Faculdade de Filosofia - FAFIL/IFCH
URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/3779
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Navegando Faculdade de Filosofia - FAFIL/IFCH por Autor "CHAVES, Ernani Pinheiro"
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Artigo de Periódico Acesso aberto (Open Access) Considerações sobre o ator: uma introdução ao projeto nietzschiano da fisiologia da arte(2007) CHAVES, Ernani PinheiroTogether with the project of revaluation of all values, the schema of a "physiology of art" gains a central role in Nietzsche's last writings. That's a perspective that supposes a defeat both of the "artist's metaphysics" of the initial period and of the critique of romanticism that characterizes a second moment. Taking as a starting point the discussion about the pertinence of utilization of the term physiology in Nietzsche's work, this article intends to present, in general terms, the reaching of this project to the discussion of the relations between art and truth, art and illusion. In conclusion, the intention here is to show the importance of this idea of a physiology of art taking as a reference the figure of the actor.Artigo de Periódico Acesso aberto (Open Access) Lessing, um espírito livre. Sobre o aforismo 103 de O Andarilho e sua Sombra(Universidade Federal do Pará, 2016-06) CHAVES, Ernani PinheiroThis article aims to analyze the aphorism 103 of The wanderer and his shadow, entitled "Lessing", in order to show the confrontation of Nietzsche with the thought of the great essayist, poet and playwright, considered the creator of modern German theater. This confrontation has as its starting point at the aphorism referred above the question of "style", which gives the opportunity to reflect about this question in Nietzsche, in this important moment of his work, turning point, as we know, especially from three other important "characters" to the discussion of this subject: Schopenhauer, Wagner and the French culture.Artigo de Periódico Acesso aberto (Open Access) Mito e política: notas sobre o conceito de destino no "jovem" Benjamin(1994-01) CHAVES, Ernani PinheiroThe concept of myth is one of the keys to understand the thought of Walter Benjamin. The aim of this paper is to follow its genesis from the first formulations of the concept of "destiny", as presented in Destiny and character, written in 1919. The present paper is divided in two parts. The first reconstructs Benjamin's arguments, showing them tobe within the domain of the theory of rights and their necessary insertion in a "temporality" mode, defined by "repetition"; the second part attempts to demonstrate that Benjamin's positions were closely linked to a political stand: their aim was, in name of an avowed anarchism, to fight against all nationalist "myths" (that brought Germany to war) and the need of "leaders" (Führer) for the people. Examples of this political bias, based on Benjamin's confrontation with Zionism, are presented.Artigo de Periódico Acesso aberto (Open Access) O trágico, o cômico e a "distância artística": arte e conhecimento n'A Gaia Ciência, de Nietzsche(2005-12) CHAVES, Ernani PinheiroThis reading of The Gay Science intends to show some important elements which, in this book, gravitate around the theme of "distance". Analysing particularly three aphorisms of the book, our goal is to clarify the movement, in the text and in Nietzsche's thought as well, from distance as Ferne, with its romantic source, to distance as Distanz. However, in the end, we intend to show that Nietzsche dislocates the romantic theme of the Ferne, taking it as an "artistic distance", which becomes the distinctive trace between the perspectives of art and knowledge.