Navegando por Autor "BRITO, Geovana Nascimento Brito"

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Caminhos dos saberes: a cerâmica de Icooraci-PA, elementos históricos e influências
(Universidade Federal do Pará, 2017-06) BRITO, Geovana Nascimento Brito; SALIS, Dione Vieira
Film production that presents itself is the result of a research carried out on ceramic parts in the region of Icoaraci-PA. When we visited the area of sale of Mr. Rosemiro Pereira, we came across a set of knowledge acquired by him, during his 69 years of profession, what gave us go a long way through their narratives, the historical and aesthetic influences of the ceramics produced in Icoaraci: marajoara, tapajônicas, maracá and rupestre. The images were recorded in October 2016 in Icoaraci-PA.
Acesso aberto (Open Access)
O embate carnavalesco rumo ao "Trem de Guerra": imaginário e memória na evocação de imagens do bloco " As Virgienses"
(Universidade Federal do Pará, 2017-06) BRITO, Geovana Nascimento Brito; FERNANDES, José Guilherme dos Santos
This article has as its purpose to reflect on imaginary, memory and narratives of a carnival group in the city of Vigia de Nazaré, named “As Virgienses”. The intention is to present, from the narratives of merrymakers, the images that are constructed in this space and that are beyond of mess, disorder and other images associated to the carnival. From the memory of these singular characters that turn themselves in double femininities and masculinities, it was possible to discover a whole imaginary of social issues that emerged from subjective dynamics that feature social tensions in the routine of the Vigiense society.
Acesso aberto (Open Access)
Nos trilhos da “guerra”: a transgressão de um trem de carnaval
(Universidade Federal do Pará, 2016) BRITO, Geovana Nascimento Brito; FERNANDES, Daniel dos Santos
Acesso aberto (Open Access)
Vigienses e cabrassurdos: um espelho de si no outro
(Universidade Federal do Pará, 2017-06) BRITO, Geovana Nascimento Brito; TRUSEN, Sylvia Maria
The purpose of this article is to study the theme of alterity that emerges from the relationship between the carnival street groups “Virgienses” and “Cabrassurdos” from Vigia de Nazaré, Pará. On a hand, there are men who dress as women, who use allegories and wear feminine adornments, as well as the makeup that represents an indispensable item for the characterization of “The Virgienses” in this carnival context. On the other hand, there are the women who are characterized as men to compose the imagetic mosaic that will highlight the group "The Cabrassurdos". It may be observed, on the interrelation between the groups, the existence of a dialectical tension. The interdiction imposed by "The Virgienses" group results in a self-recognition in the other. The Ego (“The Cabrassurdos”) creates a self-becoming in the other (“The Virgienses”). Thus, the composition of the group “The Cabrassurdos” was stimulated by the rules of the group that has provoked the interdiction (“The Virgienses”). In this dialectical relationship, women recognize themselves in men and men recognize themselves in women. In this sense, the main premises that base this investigation are found in the discussions of Beauvoir (1970), Bravo (1985) and Bakhtin (1987), among others. The methodology used was a bibliographic research and image capture. Then, it is performed the analysis about the relation of alterity established between the street groups Virgienses and Cabrassurdos in the carnival of Vigia de Nazaré.