculiar period. Mindful of this, I know that this work also constitutes an element that cooperates and is inserted in such constructions, more than language, related to experiences of subjects. This work deals with communication, with Comprehensive Sociology, History and Philosophy in a pretty close way, without forgetting Anthropology, of course. Thus, the main thing for me in the development of this research was precisely observing the relationship of persons, its time, society and even temporality. It is not intended to present the history or even the genesis of rock in Belém, nor scrutinize it, but to discuss the interrelationships between a socio-historical education and the memorialistic content concerning a time in which the rock music scene and circuit gained momentum.
Logo do RepositórioLogo do Repositório