Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC
URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452
O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.
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Item Acesso aberto (Open Access) Mobilização social a partir de um rio urbano da Amazônia: o processo comunicativo do Movimento Tucunduba Pró Lago Verde em Belém-Pará(Universidade Federal do Pará, 2023-06-22) RIBEIRO, Mariana Guimarães Campos; BRITO, Rosaly de Seixas; http://lattes.cnpq.br/4471773526594200At Belém do Pará, in a territorial context of modernization that distances us from the cycles of Nature and living spaces, the struggle for the right to the city has been intensifying since the 1970s. the Tucunduba Pro Lago Verde Movement, made up of a group of residents of the Terra Firme neighborhood, who have a history of fighting for territory. In the same year of its emergence, a left-wing government came to power in Belém and the movement saw a political opportunity to boost its mobilization for the guarantee of socio-environmental rights with the creation of Tá Selado, the Permanent Forum of Citizen Participation. The objective of this research is to understand how the communicative mobilization processes of the Tucunduba Pró Lago Verde Movement (MTPLV) contribute to the advancement of socio-environmental guidelines in Belém-PA. Social mobilization is taken here as a communicational phenomenon, being understood as a place of encounter and dialogue that makes possible the relationship of different experiences and worldviews, being able to guide the action of the subjects, by tensioning and rebelling against the hegemonic powers in the scope from the city. This research was carried out based on the participatory research methodology (PERUZZO, 2003), inspired by urban ethnography (RODRIGUES, 2006; VELHO, 2003). In the end, it was concluded that the MTPLV has not only been one of the most prominent social actors in the environmentalization of the right to the city agenda in Belém, but has also been reimagining this territory, against the dominant logic of its occupation and expansionItem Acesso aberto (Open Access) Partilha da intimidade e busca de acolhimento: testemunhos e interações da comunidade LGBTI no grupo Lana Del Ray Vevo(Universidade Federal do Pará, 2019-03-28) SILVA, Bárbara Leão; CAL, Danila Gentil Rodriguez; http://lattes.cnpq.br/4593992869253877; BRITO, Rosaly de Seixas; http://lattes.cnpq.br/4471773526594200In the presented research, we discuss the types of self-exposing and the seeking for refuge through the LGBTI community interactions in the secret Facebook group Lana Del Ray Vevo. The point of the group’s creation in 2013 was only to produce content for its homonymous page on Facebook. Nowadays, after reaching almost one million members, the LDRV conquered unprecedented popularity in its host social network. The group has been a strong LGBTI community representativeness ally, since the most of its members are part of that community. It was a favorable environment for the testimonies and sharing of experiences, in light of the community demands for listening and hosting. The research dialogues with Goffman (1985), Giddens (2002), Papacharissi (2011) and Sibilia (2004) in order to understand the self-representations in this social network environment and in the LDRV group, as well as Queré (1991) and France (2004) to understand the guiding principles of group interactions. The boundaries fluidity and the interpenetrations between the public, the private and the relations that are established as well as the interactions intimacy occurred in the virtual environment, are discussed based on Winocur (2011, 2012) and Arfuch (2010), while the social roles played in the group and the relationships that are established in the internet social networks are observed from Recuero (2009). For more, Ricoeur (2014) allows us to understand the self-image construction. From the methodological point of view, the research has clipping posts showing testimonies about the "coming out" time of the LDRV members, using the formulations of Sedgwick (2007) to understand about the "epistemology of the coming out" allied with a recent subject research as Silva Filho (2012), Reis (2017) and Serejo (2018) to set the context that permeates the research. Resorting the netnography, as proposed by Kozinets (2014), the research analyzes the posts, combining it with semi structured interviews with members of the LGBTI community, authors of the selected posts. It intends to understand why the LDRV has become, among of the everyday trivialities shared in the group, an environment in which the participants expose personal, private and intimate life, in the desire to be hosted and get attention.Item Acesso aberto (Open Access) Poderia ter sido você: autorrepresentação, dimensão sensível e intersubjetiva da violência no bairro da Terra Firme, em Belém(Universidade Federal do Pará, 2020-03-25) CASTRO, Jetur Lima de; BRITO, Rosaly de Seixas; http://lattes.cnpq.br/4471773526594200The research presented here aims to understand how the residents of the Terra Firme neighborhood understand the narrative of the mini-documentary “It could have been you”, produced by the collective Tela Firme, after the massacre that occurred in the outskirts of Belém in 2014, which victimized poor young people and mainly blacks. From a perspective of self representation and counter-narrative, the video aims to denounce the insignificance of the lives of the subjects who live in the Terra Firme neighborhood, victims of the massacre, in a deeply unequal and excluding social order. In the world marked by the “tyranny of visibility”, in which the sensitive has become autonomous and has become a sensation, as proposed by Haroche (2008), the mini-documentary has a clear sense of manifestation against this order, seeking to touch the sensitivity of subjects who live in this reality, in order to break with the naturalization of the violence of which they are victims in their daily lives. The research has as its starting point the intersubjective and communicative dimension of the experience in the production of meanings, socially constructed by individuals in different contexts; in this case, the context of urban violence. Of a qualitative nature, the investigation combines participant observation, from an autoetnographic point of view, interviews with residents of the neighborhood, members of the collective that produced the video and mothers of young people murdered in the slaughter. It examines the extent to which they recognize each other and sees their reality projected in the narrative of the mini-documentary and whether it is capable of displacing the look they have of themselves, in contrast to the hegemonic representation that circulates massively in the media discourse. Therefore, what was noticed is that the audiovisual production of “Could have been you” stands out as an instrument of production and discursive positions of the Coletivo Tela Firme in the face of the massacres that took place in the peripheries of Belém in 2014, in which the residents recognize themselves.Item Acesso aberto (Open Access) Torcida, substantivo feminino: interações e relações de gênero nas torcidas do clássico Remo x Paysandu(Universidade Federal do Pará, 2020-03-26) NASCIMENTO, Mayra Leal do; BRITO, Rosaly de Seixas; http://lattes.cnpq.br/4471773526594200The dissertation brings an analysis of the gender relations and interactions of the fans of Clube do Remo and Paysandu Sport Club, based on an anthropological methodology. In order to analyze how gender issues are manifested in the constituent interactions of being a woman fan of these clubs and in the performances of fans of the classic, the research combines participant observation in the stands on RexPa days with semi-structured interviews with fans who frequent the stadium. The participant observation was made in both bleachers during classics played at the Mangueirão Stadium, in Belém, in the years 2018 and 2019, allowing the apprehension of phenomena and collective experiences. The interviews were conducted with eight women - four fans of Remo and four of Paysandu - with different trajectories and profiles, considering their subjectivities and personal experiences and articulating them with the observations in the field research. The analysis perspective adopted is based on a relational approach to communication and gender and allows the identification of collective and individual practices and rituals, interactions built in this scope, social and affective relationships that involve experiences and as issues of gender and power are involved in this whole process. Among the main concepts used are those of performance and performativity; of communication and interaction with the body as the core; of power and domination matrices; and gender discussions. The stadium is understood as a communicational environment that allows the connection between bodies, it also shows the relationship between women and soccer throughout history to the present day, discussing the power relationships built in this sport and the adopted resistance strategies. Thus, it was possible to identify that gender issues are manifested in the individual trajectories of the women fans of soccer, sometimes through adaptation to a dominant male performance, or through the use of strategies to demarcate the place of women in soccer. These are present in the experiences of both affection and disrespect and in structural situations of the soccer stadium. In relation to the fans' performances, it was possible to verify how gender oppressions appear through silences, masculinities and homophobia. The research path also made it possible to visualize the role of affects in the act to be soccer fan and the sensitive dimension that this practice involves.