Navegando por Orientadores "CASTRO, Marina Ramos Neves de"

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Cidade (Re)vista : interpretação decolonial da fotografia de Naiara Jinknss em Belém do Pará
(Universidade Federal do Pará, 2022-06-14) SANTA BRÍGIDA, Juliane Oliveira; CASTRO, Marina Ramos Neves de; http://lattes.cnpq.br/6636359546031674
This research focused on the imagetic production of the documentary photographer Naiara Jinknss, focusing on the content posted on her Instagram during 2019, in order to understand from a decolonial interpretation the role of her photography as an image of resistance. Therefore, the overall aim seeks to answer the following question: "how can Naiara Jinknss's photographic production be interpreted as an image of resistance within the power relations present in the discourse on the Amazon?". Through netnographic inspirations in Kozinets (2014) and phenomenological-decolonial approach, anchored in the phenomenological sociology of Schutz (1979), the understanding that phenomena and experiences are conditioned to the social and, therefore, transmitted in society was adopted. While exploring research objects that are immersed in the context of a country built by coloniality, it is a fact that the phenomena and experiences analyzed are also involved in what Quijano (1992) calls the colonial matrix of power. Therefore, we seek to develop the articulation of the concepts of Kossoy (2001), Aumont (2002), Fairclough (2001), Bhabha (1998), Hall (2006), Quijano (1992), Mignolo (2015), Maldonado-Torres (2017), among others. The research methodology developed included a bibliographic survey on the Amazon, Power and Photography, in the area of Social Sciences, and multiple stages of online data collection. The relevance of this study is trusted in highlighting the photographic production made by a professional from Pará who identifies with several minority groups in front of a field traditionally marked by power relations that do not contemplate these groups and that is not exempt from discourses and imaginary reproduced on the Amazon.
Acesso aberto (Open Access)
Da estética da identificação comunicacional à dimensão sensível territorial da feira do Guamá, Belém - PA
(Universidade Federal do Pará, 2021-11-22) XAVIER, Fábio Rodrigo de Moraes; CASTRO, Marina Ramos Neves de; http://lattes.cnpq.br/6636359546031674
The research we have as perception the aesthetics of communicational identification to the sensitive territorial dimension in the daily of the Guamá fair, located in Belém in the State of Pará Brazilian Amazon. The our objective is to understand the functioning of the movement that happens between the regulars in that daily, also the communicative experience of the place. We use as our methodology visits to the fair within the ethnographic process, to us understand aesthetics as being-together with others in the generalized art that place and the identification as interactions between people and connections that constitute the sensitivity of the fair that is conducted in the territory those individuals. We observed that the diversity of the Guamá fair offers different expressions and is built on events of connections that permeate the existing relationships between those people. Our reflection provides an understanding of the existence of that reality that is driven by the present experience of that movement that the fair in Guamá express
Acesso aberto (Open Access)
Feminino pau e corda na Amazônia: as sereias de Vila Silva Tocadoras de Carimbó
(Universidade Federal do Pará, 2021-11-24) MENDES, Roberta Pinheiro; CASTRO, Marina Ramos Neves de; http://lattes.cnpq.br/6636359546031674
This work aims to overcome the essentialized and mediated image of the stamping woman proposed by traditional media. The group chosen as the guiding thread of this decolonial narrative that takes place through images is the pioneer group, composed, primarily, of women from the village Of Vila Silva, located in Marapanim, called Sereia do Mar. Musical presentations, articulations and the daily life of the village, evidenced from the perspective of a decolonial feminism (LUGONES, 2010) are the focus of this work that will discuss other forms of narratives coming from the Amazon Region. This work also dialogues with the term Escreviveência (EVARISTO,2021) by Conceição Evaristo, which proposes a feminine and Afrodescendant perspective (2018/ Revista Língua & Literatura) in the construction of the text, in its poetics. This concept was created by analyzing literary works, however this work uses this cut out in writing for the academic text. Therefore, the researcher's first-person account at various times comes to the fore and is important in the construction of this visual narrative. Why, based on this thought of Evaristo, where the writing is part, it reveals a lot about the work.
Acesso aberto (Open Access)
Festival Rio Ouricuri: música, arte e sustentabilidade no interior da Amazônia paraense
(Universidade Federal do Pará, 2022-07-14) SANTIAGO, Édipo de Queiroz; CASTRO, Marina Ramos Neves de; : http://lattes.cnpq.br/6636359546031674
This piece of work has as its object of research to understand possible constructions of society and identity present in the city of Capanema, state of Pará, using the agenda of the 3rd virtual edition of the Rio Ouricuri Festival. The research seeks to understand the communicative phenomena present in the 3rd edition of the Rio Ouricuri Festival. In order to execute the research, structured interviews were carried out with several subjects involved in the production process, musical presentation and media presentation of the Festival. We seek to briefly recover, from bibliographic records, the contextualization of the cultural formation to present at the Festival in its third edition. Such interviews were carried out in February 2022. This dissertation is motivated by the hypothesis of the existence of an Amazon that exists in Capanema, a peripheral city that is different from the image traditionally conveyed in the wider media, especially TV, radio, print media and news portals. In that way, the existence of an Amazon beyond the reductionist images, urban/forest/riverside, promoted by the media. In our understanding, this dichotomy makes the subjects of urban peripheral Amazon invisible, such as medium-sized cities like Capanema. The research is related to the idea of being-together enunciated by Maffesoli (2006), sociation processes by Simmel (1983), and uses a methodology that has bibliographic research, qualitative research with a semi-open interview instrument gathered from the collection of oral records and content analysis of those speeches.