ICA - Instituto de Ciências da Arte

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/3182

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Agora exibindo 1 - 4 de 4

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Museus e Patrimônio: Pensamento Cibertecnológico e Cultura Digital
(Universidade de Brasília, 2021-12) SILVA, Carmen Lucia Souza da; MELO, Ana Claudia da Cruz
In this work, we present a reflection on how digital technologies have changed the way we experience museums and cultural heritage in the last decades and even in a context of social isolation motivated by the Covid-19 pandemic. We revisit the ideas and thoughts of theorists such as Wiener, Haraway, Pre ciado and Levy to reflect, from cybernetics to cyborg and datacentric culture, on these transformations when considering the sub ject-technology-society interrelationship. For that we also point out formative or historical landmarks, in Brazil and in the world, which culminate in a range of resources that expand memories and museological spaces with the impulse of cyber technologies. Advents that are at the base of what is called digital cul ture, where society is remodeled, affected by technological addenda. We also bring results from cartographies of spaces on the internet of Brazilian museum institutions, carried out between 2018 and 2020, which signal how we are in an immersion process in digital culture.
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O pensamento bergsoniano para uma teoria dos estudos das teleaudiovisualidades
(Pontifícia Universidade Católica de São Paulo, 2020-12) MELO, Ana Claudia da Cruz
The book Imagem - duração e teleaudiovisualidades na internet (“Image-duration and teleaudiovisualities on the internet”) offers to scholars of the problematic coming from the televising and audiovisual fields not only a fruitful encounter with reflections inspired by the bergsonian thought applied to the relations of the television with the time or the time on TV. The publication mainly offers other epistemological perspectives to investigations of possible television constructs of time as territories of experiences and meanings, especially post-internet ones or more specifically when the Web opens new possibilities to the TV.
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Sala Odeon: contribuições para a História do Cinema na Amazônia: a recepção e a exibição cinematográficas no início do século XX
(Universidade Federal do Tocantins, 2020) MELO, Ana Claudia da Cruz; SILVA, Carmen Lucia Souza da; GRACIO, Felipe Giuseppe de Albuquerque
In this article, we present the results of the research that focused on the history of the Odeon amusement room, built in Belém do Pará, Brazil, at the beginning of the 20th century. In the light of reception studies, the research aimed to raise elements that allowed inferences about the profile of the public and the nature of the films exhibited during the 1910s, in the context of an Amazon city, which was experiencing economic and migratory impacts of the First Cycle of Rubber Exploitation (1850 to 1920). For the operationalization of the methodology of the studies, we visited the memories of the pioneer of Spanish cinema, Ramón de Baños Martínez, about his period in the capital of Pará, hired as a projectionist, camera operator and photographer. We also sought to gather information about Odeon's programming, in the pages of the newspaper O Estado do Pará, a periodical founded in 1911. Theoretical-methodological movement guided by Bernardet and Mascarello, regarding the need for research on the History of Brazilian Cinema to go beyond the field of film production. The investigation revealed, among other aspects, that even given the predominance of showing imported, European and North American films, the public was always eager for national and, above all, local productions, applauded after facing long lines and in late-night sessions. It also reveals the colossal audiences of pornographic films, exclusively for male audiences, sold as a miraculous elixir for the problems of sexuality.
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As telenovelas brasileiras como tecnologias sociais de hipervisibilidade da identidade de gênero e sexualidade
(Universidade Federal do Acre, 2020-12) MELO, Ana Claudia da Cruz
Understood as social technologies of hypervisible of gender identity and sexuality, Brazilian telenovelas have promoted, for decades in Brazil, fields of germination of moral issues, mobilized social practices and are responsible for an incalculable production of sex discourses. In this work, we present how this dynamics materialized through letters from readers of Jornal do Brasil (JB), between the years 1978 and 2000, where viewers, moved by the first LGBT representations – issue and/or characters - in telenovelas in the country, led an extensive debate on censorship, new ways of control, freedom of speech and post-military dictatorship democracy. We also demonstrate how this debate sustained and still sustains the arguments for issuing Government Age Rating Ordinances to this day. To track these controversies caused by the telenovelas, we considered the methodological recommendations by Bruno Latour, which proposes to give voice to the actors (groups, spokespersons, anti-groups) of the discussions. That is, try to identify their origin, motivations and controversies. From them, we demonstrate discursivities, statements and gender performatives, according to compressions by Foucault, Butler, Preciado and Eribon. We bring results of analyzes as basis to understand that, as social technologies, as Brazilian telenovelas have in sex one of their main instruments and support.

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