Navegando por Orientadores "SOUZA, Iara Regina da Silva"

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Cadê a outra? Cantos cênicos de um corpo duplo
(Universidade Federal do Pará, 2023-08-06) LINHARES, Amanda de Mendonça; SOUZA, Iara Regina da Silva; http://lattes.cnpq.br/7853301997403243
The present research entitled “Where is the other one?” scenic corners of a double body, brings as its theme the personal trajectories of the interpreter-creator of this work, discovering the existence of her twin sister who was not born, because she was swallowed by her. The phenomenon known as fetus in fetu by medicine, becomes a secondary element in this work, giving space to imagination and invention, anchored in a saga: devouring and devoured. This writing is done in a cartographic way, which in a rhizome, unfolds between two trigger motifs, without beginning or closure: the phrases “where’s the other one?” and “there's only one”, said by the mother of the twins in her discoveries about the loss. Going through these intertwined facts, like a game when talking about peers, but written in a unique way, this poetic memorial results in a performative scenic presentation, talking with the main base authors Gilles Deleuze, Félix Guattari and Lewis Carroll, the latter being visual creative inspiration for the female creator.
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DIGESTIVO: Trajetória de Experimentação de um Corpo em Fluxo
(Universidade Federal do Pará, 2023-09-10) BARROS, Jorge Lucas Farias (DIGESTIVO); SOUZA, Iara Regina da Silva; http://lattes.cnpq.br/7853301997403243
This research proposes to investigate the fabulation of a body in flux that discovered possibilities of materializing its desires in experiments. At first, the material “silicon fibers” became a primordial material for researching - experimenting with the body, establishing the demarcation of a creative trajectory, which accumulated and formed a large collection of works, evidencing the existence and power of this body in flux, fostering immersion in ways and not ways of experimenting - to materialize your desires in different fields of the arts. However, it was necessary to research and experiment to unravel the possibilities contained in the body - flow - desire, but above all a body that was discovered to be anomalous, for contradicting the normativity-rules that can be established in its doing; it demonstrated to go beyond human capacity by surpassing limits, extrapolating control - understanding of one's own body. In this research – experimentation, the body constantly questions itself by asking itself: How far can a body in flux reach with its experiments? From this, the objective of this paper was to report the path taken during the journey in research - experimentation that revealed not only the power of this body - work, but the discovery of a research that is still in continuity
Acesso aberto (Open Access)
Isso não é um poema! : das luminosidades de si.
(Universidade Federal do Pará, 2021-01-26) SOUZA JÚNIOR, Enoque Paulino de; SOUZA, Iara Regina da Silva; http://lattes.cnpq.br/7853301997403243
Acesso aberto (Open Access)
Para ter onde ir : performatividades madalênicas ou um mergulho no abismo do meu desejo profundo
(Universidade Federal do Pará, 2023-08-30) FERREIRA, Leonel Rodrigues; SOUZA, Iara Regina da Silva; http://lattes.cnpq.br/7853301997403243
"To have where to go: Magdalenian performativity or a dive into the abyss of my deep desire" is a memorial for a master's degree in arts, in which I present the artistic procedures of two performative shows by "Teatro Madalenas Company", from Belém do Pará, staged in the years 2003 and 2015, thus resulting in a new performative show. Such a poetic act articulated the artistic procedures used by the "Madalenas" company, with others that are part of my trajectory as a scene artist, mainly making use of Viewpoints, the re-signification of urban space as dramaturgy, in addition to my personal memories. For the conception of the performative show, I establish a dialogue between Viewpoints and Composition based on the studies of Anne Bogart and Tina Landau; the studies about "The invasion Theater", by André Carreira; Max Martins' poems, from the work "To have where to go" and experimentation in video art. Keywords: Theater, Performativity. Creative process, Body composition. Video art."