Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452

O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.

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Agora exibindo 1 - 8 de 8

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Belém também é afro: tensões discursivas na Amazônia urbana
(Universidade Federal do Pará, 2019-02-13) SARRAF, Moisés Taate Alves; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
This work seeks to penetrate the theme 400 years anniversary of Belém, celebrated in 2016, to understand how the construction of the discourse on the anniversary of the city takes place, as well as the themes, statements and other discourses with which it draws neighborhoods and relations. For this, we will look for materialities in the city press, drawing a parallel between the years 1966 and 2016, in order to characterize the discourse in its movement in two moments of commemoration of the city. Finally, let's look for political groups that have fled to an official celebration of the party. Thus, we will conduct an ethnographic research with a group that compose the Afro-religious community of Belém, trying to understand which meanings such group attributes to the city's birthday party. Our theoretical-methodological contribution is based on discourse analysis, especially in Michael Foucault’s archeology of knowledge, as well as in the use of this methodology in the study of media materialities in Maria do Rosário Gregolin. Our field research also includes Clifford Geertz’s interpretation of the cultures, Maissimo Canevacci’s urban ethnography and Alessandro Portelli’s oral history. The main objective is, therefore, to demonstrate the discursive tensions that unfold in the urban Amazon during the commemoration of Belém's birthday, demonstrating its political and relational character among different projects that reverberate in themes such as citizenship and the right to the city.
Acesso aberto (Open Access)
Entre a cultura popular e a arte urbana: a cidade de São Caetano de Odivelas-Pará nos murais contemporâneos de And Santtos e Adriano DK
(Universidade Federal do Pará, 2020-03-30) COSME, Priscilla Brito; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
As cities and their individuals are historically built, their memories are fractured and depend on the conditions of visibility possibilities and discourses of silence. In this sense, we take a city that is not as a neutral space, empty of memory, or an urban calculation, but as an interactive and communicative space. From this perspective, we will analyze contemporary murals with an immensity of colors, brushes, paints, graffiti spray and Masks ox painted by the artists Adriano DK and And Santtos, with a notion of "odivelismo", a concept proposed by him, a study aimed at social and cultural values of the city of São Caetano de Odivelas, in the state of Pará. Our goal is to understand how their works translated into the urban space, interact with the city's residents and portrays the ethnic diversity of its residents. For this purpose, this fieldwork based on ethnographic tones, involves semi-structured interviews with social actors in the city, but it is based mainly on the experiences lived in the city in the company of the artists. Our theoretical-methodological framework is based on the formulation of communicative communication and polyphonic city, proposed by Lucrécia Ferrara and Canevacci, in Foucault's studies on subject flavors, in the definition of contemporary mural by Gitahy and an anthropological approach of graffiti by Campos. This investigation identified a form of ethnomural, using an expression based on the daily life of the odivelense people, in singular poetry, on feelings of the dweller on the banks of the Mojuim river revealed in the rhythms, sounds and popular culture, the mangrove and fishing visions, of playing in the Boi de Máscaras procession materialized on the city walls.
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Etnografia em quadrinhos: subjetividades e escrita de si Tembé-Tentetehara
(Universidade Federal do Pará, 2016-03-31) OLIVEIRA JUNIOR, Otoniel Lopes de; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
Comics is a language that uses textual and pictorial resources for production of meaning. More than just the sum of these resources, comics is a noteworthy hybrid with unique expressive features to production of discourse and statements. As a vehicle of cultural industry, but not only contained in it, the comic play a dual role, at the same time they act as mass media, it's also a language that through its conditions of its historical possibilities, provide the appearance of subjects knowledges. Historically, Brazilian indigenous societies undergo a process of adjustment to a homogeneous culture colonialism, be it historical, be it cultural, be it ethnic genocide. The representation of brazilian’s indigenous in materiality of the cultural industry is commonly marked by standardization of subjectivity and stereotyping images. Presenting the language of comics and their characteristics, this paper will examine, through archgeneological method if such subjective processes of indigenous peoples are present in a materiality clipping comic produced in the cultural industry. Also discuss the process of emergence of indigenous subjects knowledges by Tembe-Tenetehara's statements in comic language, made from workshops held in the Aldeia Sede as part of a participative field research presented here through a ethnography draw and comics.
Acesso aberto (Open Access)
O indígena na telenovela brasileira: discursos e acontecimentos
(Universidade Federal do Pará, 2015-07-07) CARVALHO, Vivian de Nazareth Santos; MALCHER, Maria Ataide; http://lattes.cnpq.br/5418062253829906; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
This thesis analyzes the discourses that circulate in Brazilian telenovelas on indigenous societies. For this, we appropriate the proposed formulations by Michel Foucault in "The Archaeology of Knowledge", in order to investigate the regularities and dispersions in the discourse on indigenous peoples present in these television serial fictions. We start mainly from the analysis of scenes from telenovelas "Aritana" (1978), "Uga Uga" (2000) and "Alma Gêmea" (2005). We show how these productions, which have different plots and were exhibited at different times, have regularities in building their indigenous protagonists. In a Foucaultian perspective, try to understand how indigenous characters are constructed in such television narratives, which statements related to them appear in these productions and the memories which networks they are affiliated. We take the analytical category intericonicidade proposed by Jean-Jacques Courtine (2013), in order to understand the construction of the images of indigenous characters present in these telenovelas. To analyze historical moments in which the discourse on indigenous peoples won highlights in Brazilian telenovelas, performed in the period from February to July 2014, an extensive survey of telenovelas that were shown over 50 years, the main television stations. From this survey, we got three big enough overlapping events with productions that have brought indigenous characters in leading roles: the demarcation in 1978, the Xingu Park, the celebration, in 2000, 500 of the arrival of Europeans to Brazil and the present moment, in which we follow the discussions on the construction of the hydroelectric plant of Belo Monte.
Acesso aberto (Open Access)
O indígena notícia na Tv Liberal: corpos de memórias coletivas
(Universidade Federal do Pará, 2015-11-24) SENA, Arcângela Auxiliadora Guedes de; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
This dissertation analyzes the indigenous presence in the Liberal TV telejournalism, a TV broadcasting company sited in Belém, capital of Pará, a Globo TV’s affiliated, which is one of the largest audiences in the country. Four materialities will be reviewed, three (03) reports and one (01) broadcaster Institutional Vignette, aired between April 2012 and December 2014. This period was cut from three very significant events for the indigenous people living in the state of Pará: the accomplishment of the Indigenous Games editions in the State , the work involving Belo Monte construction and the conflict between Tembé and settlers in Indigenous Land High Rio Guama. Since the beginning of television programming in Brazil in 1950, the TV news began to establish itself as a significant opinion leader among Brazilians. However, they are not homogeneous, because they are intrinsically associated with the political and / or economic groups which they are linked to. The Television, as a significant identities production device, ie an instrument of power and knowledge circulation control, works in order to sort the speeches, from different perspectives and the telejournalism is linked to the Reality Translation idea, which represents the no fiction. We will analyze the Liberal TV telejournalism, taking as perspective the description within the multifaceted and complex Amazonian universe. We will pursue to observe their discursive practices, their regularities movements and dispersions and the historical subjects’ memories networks that put outstanding speeches committed to the colonial system and its updates. We will take the indigenous body, presented in the Liberal TV newspapers as a central object of our analysis. In this regard, we will consider the indigenous body as a main visual statement of the reports and inter-iconicity processes that are established (COURTINE, 2011). The concepts of discontinuous and event, formulated by Foucault (2014) will also be delineators of our analytical course. This indigenous body, as the news, presented on TV screens, is interwoven with the conditions of historical possibilities of who produced the TV news and seeks to forge a "reality" on indigenous peoples in an audiovisual materiality associated with truth in a regular history, which mutes the knowledge or when they appear, repeatedly resume established memories from the colonial discourse, even in the sixteenth century, who rose through literature or travel iconography full of moral and philosophical developments in different materiality as letters, internal reports or descriptions of an ideal figure to society at that time. In surveys with local TV news, the discursive functioning, very recurrently updates this colonial memory about the Indians. Therefore, we wish to work with that part of the academic debate on television news, once the study of its kind, based on an Amazon perspective is still something unexplored
Acesso aberto (Open Access)
Palafitas Digitais: comunicação, convergência cultural e relações de poder em Afuá
(Universidade Federal do Pará, 2014-03-17) MIRANDA, Diogo Silva Miranda de; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
This research aims to analyze the communication issues in the Amazon. To do this, I try to understand the social uses that individuals do of different technologies involved in the process. And I also try to understand the power relations that are established at scene. For this exercise, I‟m using Jesús Martín-Barbero‟s (2004) theoretical and methodological aspects, which identifies the mapping like a more open and rigorous perspective of study. This aspects allows the researcher to experience the dynamics of the object. This experience was the key to grasping the reality that must be experienced to finally be understood. In analyzing this contemporary setting, I also seek support in the work of Henry Jenkins (2012) to understand that culture is changing and the different information and communication technologies (ICTs) are organizing to provide individuals an experience unlike interaction society. However, one thing must keep in mind that not all participate in the same manner. Here, Michell Foucault (1996, 2008) help to understand the analytical issues of power in society, how manifest disputes in small stocks and how individuals perform small forms of domination. From these questions we can say that Amazon has a multifaceted context, where the differences are inscribed in each part of its territory. Afua is an example of the complexity that exists in the region. Located at the Marajo‟s archipelago, in the brasilian Amazon, the "Venice of Marajó" (as the city is called by its residents) has its streets, houses and high buildings on stilts that support the entire city on the rivers. In this particular place, the web became popular a few years ago by the signal of mobile phones and provided a new scenario of interaction among its residents. But their success is strongly linked to the importance that the radios have the articulation of social relations that community. So we can see how each form of use of ICTs is linked to experiences that take place in society. In this sense, thinking of communication in the Amazon is an exercise that requires looking at the communicative nature of social events (FRANÇA, 2001). These developments reflect specific contexts, that particularize the place where they happen. It is these contexts that enable the particular practices of appropriation and the different uses of social media. They make the experience of individuals a unique and singular event and that allow us to understand the extent of the communication process that goes beyond simple social interaction.
Acesso aberto (Open Access)
Pioneiros e duendes: desenvolvimento e integração da Amazônia a partir dos filmes documentários de Jean Manzon
(Universidade Federal do Pará, 2018-04-03) SANTOS, Rodrigo Wallace Cordeiro dos; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
From the late 1940s to the present day, the Brazilian Amazon received several actions from the federal government that, among other reasons, aim to bring progress and development to the region. The starting point for this research is the construction of the Belém-Brasília highway in the late 1950s, part of a large national development plan, the Plan of Goals of the government of President Juscelino Kubitscheck. During the period of construction of the road, there was legislation that encouraged the production of small documentaries in the country. The French filmmaker Jean Manzon was one of the main directors of these propaganda documentaries and has always been very close to the power centers of the country. Here we will analyze two of his productions on the construction of Belém-Brasília, Amazônia goes to meet Brasilia (1958) and Coluna Norte (1960) and seek to make visible the indigenous peoples who lived in this region. These films are loaded with speeches about the Amazon characterized by exoticism, fanfare and also by the absence of indigenous populations and other peoples. Based on the studies of the discourse, taking as a reference the formulations of Michel Foucault and Rosário Gregolin and authors interested in decolonial discussions such as Ivânia Neves and Aníbal Quijano, we will analyze the conditions of historical possibilities that would allow some discourses about Amazonia to be seen and others silenced in these films.
Acesso aberto (Open Access)
A presença indígena nos grafites de Belém: entre fraturas e resistências
(Universidade Federal do Pará, 2017-04-05) SILVA, Camille Nascimento da; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
The discourse on indigenous societies are always silenced. Be the television media, press or on the Internet, discourses produced on these societies are always loaded with stereotypes, giving them the place of the uncivilized, the strange, the different from Western society. In this work, we consider that the modernity of colonization brought (thus) a silencing process in the colonized society. These speeches and silenced memories, according the conditions of historical possibilities, emerge, at times, in society. We start the research from the observation of the raise in the number of graffiti in the city of Belém in the last ten years, more precisely with the Indian figure. Our research seeks to analyze the construction of speeches and statements about indigenous societies in this urban intervention, the graffiti. As theoretical support, we chose to combine our object of study, the theoretical method of the French Aspect of Discourse Analysis, with concepts such as speech, statement, recurrences and dispersions, proposed by Michel Foucault, Jean-Jaqcques Courtine, which are used in studies of Discourse Analysis in Brazil, as one used by the Rosario Gregolin. In addition, other theoreticians who take the city as their research object is made present in our analysis, namely Massimo Canevacci and Lucrezia D'Alessio Ferrara, who consider the city as a communicative environment. We also use the Walter Mignolo's analysis of the fractured enunciation result of the colonization process.

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