Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452

O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.

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Agora exibindo 1 - 13 de 13

Acesso aberto (Open Access)
Uma análise da experiência do fazer jornalístico e sua reconfiguração diante das mudanças tecnológicas
(Universidade Federal do Pará, 2021-11-23) NASCIMENTO, Valéria dos Santos; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This research seeks to understand the journalistic work, from the perspective of those who deal with the professional activity affected by the accelerated process of communication technology. Our reflection takes place through a hermeneutic approach to the phenomenon of media communication, which involves journalistic activity, interpreted under the thought of the philosopher Martin Heidegger, in his existential analysis of Dasein, the Being-there that is inevitably a Mitsein, the Being-with -others and the matter of technique. We also added authors such as Muniz Sodré (2015), Fábio Castro (2013, 2015, 2016, 2017), José Salomão D. Amorim (2012), among others. The central objective is to reflect on contemporary journalistic practice, based on the journalists' understanding of practices, in order to understand how they make possible both the social legacy of the profession - the right to information - and the service to the new consumption habits of news due to the spread of the use of digital technologies. As a methodology for the proposed discussion, we used participant observation and interviews with professionals who work for the printed newspaper O Liberal and the portal OLiberal.com, in Belém, between 2019 and 2020. The information and data collected are exposed based on the professionals' findings and how they develop paths for action, confronting empirical and theory. In advance, it is possible to argue that there are journalisms in progress, yes, in the plural, since the profession, depending on the resources invested by companies and editorial guidelines, has different practices nowadays. In the case of this research, the observed practice reconfigures the routine established until then, impacting, to a large extent, on the journalist's own ability to maintain classic precepts of the profession, in the face of the pressures of unbridled market competition.
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O arrasta povo do Pará: experiência comunicativa e estética nas festas da aparelhagem Super pop
(Universidade Federal do Pará, 2017-03-24) COSTA, Hans Cleyton Passos da; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
The sound systems were created on the outskirts of Belém between the years of 1940 and 1950, with simple structures and familiar character. They consist of a sound projector, also known as a "boca-de-ferro", which was connected to one or two turntables. Based in a Communication Science approach, the present work aims to analyze the communicative experience, addressed as an aesthetic experience, present in the intersubjective elements that are shared with during the celebrations of the Super Pop sound system, held in Belém and its metropolitan region. The work was conducted from a phenomenological perspective, through which it seeks to highlight the experience of the researcher’s encounter with the object as a comprehensive and hermeneutic process. The intersubjective materialities are analyzed from the phenomenological approach present in Maffesoli and Schutz’s methodological orientations. In order to do so, I concentrate on the analysis of three events held by Super Pop Live, since, in my view, they contain the elements we observe in the set of such festivals and can thus be understood as syntheses of social forms and experience of the sound system party.
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A Cena Fantasma: um olhar sobre a experiência da música popular massiva da Amazônia
(Universidade Federal do Pará, 2014-03-10) AMADOR, Elielton Alves; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This dissertation analyzes the musical scene of the city of Belém, Pará State, Amazon, Brazil, using the concept from Will Straw (1991). From this starting point the study make a sensitive and discursive approach of this scene, based on the phenomenology of Alfred Schutz (2012) and Michel Maffesoli (2001), considering its intersubjective spectrum between the actors of this phenomenon, its mediators and a "national" audience. Based on authors Jacques Derrida (1994), Fabio Castro (2011 ), Frédéric Martel ( 2012), Renato Ortiz (2006) and Marcel Mauss (2004 ) it analyzes the presence of a nativist phantasmagory that interferes on the sociability and the total economy of territorialized dynamic scene, with reflects on their media projection. Taking also based on the experience of the author and analyses of samples, products and materiality generated at this scene have studied on the period from the late 1960s until the 2000s. Introductorily discusses the phenomenology as a research methodology in the Amazon.
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Da teoria à prática: uma análise das ações da ONG Projeto Saúde e Alegria no Telecentro Comunitário de Suruacá no Rio Tapajós
(Universidade Federal do Pará, 2013) CORDEIRO, Everaldo de Souza; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This study is the result of a research examing the relationship between theory and practice of the actions proposed by the NGO "Project Health and Happiness" (NGO-PSA) on the inlands of Suruacá, among Tapajós river, Santarém, in the western of Pará state. The research problem was conducted from two main questions: What’s the relation between theory and practice in the projects experience of the comunity Telecentre of Suruacá? And, what’s the cultural impact caused by new media use in the area? Data analysis was produced from field work and bibliographical-documentary survey about NGOs actions – material collected from the official website of the NGO-PSA, institutional videos and interviews with staff and external researchers acting in Communication, Culture and Education fields. On the survey results, we constacted that the publicized Project proposal corresponds to the social description helded by the residents about the action developped in the last 25 years by the NGO. We perceived that there are convergent communicational and educational practices in relationship between PSA and Suruacá. These practices are not only in a dialetc order, but also in a dialogical one. We understand this dialogical order with the complexity theory, present on Morin’s thought (1991), the mediation theory, presente Martín-Barbero’s thought (1997) and the “deep dialogicity”, present in Freire’s thought (1996) in cases involving Communication, Culture and Education. We also consider that the presence of NGOs in Suruacá does not exempt the necessity of brazilian state action in the execution of public policy on communication, culture, education and health on those areas.
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Experiência comunicativa na prática do crossfit: processos intersubjetivos e estéticos
(Universidade Federal do Pará, 2018-04-18) LIMA, Rebeca dos Santos; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This research is part of the researcher's insertion in a CrossFit box, observing and experiencing the moments during, during and after training, in the search for understandings that understand the communicative experiences produced among the practitioners of the sport. These symbolic interactions of the current life of a contemporary urban micro-society will be described through an ethnographic account. From the perception of intersubjective dimensions of belonging and production of affective meanings, we will discuss the field data from a theoretical reference that includes the notions of Aesthetics (Maffesoli), Intersubjectivity (Schutz), Typification (Schutz) and Conflict (Simmel), related to the uses of the Body (Mauss) and its Performances (Schechner). This theoretical reference seems to us propitious to interpret the communicative phenomena perceived during field research, since the study of intersubjectivity corresponds to a new perspective of analysis of communicative phenomena. This approach comprises communication as the structuring phenomenon of cultural mediations of social life. So here we intend to approach communication as knowledge that falls within the sphere of the action of human experience, behind that which is relational and shared.
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Interações nas danças circulares do Mana-Maní em Belém do Pará
(Universidade Federal do Pará, 2014-03-14) COSTA, Lucivaldo Baia; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This research communication as interaction between people. The main objective is to identify, understand and interpret the interactions that occur in the circular dances of the cultural collective Mana - Mani in Belém do Pará. We specifically seek to identify the communicative dimension of individual and collective actions that occur in the round dance; verify how the communicative dimension of interactions give possibilities to the symbolic interactions in circular dance and describe the communicative interactions that occurs in Mana-Mani's circular dances. The theoretical framework mainly discusses notions as “interactional devices”, in José Luiz Braga; “common spirit” and “mediatic society” in Rachel Paiva and Muniz Sodré and “community perception” and “emotional world” in Michel Mafessoli. Thereby we made a tensioning approach between theories and empirical research with the observations and researcher's interpretations. Our methodological focus was predominantly qualitative (interpretive) and was based on the phenomenological-pragmatic approach, seeking to reveal the intrinsic characteristics, actions and reactions that were derived from interactions observed in the group’s context. We worked with bibliographical and field research with participant observations, field diary, unstructured interviews and application of semi-structured forms to collect testimonials from participants and former participants. Regarding practical implications of the work, we seek to understand forms of communication occurring in socio-cultural experience within a specifically noted context and to recognizing internal and external influences that promotes communicative interactions. By results, we comprehend that the interactions occurring in circular dances of the cultural collective Mana-Mani interplays five elements: 1) The me, fundamental and irreplaceable part that adds personal motivations to participate in the circular dances, either by spontaneous curiosity a new discovery, or the need for self-knowledge and awakening pulse pleasures that are or throbbing, or seemed asleep; 2) the other - the raw material for the various interactions that occurs in the circular dances, always asymmetrically, with the particular experiences and knowledge of each integrant; 3) the ritual of the circle dances, inspired by Amazon’s cultural matrices, with its philosophy, promoting the contact between the participants; 4) the everyday life, with the re-enchantment of the world experienced and with its difficulties to face the physical, psychological and communicative limits of the personal behavior and 5) the intersubjectivity, that occurs relevant and intensely in the circular dances interactions of the group with their symbolic and intersubjective dimensions.
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Lentes intersubjetivas: estudo etnográfico do movimento fotográfico de Belém/Pará
(Universidade Federal do Pará, 2018-03-28) ARRAES, Raoni Lourenço; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This study aims to analyze the intersubjective processes that involve the photographers of the photographic movement of the city of Belém do Pará. The proposal is to understand how social trajectories, from life histories, construct a photographic movement, that is constituted from a circuit, defined by Magnani (2005) as a relation between subjects and spaces, from communicative sociocultural processes, which function as mediators of a collective experience. From an ethnography that involves an autoethnography from near and within, with participant observation and semi-structured interviews, using the questioning why photograph? I can understand the relationships between intersubjectivity and sociabilities involved in the photographic act. The study also discusses a proposal of an Ethnography of Communication, based on intersubjective relations.
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Não é só futebol: uma análise dos laços de afetos que envolvem os torcedores do Clube do Remo
(Universidade Federal do Pará, 2017-03-24) FREITAS, Aline Meriane do Carmo de; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
In this dissertation I propose an ethnography of intersubjectivity, that is, an analysis of communicative sociocultural processes with the objective of understanding the sensibility and production of "sensitive" senses involving the fans of the Clube do Remo soccer team, from an affective and collective Love, joy, pain, excitement, anger and, at times, disappointment are some of the feelings shared, affectively, by the crowd and fundamental for understanding the processes of sociality that surround them. Based on a dense ethnography (Geertz, 1989), I verified the relationship between intersubjectivities and socialities as a social practice of collectively living emotion. This methodology allowed greater freedom between the researcher and the interlocutors because of the possibility of experiencing, observation and interaction. The very perception to a look, a gesture, a smile helped in the intended understanding and, thus, everything became relevant during the research. The choice of doing an ethnography using as object of study the rowing of the Rowing Club, focusing on the bra bar Shirt 33, occurred for singular reasons. The bar has the premise of not having the bureaucracy of the organized, has a strong presence on the internet and accompanies the Remus in any modality that he is participating, including in the amateur sport. Through ethnography it was possible to establish a direct relationship with social markers of difference and to notice that the crowd is characterized by being middle class, a good part of the members, are young and university. In this sense, in order to analyze the relations that soccer evokes during games, and beyond them, I have used the phenomenology proposed by Alfred Schutz (1967) and made possible the categorization of the typifications engendered by the fans in order to understand experiences experienced by them in their daily life, and therefore social practices that reflect the communicational dimension of the intersubjective process, focusing on the sensitive dimension of social interaction. In this way, I have verified how affection, taste, ethos and empathy are typified and are present in the everyday social life of the cheerleader. To do so, I discuss with a theoretical-methodological perspective with a focus on the intersubjectivity perspective in which I use concepts from Alfred Schutz, Arlei Damo, Gilberto Velho, Michel Maffesoli and Roberto DaMatta.
Acesso aberto (Open Access)
A natureza comunicativa da cultura: pesquisa exploratória sobre a Festividade de Carimbó de São Benedito de Santarém Novo - Pará
(Universidade Federal do Pará, 2013-08-16) GOMES, Gleidson Wirllen Bezerra; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This dissertation is titled The communicative nature of culture: exploratory research about the Festividade de Carimbó de São Benedito de Santarém Novo – Pará. The goal of the research is to understand the communicative nature of this festivity, noting the characteristics that constitute and them looking for elements that are interpreted as communicative processes. The proposal part of the notions of communicative nature of culture in Martín-Barbero (2006) and França (2001), in addition to the design of this communicative process. We have outlined the contexts in which the research is inserted, reflecting on the "invention" of Amazon (ARAGÓN, 2007; MAUÉS, 1999; DUTRA, 2009) and its socio-historical (BEZERRA NETO, 2001; BECKER, 2009) and cultural training (SALLES, 2004; ALVES FILHO, 2001; LOUREIRO, 2000). With regard to Communication, we seek their "anthropological perspective" (WOLTON, 2006) allied relations between media and modernity (THOMPSON, 2011). Understanding communication from the culture, discussed, noting the cultural experience that the festivity represents (RODRIGUES, 1994), the relationship between tradition and modernity (THOMPSON, 2011) in processes of hybridization (GARCÍA CANCLINI, 2008). In addition, we reflect on the "functional heritage" in Communication Research (WOLF, 2008; MARTÍN-BARBERO, 2004, 2006, 2009; MARTINO, 2004, 2006) and our perspective of communicative nature of culture (MARTÍN-BARBERO, 2006; FRANÇA, 2001), relating it to the concepts of “communicative mediation of culture” and “media” (BRAGA, 2012; SODRÉ, 2011). To develop the field research, besides the bibliographical research, use techniques of Ethnography for the collection of data, such as: participant observation, in-depth interview with members of the party and the field journal. We understand the communicative nature of the feast from the elements that are highlighting the community character and tradition, which led us to highlight the communication in their sense of sharing and communion.
Acesso aberto (Open Access)
Políticas públicas para a comunicação na Amazônia: o caso do Programa NavegaPará
(Universidade Federal do Pará, 2012-08-31) BAÍA, Dayane Corrêa Pantoja; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
The NavegaPará Program, developed by the state government of Pará since 2007, set in a public policy aimed at ensuring access to the Internet for free in the municipalities of Pará, through a wide network of own fiber optical. Looking beyond the basic infrastructure, seeking to understand the NavegaPará above all as a communication policy, based on the discussion of communication, information and lack of communication. About Political Economy of Communication, seeking to understand the context and how the program's methodology is applied in three distinct infocenter in the capital Belém, from the analysis of their political and social conditions, material, institutional, methodological and ideological . The method of approach is inductive qualitative with applying semi-structured interviews of three groups of social agents belonging to the dynamics. The research methodology found in the infocenter not standard, contributing to the cultural issue of communication was deprecated in relation to the aspect of technicality and access to computers to the Internet.
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O som das marcantes: conexões sensíveis existentes entre a música brega paraense e seus ouvintes
(Universidade Federal do Pará, 2021-11-17) COSTEIRA, Igor Blendon de Souza; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This research paper aims to study the cultural and sensible universe of brega musicality in Pará State. It seeks to thematize and reflect on the sensible experience resulting from the relationship between this musical style and people who experience it in their daily lives. In general, brega music presents in its compositions messages that involve people's daily life issues and that arouse nostalgic sense of belonging and personal and cultural identification. The research is developed based on the interactive content extracted from a specific brega music channel on YouTube, on the basis of the formation and analysis of typified categories, using the typification methods by Alfred Schutz (1979). In order to build a theoretical reflection, the concepts of Heideggerian thought of everydayness, banality, Alfred Schutz's phenomenological perspective of Culture and Castro's semiotical blues (2015), will be phenomenological applications that will permeate to consolidate the understanding of this research. Therefore, a sensible, longing and intersubjective aspect was perceived in the temporal and nostalgic peculiarity of brega music from Pará State, which is present in the social fabric and in the popular imagination and guarantees the entry, passage and remaining of brega rhythm in Amazonian culture.
Acesso aberto (Open Access)
Territorialidades de enunciações: as Amazônias na tetralogia Amazônica, de Benedicto Monteiro
(Universidade Federal do Pará, 2024-09-24) OLIVEIRA, Airton Souza de; CASTRO, Fábio Fonseca de; : http://lattes.cnpq.br/5700042332015787; http://orcid.org/0000-0002-8083-1415
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Tipologia das relações sociais de Schütz e a ética da alteridade: a experiência urbana do jornal “a verdade rua e crua”
(Universidade Federal do Pará, 2020-03-25) LEÃO, Bianca Conde; SANTOS, Ana Lúcia Prado Reis dos; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
First published in November 2015, A Verdade Rua e Crua or The Naked Truth of Homelessness is a newspaper exclusively written and produced by homeless individuals in the metropolitan region of Belém. The publication features articles inspired by life on the streets. What is the power of these wandering narratives (JACQUES, 2012)? This question inspired this master’s thesis. We propose to observe the intersubjective social practices of these homeless journalists and compare our reports to the productions of meaning that are revealed through this experience. To accomplish this, we used the typology of social relations by Schütz (1979; 2012) in order to systematize the reports of experiences obtained through printed materials and semi-structured interviews by some of the project's members. We also propose a dialogue with Lévinas' (1980) ethics of otherness as a cross-sectional basis to raise the hypothesis that the newspaper works as a mirror that can reveal the Face of the Other, a Face that is understood as a path to the exercise of the ethics of otherness. As a methodological procedure, in addition to in-depth semi-structured interviews, we use participant observation, since the author is a volunteer for the project, and content analysis of the texts of the newspaper's copies, in the hope of making a critical interpretation of this homeless initiative in the city. From the appearance of this Face, the paradox of proximity and distance between Same and Other emerges, in which an apparent contradiction is created between Shütz’s intersubjectivity and Levinas’ idea of infinite distance which forbids a reduction to sameness. However, it is through the crossing of this Other that is, at the same time, different and similar to the Same, that the places of each one in everyday life are rethought. In the face of these mirror newspapers, the exercise of the ethics of otherness is revealed, since the recognition of the Other's differences does not exempt the Same from its responsibility towards him, because what is common to all human beings is not lost even in situations of extreme vulnerability.

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