Programa de Pós-Graduação em Educação - PPGED/ICED

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/2318

O Programa de Pós-Graduação em Educação (PPGED) do Instituto de Ciências da Educação (ICED) da Universidade Federal do Pará (UFPA). Em sua perspectiva stricto sensu, tem como compromisso a formação do professor/pesquisador, incorporando na sua prática curricular a pesquisa e a produção de conhecimentos acerca da realidade regional, particularmente da educação, em todos os seus ângulos e relações.

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Navegando Programa de Pós-Graduação em Educação - PPGED/ICED por Autor "ANJOS, Francisco Valdinei dos Santos"

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    O entre-lugar e o não lugar da docência: representações sociais de professores de dança
    (Universidade Federal do Pará, 2014-06-25) ANJOS, Francisco Valdinei dos Santos; NASCIMENTO, Ivany Pinto; http://lattes.cnpq.br/6649004854958284
    This thesis is the result of a survey that aimed to analyze how the social representations are graduates of Bachelor of Dance UFPa about your teacher education and the implications of these representations for teaching dance in Basic Education. To do so, drew on three theoretical fields, namely, Lecturer, Dance and Dance Education and Training Theory of Social Representations. The first course was based on Jose Contreras, Bernadette Gatti, Henry Giroux and Anthony Nóvoa. The second theoretical framework is based on Ana Mae Barbosa, Isabel Marques, Marcia Strazzacappa. The third theoretical field was sustained primarily by Serge Moscovici and Denise Jodelet. This is a qualitative study from the perspective of Robert Bogdan and Sari Biklen, an exploratory / explanatory based on Joaquim Antonio Severino, who adopted the techniques of production data history of life, from Belmira Oliveira Bueno Quiz by definition Antonio Chizzotti and Free Word Association held in Denize Cristina Oliveira. Data analysis was based on technical analysis of categorical content perspective Lauren Bardin and Mary Laura Franco. The results of the research guided by specific objectives present in the thesis show that in relation to socio-demographic profile of teachers surveyed is possible to say that it is a group of professionals, mostly women, who comes from a path built in the artistic field prior to attending the Bachelor of Dance UFPa. Are teachers that were forged in the intersection between art, teaching and research, and that even at the time of data collection were mostly outside the classrooms of Basic Education. Regarding the senses dance for teachers was possible to identify four lines of composition: Dance as an empirical and theoretical definition; Dance like fun for the family and the school; Dance and Dance as Social Inclusion Profession that adds elements of Art, Teaching and Research. Regarding the objectivations anchors and three figurative and production of images and meanings in relation to Teacher Training was identified brands. Training as personal identification, configured from the insertion in the field of dance that has, in general, in infancy; training and accreditation, recognition and employability; training as a relationship between theory and practice from the experiences in the course within the university and within the schools in which they trained. Finally, as regards the dance at school and in public policy was not possible to identify the place of dance and its teaching as well as the implications for the training of basic education students, highlighting the lack of artistic knowledge and denial of its role in human development process. From these results it supports the thesis that social representations of teachers are in-between generated from the encounter between art teaching and research, enveloped by the experiences built before, during and after the undergraduate course, crossed by various social contexts that further reinforce the teaching of dance as a secondary necessity in human life. As implications of these representations are glimpsed the shock of no place of dance in Basic Education in the media that these professionals may be perceived as a field of forces in construction and capable of producing counter discourses in relation to dance education in basic education.
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