Navegando por Autor "BRANCO, Rosanne Cordeiro de Castelo"

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Acesso aberto (Open Access)
A pajelança cabocla: aspectos da tradução entre a feiticiaria e xamãs
(Universidade Federal do Pará, 2017-05) BRANCO, Rosanne Cordeiro de Castelo
The present work consists in approaching the character of the translation in the universe of the language resulting from the study on the representation of the Amazonian imaginary present in the narratives of Zeneida Lima (1992, 2001), a pajé from the island of Marajó, in its interrelation with Caruanas or enchanted. The research deals with the anthropological aspects of humans and nonhumans from the standpoint of theoreticians such as Câmara Cascudo (1956), Viveiros de Castro (1993), LéviStrauss (2003), Evelyn Zea (2008) and Bruna Franchetto (2012) As are the ideas of philosophers and theorists such as Walter Benjamin (2008), Paul De Man (1989), Derrida (1972) and Venuti (1995). In the context of the narrative on the pajelança cabocla, the pajé Zeneida Lima receives, in mediumistic sessions, nonhuman beings entering a process of trance and ecstasy, where it counts on the presence of a translator called in the narrative of 'transmitter', which translates to Language of the enchanted to the understanding of the men who inhabit the earth, in a cosmological dimension.
Acesso aberto (Open Access)
A tradução do ninar de uma cantiga: entre o ritmo, o sentido e alteridade
(Universidade Federal do Pará, 2017-09) BRANCO, Rosanne Cordeiro de Castelo
This article aims to discuss approaches between the oral narrative, rhythm and translation in the gender context of French children's lullaby "Frère Jacques," noting the phonic and direction variables, originating from lexical-semantic-cultural counterpoint resulting from translation of French oral production as the source language, as well as for the German language and the English language as target languages. The research aims to analyze, more particularly, how it is the phenomenon of translation in the interrelation of poetics with these instances arising from translation, considering their voices, rhythm, mood and performances, seeking to identify the strategies pursued by the translation in order to maintain musicality and maintenance of the work in its poetic completeness. To support and give sustainability to this investigation, within the Poetics, Orality and Translation, were considered the thoughts of theorethical as Paul Zumthor(1993), Henri Meschonnic(2010), Antoine Berman (2013), Georges Mounin (1963) and Octavio Paz (1991) . During the approaches and analysis, we can see that, in the lullaby orality, the phonetic musicality and rhythm have more relevance than lexical and semantic character do.