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  1. Início
  2. Pesquisar por Orientadores

Navegando por Orientadores "MALHEIROS, Ubiraelcio da Silva"

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    O fazer arte (são) de Guilherme Augusto dos Santos Júnior: interfaces artesanato, design e arte
    (Universidade Federal do Pará, 2011-02-28) ANTUNES, Isis de Melo Molinari; MALHEIROS, Ubiraelcio da Silva; http://lattes.cnpq.br/1918222033161849
    This study is a view at Craftwork as an important cultural manifestation to reflect upon the relations between converging knowledges in contemporary society: Design and Art. We discuss ethnographically the craftsmanship production of Guilherme Augusto dos Santos Junior, a contemporary artisan from Pará-Brazil, and this debate is illustrated with examples of his “art(isan) making”, which shows that the boundaries between the mentioned fields are increasingly tenuous constructions. The approach was to make interviews at his home, which is also his workplace, so we could get to know his life and creative process. The theory that sustains the research derives from Cultural Studies, because it shows greater flexibility to address the interrelations between the cultures in which the craftsman is immersed, which are, therefore, the pillars of his hybrid identity. From this theoretical support we were able to discuss his creative process, one that follows a project methodology similar t o the artist and designer, but as yet has an empirical character that continues to be discriminated at academic circles. This study has been divided into three chapters: Life story of the artisan Guilherme Augusto dos Santos Junior; Paths of Creation and Crafts, Design and Art. The conclusion points out to a break in the traditional concepts of Craftwork, calling into question the validity of the hierarchical divisions assigned to the field of Art and Design.
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    Varinhas, grafismo e identidade: cultura da memória e experiência estética no Estuário marajoara
    (Universidade Federal do Pará, 2012-02-27) SOUZA, Renato Vieira de; MALHEIROS, Ubiraelcio da Silva; http://lattes.cnpq.br/1918222033161849
    The traditional populations of the marajoara estuary with its cultural richness are still poorly studied. In them is possible to see expressions that have constitutive traits of their anthropological identity, as in its art, skipped for some generations as a source of knowledge and history, myth, spell, path of gender, achievement and cultural resistance. To describe and discuss these realities, this work focuses on memory of past and present of the phenomenon of Embroidered Wands, usual work of female artist-embroiderers on the island of Mosqueiro and Soure, in Marajo island. Positions of art critics, anthropologists and academics on these speeches are divided for a long time already, and this research aims to bring light to this debate, placing the object as an heritage of cultural tradition, legitimized in the artistic experiencing.
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