Navegando por Orientadores "LUCIO, Elizabeth Orofino"

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Das telas para as narrativas transmidiáticas: uma proposta de ensino de língua espanhola na cibercultura
(Universidade Federal do Pará, 2022-07-29) REIS, Layane Aviz dos; LUCIO, Elizabeth Orofino; http://lattes.cnpq.br/9802121543478378; https://orcid.org/0000-0002-3446-5530
The present dissertation approaches on reflections on the teaching of Spanish Language in Cyberculture, which were based on a proposal for the teaching of Spanish language during the course entitled Frida Kahlo: from screens to transmedia narratives, situated in the Teaching area, in the line Research Methodological Innovations in Higher Education (INOVAMES), of the Postgraduate Course Creativity and Innovations in Higher Education Methodologies (PPGCIMES). In this narrative methodological perspective work (PRADO, SOLIGO, SIMAS, 2021) in three dimensions and in perspective: Firstly in the essay text, through the construction of a creative narrative, Frida Kahlo is sent to the 21st century and meets a young teacher -researcher facing the following question: in what aspects do activities involving cyberculture and language teaching contribute to the professional development of future Spanish Language teachers based on a creative proposal for training in cyberculture? Secondly, a course is built through the narrative methodology bringing Frida Kahlo, Pierre Lévy, Pablo Neruda, Jorge Luis Borges, Gabriel Garcia Marques as characters that will compose the second dimension of the creative narrative that is consolidated in the construction of the Frida Kahlo course: from screens to transmedia narratives. Finally, in the third dimension of the narrative, it continues with the theoretical contribution of Paulino and Maria (2010), Cosson (2016), Soares (2017), Costa and Moraes (2014), Lubart (2007), Barbosa (2014), Lévy (2014), 2000), Debald (2020), Geraldi (1996), Bakhtin (1993), among others. Concluding, in the third dimension of the narrative, the researcher meets with other students and teachers in training and, through the sharing of their narratives, investigates and narrates the teaching training processes, which corroborates the consolidation of the course based on creativity, innovation, cyberculture and foreign language teaching.
Acesso aberto (Open Access)
Inovar, criar e narrar: ensino e aprendizagem intercultural Warao
(Universidade Federal do Pará, 2023-08-25) LAMEIRA, Natália Conceição; LUCIO, Elizabeth Orofino; http://lattes.cnpq.br/9802121543478378; https://orcid.org/0000-0002-3446-5530
In teaching the Warao language, Spanish and Portuguese, encounters, affections, biographies, experiences, and creativity come together to establish a new narrative with the purpose and meaning of bringing the Warao language to life. Our river of experience led us to the conclusion that the dissertation would be navigated through an innovative methodology - The Narrative -, by LUCIO (2020). This investigation therefore took place in a dimension where water intertwined with a fictional character who was to serve as a link between the fictional and authorial narratives developed with the proposed discussion to portray an autobiographical and formative experience. There are discussions and dialogues included regarding the university's role in social struggles, its importance in establishing affirmative policies, questioning the university's role in teaching Pan-Amazon languages, and learning in training environments, what intercultural teaching is, what it is for, and how to use it for training that breaks chains, resistance to cultural extinction. In the area of language in higher education, a collection of narratives of subjects, bodies, and stories that occupy and constitute the university space. Consequently, educational products and by-products are suggested that can assist Warao intercultural teaching and learning. The research was developed during the professional master's degree in Criatividade e Inovação em Metodologias de Ensino Superior (PPGCIMES), within the research area Inovações Metodológicas do Ensino Superior (INOVAMES). The dissertation included theoretical support from Viñas (2004) who discusses the definition of culture and intangible cultural heritage, experience from Larrosa (2014), experience and transformation, and narrative research from Clandinin and Connelly (2011). In addition to the discussion towards creativity of Mihaly Csikssentmihalyi (1999) and Pascale (2005), liberating education by Paulo Freire (1997), Discursive Genres Bakhtin (1997), Language by Bakhtin (1997) and Geraldi (1996), Teacher Training in Cyberspace Lévy (2000) among others that complement the theoretical narrative and methods of this dissertation. The researcher has opened herself to the experience that narrative research provides and highlighted the feelings and impressions of those who allowed themselves to be touched and transformed through the creative process described.
Acesso aberto (Open Access)
Narrativas de indução pedagógica na alfabetização e o podcast Vozes Docentes: uma conversa entre a ilha do Marajó e Belém do Pará
(Universidade Federal do Pará, 2024-06-14) SILVA, Jessika de Assiz da; LUCIO, Elizabeth Orofino; http://lattes.cnpq.br/9802121543478378; https://orcid.org/0000-0002-3446-5530
Narrating oneself during training in pedagogical induction, within the field of literacy, means perceiving oneself in the midst of the self, others and training. Experiencing formative paths with teacher authorship and a theoretical basis, immersed in school reality, was challenging in this life-research-training trajectory. A subjective, collective and unrepeatable dive into living the experience in an autobiographical, narrative and Larrosian way. Thus, I wove this conversation between the island of Marajó (Salvaterra) and Belém do Pará through an Amazonian narrative, experienced in the process of pedagogical induction in literacy. This journey followed the course of the river of the creative narrative research writing methodology (Lucio, 2020), which converges at its source the autobiographical dimension, at its mouth the fictional dimension and on its bank the self-formative dimension. I entangled this work with my Marajoara autobiography; the fictional one of a girl and a literacy teacher from the 1960s and the self-formative one in the research on pedagogical induction. A transfluence of the narrator, literacy teacher and researcher who finds herself with training in a field that is still little studied: teacher induction and the podcast, as a pedagogical resource that has enhanced the training of Pedagogy undergraduates. My aim with this trip was to build a podcast as a formative educational product of pedagogical induction in literacy. In order to navigate Guajará Bay on the shores of the Federal University of Pará, in the waters of the Amazon, my methodology was based on narrative research (Clandinin; Connely, 2015). On this voyage, important crew members are boarding the ship. In the bow are our theoretical references: Clandinin and Connelly (2015), Lucio (2016, 2020), Nogaro, Kuhn and Moreira (2021), Larrosa (2002), Suarez (2017), Smolka (2012) and Santos (2014). The authors are the subjects of the research: students on the Pedagogy course at the Federal University of Pará, immersed in the UFPA School of Application, located in Belém. To build the data that fueled this ship, on the port side we have a systematic review of the literature over 10 years, on the starboard side we have the development of a pilot induction project, and in the hold we have the analysis of letters as narrative pedagogical documentation and in the hatch we have the Vozes Docentes podcast. In view of this, the hull of this ship (our considerations) shows that, when mediating a training process in pedagogical induction, through the podcast, I have to take a political, epistemological and methodological stance, in which I consider the subjects as inventive authors of their cultural history from their own voices. It's not talking about, it's talking with. Throughout the pedagogical induction process involved in the social reality of the Amazonians, which is based on experience as that which touches us and runs through us, the voices written in the letters – which I transpose into the voices spoken in the podcast – emphasize experience, alterity, affectivity and the student-teacher-student relationship as substantial premises for the student's formation within pedagogical induction in literacy.