Navegando por Orientadores "FURTADO, Marli Tereza"

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Atonia e degradação em personagens de Dalcídio Jurandir
(Universidade Federal do Pará, 2018-08-30) FERNANDES, Jonathan Pires; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present work proposes a study about the following fictional characters in Dalcídio Jurandir’s literary work: Eutanázio in Chove nos campos de Cachoeira (1941); Edmundo Meneses, in Três casas e um rio (1958); and Virgílio Alcântara, in Belém do Grão Pará (1960). It discusses the three characters based on two themes that, according to what this research proposes, are present in the composition of each one: atony and degradation. It is herein argued that these two themes are related to one of the main lines of interpretation of Dalcídio Jurandir’s literary work according to which most of the author’s fictional universe comprises negative and disillusioned heroes who travel through a discouraging and decadent scenario. In this context, they manifest negative traits such as atony and degradation. These traits can be understood as passions that rule the characters’ mental lives. Among the main works that theoretically support this research, we highlight the following ones: Berman (1982), Candido (1964), Candido (1968), Descartes (1649), Furtado (2002), Lebrun (2009), Lukács (1920) and Marx & Engels (1848).
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Bruno de Menezes, Dalcídio Jurandir e De Campos Ribeiro e as territorializações afro-amazônicas urbanas (da belle époque à década de trinta)
(Universidade Federal do Pará, 2019-11-22) SANTOS, Josiclei de Souza; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present paper makes a reading of the profane and sacred Afro-Amazonian territorializations in the city of Belém from the nineteenth to the twentieth century, and in the first decades of it, from the works Gostosa Belém de Outrora (1965), by José de Campos Ribeiro, Belém do Grão Pará (1960), by Dalcídio Jurandir, and Batuque (1939), by Bruno de Menezes, observing how the mentioned authors, through their experiences and research, got to create works that reinserted Afro-American minority groups in the narrative of the city. Amazonian communities that had been concealed by the narrative of the majority groups of the Amazon belle époque period, which took place during the gomiferous economic cycle, and these communities were hidden from the conformation narrative of the city. In this cycle there was an enunciative agency of Euro-indigenous essentiality, fed through an artistic production committed to the State apparatus. It is interesting for this paper what the referred works have of Minor Literature, working with the signs of Afro-Amazonian territorializations in the city of Belém, erasing the origin genealogies that generate racisms and hierarchies, which diminished the African descent participation in the Amazonian history. As tools for reading the studied works will be used Comparative Studies, as well as Cultural Studies, in a transdisciplinary perspective.
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O cangaço em “Fogo morto” e em “Os Desvalidos”
(Universidade Federal do Pará, 2012-10-29) MENESES, Antonio Alan Dantas de; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This study aims to establish a comparative analysis between novels of the twentieth century Brazilian literature, regarding the approach taken by the works of social and historical phenomenon of the cangaço. The works Fogo Morto of José Lins do Rego and the Os Desvalidos of Francisco Dantas represent two different moments of northeast fictional production. The first work is inserted into the fiction of the '30s and '40s. The Fogo Morto consists in the tenth novel of the writer represented by character Jose Amaro, saddler that turns into helper outlaw Antonio Silvino. The second works published in 1993 represents regional fiction. The novel is based in the point of view of character Coriolano that unlike Jose Amaro he demonstrates hatred by cangaço represented by Lampião. The comparative analysis of the work was preceded by a historical study of the cangaço, as well as, the ambiguous characterization of the “cangaçeiro” presents in the northeast popular imagination. Indeed, the cangaceiro is represented as hero and sometimes seen as outlaw. The contradictory point of view appears in the two novels analyzed in this work. The historical approach of the cangaço is made from studies of authors such as Facó Rui (1983), Maria Isaura Pereira de Queiroz (1977) and Luis Bernardo Pericás (2010). It was also essential a brief survey of Camara Cascudo (2005) which helps to understand the cangaceiro as a regional folk hero. Finally, for the comparative study between of Fogo Morto and Os Desvalidos were used works of authors such as José Paulo Paes (1995) and Sonia Lucia Ramalho de Farias (2006), which supply important elements to relation between works of nature regionalist produced by writers from the Northeast.
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A cidade personagem de Belém do Grão-Pará
(Universidade Federal do Pará, 2018-11-29) BRASIL, Clara Alice da Silva Guimarães; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
A city establishes important meanings for Literature. Thus, many studies show the relevance seeking to understand the relationship between Literature and literary work. In "Belém do Grão-Pará" (1960) by Dalcídio Jurandir, this is no different, since the city becomes a crucial figure for the novel's plot; because of that, many scholars such as, Nunes (2006), Linhares (1987), Furtado (2010), Ornela (2003), Castilo (2007), emphasized the role that the city means in the narrative, more specifically, showing the current personification in the romantic lines. Considering this perspective, the initiative of this study is based on the necessity to extend this indication. To that end, the aim is to interpret Belém city as a character in the work "Belém do Grão-Pará". However, to reach this purpose it intends to note the limits between character and space in the narrative; understanding how configuring the city can establish it as a character; and, at the same time, inspecting how the city dialogues with other characters. To that end, proceeds the bibliographic research on a range of definitions of space, characters and cities in literature. Texts by Osman Lins (1976), Candido (2011), Santos e Oliveira (2001), Dimas (1985), Dias (1986), Briesemeister (1998), Freitag (1998) Mesquita (1986), Borges Filho (2007; 2009), Barbieri (2009), among others, were essential for the reflection of this purpose. Therefore, it is observed that the bounds between space and character are subtle and, mainly, they contribute to build the profile of the city, in concluding that it is a character in "Belém do Grão-Pará".
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A crítica literária aos romances “Chove nos Campos de cachoeira”, “Marajó” e “Três casas e um rio” na imprensa do Rio de Janeiro
(Universidade Federal do Pará, 2015-03-11) MOREIRA, Alex Santos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
Discredited as a critical model, impressionistic criticism until the first half of the twentieth century dominated the literary debate in Brazil and its performance was hegemonic in the literary supplements of newspapers, magazines and weeklies. It is known that for a long time, it was the main source of readers’ guidance, revealing reading keys, clearing plots, playing characters and most of all it was also the living bond responsible for the link between the work and the reader and between literature and everyday life. Thus, this paper studies the literary criticism in the press of the city of Rio de Janeiro on the first three novels of Pará Dalcídio Jurandir writer (1909-1979). Show how Chove nos Campos de Cachoeira (1941), Marajó (1947) and Três Casas e um Rio (1958), in its immediate context of publication, were read by critics considered Impressionist. We intend to recognize how consolidated the meanings of these books, elucidate the critical procedures of the first assessors Dalcídio Jurandir and raise new hypotheses that help the new readings of these novels to go beyond what is laid by the current critical system.
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Dalcídio Jurandir: leitor e criador de personagens-leitores no ciclo do extremo Norte
(Universidade Federal do Pará, 2019-08-30) COSTA, Regina Barbosa da; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
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Dalcídio Jurandir: um cronista de O Estado do Pará e de Diretrizes
(Universidade Federal do Pará, 2014-06-02) BARBOSA, Tayana Andreza de Sousa; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The writer Dalcídio Jurandir (1909-1979) had a long and useful literary production, which resulted in ten novels with Amazon setting and Linha do Parque of Communist orientation. However, his contact with the universe literate is not restricted to his fictional creation, the writer held intense activity in the press in general and the Communist press in particular. This last, due to his involvement with the Brazilian Communist Party (PCB), which was substantial for the grounds of thought "dalcidiano", both as regards the way to see the reality and its operation, as when targeting their artistic creation. Two important journals for which Dalcídio collaborated in the cities in which he resided were the O Estado do Pará and Diretrizes, both of leftist policy orientations although not organically connected to the PCB. These two journals, it is possible to terms with another face of the novelist, who in addition to writing his novels, he ventured down the path of Chronicles. Thus, aim, with this work, do a study of these chronicles, in two newspapers, spanning the years from 1937 to 1944, in order to publicize these texts from writer marajoara and understand how he behaved in the creation of another literary genre.
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De Cachoeira a Belém: a inflexão das ilusões de Alfredo
(Universidade Federal do Pará, 2008-03-28) FERREIRA, Paulo Jorge de Morais; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This paper tries to demonstrate, through the journey made character Alfred, along the itineraty that goes from Cachoeira to Belém city, in a dalcidiana creation, the process of gradual disalienation of a boy who little by little becomes a young man. The building of his personality is through a very suffering process, wich in this heros life leads him to a necessary shock caused by some disillusions. Confronting with am bivalent feelings, with stages indecisions and indefiniteness, Alfred goes making his own way through the labyrinth of his being as the city also represents a not less challenging labyrinth. In this integration process, the final aim is the rescue of humain dignity which is not limited by the being of a hero; Alfred embraces a large political projet which is sought as a popular alternative.
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Os (des)enredos do amor: a narrativa do fracasso amoroso em contos de Lygia Fagundes Telles
(Universidade Federal do Pará, 2010-11-29) VIANA, Maria José Amaral; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This study assumes that the love-themed tales from Lygia Fagundes Telles can be read as narratives of love failure. In a poetic and vibrant way, the writer‟s short stories present the search for love and its failure, as weel as delineate man‟s anxieties, tensions and frustrations, which come from the experience of living and relating their feelings to other people. To develop this hypothesis, eight tales were analyzed, being divided into four tracks: love-incommunicability-loneliness, love-estrangement-fragmentation, love-selfishness-blame, love-degradation-death. In our reading, these tracks delineate and interlace the (mis)direction or (un)plots of romantic relationships in Lygia‟s tales and make it possible to analyze the social, ideological, philosophical and psychological values invested and/or virtualized in the narrative fabric, in order to examine and question the representations of love (des)constructed in the fictional universe of the writer.
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Dona Cecé: um feminino singular, em passagem dos inocentes, Dalcídio Jurandir
(Universidade Federal do Pará, 2005-05-23) SANTOS, Neilci do Socorro Coelho dos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
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A ética e a estética em Marajó, de Dalcídio Jurandir
(Universidade Federal do Pará, 2012-04-26) MENDONÇA, Gerson de Sousa; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
Dalcídio Jurandir was born in Ponta de Pedras, Pará State, Brazil. His ten-novel series called ―Ciclo do Extremo Norte‖ (Cycle of the Extreme North) is a literary journey in which he presents several sociocultural aspects of the lifestyle in the Marajó archipelago, in the city of Belém and in the Lower Amazon River. The novel Marajó is the object of this study (apparently apart from the life trajectory of Alfredo, a character who appears in the other nine novels of the Cycle). It takes place in the first decades of the twentieth century and presents various features of the Amazonian culture. The objective of this dissertation is to show Dalcídio Jurandir‘s work as a critical and ethical journalist committed to the spatial and temporal reality of the Marajó archipelago, his native land, through newspaper and magazine articles, and his position in the current panorama of the Brazilian Literature, as well as to analyze the novel Marajó under prism of ethics, and especially, of esthetics, in its language, its social approach and the use of various parallel stories as its elements of composition, based on the theories of scholars such as Alfredo Bosi, Afrânio Coutinho, Marli Furtado, Junito Brandão, Massaud Moisés, among others.
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A figuração da mulher em Dalcídio Jurandir: entre o desamparo, a opressão e a transgressão
(Universidade Federal do Pará, 2018-05-24) SANTOS, Alinnie Oliveira Andrade; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
Dalcídio Jurandir (1909-1979), Brazilian writer, published eleven novels, ten of which make it part of the called Ciclo do Extremo Norte: Chove nos campos de Cachoeira (1941), Marajó (1947), Três casas e um rio (1958), Belém do Grão Pará (1960), Passagem dos Inocentes (1963), Primeira manhã (1967), Ponte do Galo (1971), Os Habitantes (1976), Chão dos Lobos (1976) and Ribanceira (1978) that thematize about man and the Amazon region customs. Even though in these novels men occupy the position of protagonists, it impresses the great number of female characters that collaborate for the development of the narratives, contributing in a hard way to the construction of the plots and the dramas present in the work. This thesis, therefore, it aims to analyze the female characters of the called Cycle, grouping them according to the social situation in which they are. Futhermore, we create the following categories of analysis: helplessness, oppression and transgression, which are not mutually exclusive, but we argue in this work that the characters pass between these three categories. For that, we used as reference the works of BRAIT (2006), ROSENFELD (2011), CANDIDO (2011), WOOD (2011), REIS (2015) to reflect on the fictional character; CASTELO BRANCO and BRANDÃO (1989), BRANDÃO (2006), ZOLIN (2009) and ZINANI (2013), thinking about the relation between woman and literature and the studies of RAGO (2011), SAFFIOTI (2013), ALAMBERT (2004), LENIN (1979), BEAUVOIR (2009), which enabled us to understand the issues of women as well as gender relations. From the sixteen women characters analyzed, six, predominantly, are in the category of helplessness, of which they stand out: Orminda, D. Inacia and Lucíola; three are in oppression, and Felicia and seven of them are in the transgression, of which stand out: Alaíde, D. Amélia and Isaura.Investigating, therefore, the female character of the novels produced by Dalcídio Jurandir, which have a strong social denunciation aspect, helps us to care for Brazilian society at the beginning of the last century, as well as how this society was portrayed in Brazilian literature.
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Figurações do pobre em Dalcídio Jurandir: do chalé à rua das palhas em “Chove nos Campos de Cachoeira"
(Universidade Federal do Pará, 2015-05-29) HAGE, José Elias Pereira; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This study aims to make a study on the poor representation in Dalcídio Jurandir literature (1909-1979), in the book Chove nos Campos de Cachoeira (1941). The study's aim is to bring a new look at the fictional production of the writer, based on the social relationship of characters and know, through fiction, the reality of the underprivileged who live in the Amazon region. In ten novels published between 1941 and 1978, the Pará writer has built the Extremo Norte cycle in which it was proposed reveal a history of the Amazon through the eyes of a strong and full of humanity people. In Chove nos Campos de Cachoeira, the first work cycle, we encounter two protagonists characters: Alfredo and Eutanázio, that in the course of the novel are involved with several characteristic types of the Amazon poverty, and it is because of that, even the present work You chose to accompany the poor reality from the different perspective of these two characters. Both conflict internally in various situations by lack of money. While Eutanázio, with nearly 40 years, stricken with a fatal disease, begins and ends his career in this first work, Alfredo 10 years is starting its way and become the protagonist of eight works of the cycle. Dalcídio Jurandir refracts the reality of the lack of things in his novels. There is a lack of essential goods and services; the lack of economic resources; as well as social deprivation, which deals with social exclusion, which is the inability to participate in society, evidenced by the prejudiced attitude toward upstate Caboclo. Eutanázio complains and suffers from lack of money. That complaint repercurte in character and reverberates in the works of Dalcídio Jurandir explaining also in other characters due to the poverty of different situations. In Chove nos Campos de Cachoeira in several parts, it is as if poverty that the tone of all, displayed around and internal lucubrations of the characters. The study is the methodology to research and literature review and had the theoretical work of scholars in the literature analysis line and society as Antonio Candido and Roberto Schwarz, among others, as well as scholars of social reality as Fabio Castro and Eugenio Giovenardi, among others. The notion of poverty that will guide all the work will be based on two fundamental principles: the notion of subsistence and social sense.
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O grotesco em Dalcídio Jurandir: Chove nos Campos de Cachoeira e Três casas e um rio
(Universidade Federal do Pará, 2011-05-16) MORAES, Viviane Dantas; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
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Identidade e hibidrismo em Dalcídio Jurandir: a formação identitária de Alfredo, em Três casas e um rio
(Universidade Federal do Pará, 2008-10-08) LEAL, Marcilene Pinheiro; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
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Identidade e história: Belém do Grão-Pará como narrativa da nacionalidade
(Universidade Federal do Pará, 2005-10-05) FIGUEIREDO, Elielson de Souza; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This work admits the allegory concept presented by Fredric Jameson as Possibility for reading speech of the history through Brazilian poetic speech, especially the Dalcidio Jurandirs novel, Belém do Grão-Pará. The beginning of the twentieth century is read through circumstances lived by the protagonist Alfredo, starting from his move from Cachoeira do Arari to Belém. Using the Marxist dialectic premises, little by little we analyzed the meaning of anthropophagi as sort of decisive political attitude to rupture with the idea of Brazilian culture submission front to the external cultures, specifically Europes. The new dimension given to the European vanguard in cultural and esthetic Brazilian means, as well the intellectual argument between the revolutionary sections of the national art and the academic eighteenth century tradition, were essentials to the statement of a very peculiar place to Brazilian literature in Latin-American and global context, especially. Alfredo's migration, central character in the play, from country-side to the city although he finds out a Belém ruined because of the economical climax of rubber exploitation, its read, allegorically as kind of crossing between the cosmopolitan way of national elites and the cultural roots which popular sections of the country-side are linked. Instruments of this historical debate between the elites and the people, were in the movies and newspapers, also mentioned by the novel. In a glance on post-modernity and the appearance of global society, under the tutelage of cultural industry, It insists on the possibility of a Brazilian national identity despite of strong differences among areas, social classes and ethnic.
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Imagens de leituras em Chove nos Campos de Cachoeira, de Dalcídio Jurandir
(Universidade Federal do Pará, 2014-08-13) COSTA, Regina Barbosa da; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This study aims to present the readings sketches practiced by characters-readers in the book Chove nos campos de Cachoeira (1941) of Dalcídio Jurandir (1909-1979). The research aims at raising a new sight over the fictional production of the writer, from the readings of characters and get to know, throughout the fiction, the existing cultural complex in the Marajoara region. The work opens up the cycle up of the Far North and has got several characters that represent different types of readers: from the reader of scholar to the intensive of serials. Thus, the writer of Pará by the social denunciation, peculiar of this novel itself and the whole cycle, perform into the complex process of acquisition of literacy in the region. In this manner, the study is divided into 5 chapters. The first, forewording the research. The second, which deals with The dalcidiana fiction in the Amazon space composed by the Dalcídio heading: the reader from Amazon and The Amazon space resized address the lecturer readings and the projection of marajoara scenario on real manner and imaginary pointing out the social problems, ordinary in Brazil and worldwide. In the third, the theory will be focused on reading, reader and character, indicating the main theorists used in the research. The fourth chapter will address the readers of the Major Alberto family, with the topics The Major Alberto, Eutanázio: collapse of the creature and perpetuation of the word and Alfredo: an infant reader. The fifth and final chapter will adress the paradoxical differences between readings and readers, showing an ordinary reader to the side of a scholar, in the topics The Incongruities of the Dr. Campos and Salu reader and storyteller.
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A infância desvalida em Dalcídio Jurandir: um bulício de crianças, picado de risos e gritos
(Universidade Federal do Pará, 2019-02-27) VELOSO, Ivone dos Santos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
The thesis proposes an analytic–interpretative reading that aims to demonstrate that the childhoood category has a prominet role in the literary proction of Dalcídio Jurandir and especially, in the ethical and aesthetic dimension of the construction of his literary project that became known as the Extreme - North. This study, with a qualitative bibliographical approach, focuses mainly on the first five novels of the Dalcidian cycle, namely: Chove nos Campos de Cachoeira (1941), Marajó (1947), Três casas e um rio (1958), Belém do Grão-Pará (1960) e Passagem dos Inocentes (1963). The analytic-interpretative approach is based on the thematic and discursive technique, which allows us to observe the ideological formations of the discursive construction of the marajoara writer, and the way in which the figuration of childhood and the child collaborate with the social tone of his aesthetic project. From this point of view, the fundamental axes that guide this reading are the relations between Literature and Society and Literature and Memory so that we revise authors that fall within this theoretical scope, as well as those that give treatment to the theme of childhood and the Dalcidian work. The research has shown, among other things, that the childhood universe that emerges from the Dalcidian narratives is not restricted to the presence of children's characters, or that they recall this stage of life, but also comes to light through the representation of the child's imagination, and, by insertion into the narrative structure itself, through the incorporation and often re-elaboration of fairy tales, myths, or other signs of popular and erudite culture that somehow approach the world of childishness. These strategies, in turn, are aligned with the ethical and aesthetic commitment of Dalcídio Jurandir, whose novels combine social commitment and awareness of literary work.
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Leituras de lá e de cá: a formação de leitores a partir do diálogo entre a “literatura de massa” e a literatura canônica
(Universidade Federal do Pará, 2019-07-01) SANTOS FILHO, Wlademir Ferreira dos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
The present research presents a reflection on the practice of reading the literary text in elementary school, as well as seeks to verify the effectiveness of a didactic intervention proposal that could succeed in the scope of forming students literally literate from the dialogue between mass literature and canonical literature. We tried to demystify the current discourses that the "teenager does not read, does not like to read, or reads a little." For that purpose, the reading project "Readings from there and from here" was implemented in the ninth grade class of the Luiz Nunes State School in Ananindeua-PA. The hypothesis was that if the school left interests and actual reading experience of students, not only would it be possible to develop more meaningful literacy reading practices in the class, but the student engagement and involvement would be more effective. Using the methods of literary text teaching centered on the proposals of literary circles, Cosson (2016) and receptive reading, by Bordini & Aguiar (1988), the proposal proposed the reading of the novels Uma canção para a Libélula, by Juliana Daglio , and the short story Garota a caminho, by Raduan Nassar. Conducted from April to December 2018, the project presented results that responded positively to the expected scenarios. Participating students demonstrated interest and involvement during the completion of all activities of the intervention proposal, and their reading skills developed or improved.
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Literatura e jornalismo: aspectos religiosos em Chove nos Campos de Cachoeira e Marajó, de Dalcídio Jurandir
(Universidade Federal do Pará, 2017-08-04) SANTOS, Juliana Gomes dos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592
This work aims to analyze religious aspects in the novels Chove nos Campos de Cachoeira e Marajó, by the journalist and novelist from Pará Dalcídio Jurandir (1909/1979). The journalistic texts of the writer will give comparative support to the literary discussion regarding the religious aspects present in the cited novels. In these they stand out the social and cultural issues that that stand out in the narratives, sometimes in confrontation with the religiosity, sometimes in tune with her. In the second section of this work, entitled "Considerations about the religious theme", we present important concepts that will give more foundation and understanding to the questions present in the works and consequently in the analysis of this work. In the third section that has as its title Religiosity in Chove nos Campos de Cachoeira e Marajó: An analysis examines the main religious aspects present in the works, highlighting the issues that this theme generates, mainly, social issues in which the richness of the Church in Opposition to the poverty of the Marajoara population, we also examine the conflicts and interconnections between religions, as well as analyze the sovereignty of the "superior forces" as a cause of fear, devotion and hope for the poor Marajó population. In the face of the discussion provided by Literature, by journalism and also by theoretical texts of the novels and also of the theoretical contribution, we find that the dalcidiana’s novels try to denounce the ills of a people wrapped in a religious universe, but also seek to inform about the Amazonian culture that is based on the different religions presented in novels.