Navegando por Autor "ALMEIDA, Tunai Rehm Costa de"

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Acesso aberto (Open Access)
Achsenmächte, Potenze dell'Asse, Sujikukoku na Amazônia: imagens, narrativas e representações da Quinta Coluna no Pará (1939-1945)
(Universidade Federal do Pará, 2015-02-27) ALMEIDA, Tunai Rehm Costa de; FIGUEIREDO, Aldrin Moura de; http://lattes.cnpq.br/4671233730699231
This paper aims to analyze the representations and meanings created on so-called "quinta-colunistas" in the state of Para. This term was created during the Spanish Civil War, when, at that time, the army of four columns led by General Francisco Franco was approaching Madrid marching against the legalistic government of Azaña. Fifth-Column would refer to a group of spies who would report about strategies, organization and actions of the ruling group to the enemy. This term was spread around the world being appropriated during World War II to designate those who would serve as spies for Germany, Italy and Japan that were known, at that time, as "subjects of the Axis". They were constantly harassed through the printed letters from newspapers, or through the radio programs, movies, literature or even the theater. The sources used for the study were mainly newspapers such as Folha do Norte, Folha Vespertina, O Estado do Pará e A Vanguarda. Federal legislation was also used, as well as the Cordel Brochure O Brasil rompeu com eles, from Zé Vicente.
Acesso aberto (Open Access)
Da névoa flamenga à claridade tropical: percursos e pinceis de Georges Wambach na Amazônia em tempos de guerra e paz (1935 – 1965)
(Universidade Federal do Pará, 2023-11-23) ALMEIDA, Tunai Rehm Costa de; FIGUEIREDO, Aldrin Moura de; http://lattes.cnpq.br/4671233730699231
This thesis aims to understand the position that Wambach occupied in the disputed Brazilian artistic scene and to think about life and career during his time on Brazilian soil, highlighting his stay in Belém. The time frame adopted begins with the artist's arrival in the country, in 1935, until the year of his death in 1965. Using images as the main documentation, especially the paintings painted by the artist, the work takes into account the motivations of the painter, but also of those who financed them. With the support of literature and newspapers of the time, in addition to documentation from public authorities, there is monitoring of the reception of Georges Wambach's works, his interplay of interests, his relationships and the tensions developed throughout his career in Brazil and , especially in the Amazon.