Navegando por Autor "COSTA, Dayseane Ferraz da"

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Além da pedra e cal: a (re)construção do Forte do Presépio (Belém do Pará, 2000-2004)
(Universidade Federal do Pará, 2007-12-07) COSTA, Dayseane Ferraz da; CHAMBOULEYRON, Rafael Ivan; http://lattes.cnpq.br/7906172621582952
This dissertation discusses the process of restoration of the Forte do Presépio in Belém do Pará (Brazil), in 2000, and its transformation into a museum. It analyses the appropriation of that historic heritage, as well as the conflicts, disputes and negotiations as regards the site, being a heritage of memory. It thus focuses on the role played by history and the historian in this process.
Acesso aberto (Open Access)
Quando o campo é o museu: uma etnografia da relação homem, tempo e os objetos na cidade de Belém
(Universidade Federal do Pará, 2016-03-14) COSTA, Dayseane Ferraz da; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101
The main idea discussed in this thesis is that museums constitute fruitful areas for an ethnographic approach on respect men, time frames and objects. Considering the long tradition of anthropological research in museum institutions, attempts to analyze a bias that goes beyond the perspective of research and ethnographic collections of cultures represented by the same, as too frequently within the said tradition. From the investigation of three museum spaces and Managing company of the same institution made evident the relational universe that streamlines this daily connected to the culture there existing material reality. Amid the selected memory to be perpetuated; the stories told by text and objects and cultures represented on the Amazon, call attention to the human dimension that deals with such representations interacting socially through actions, choices, conflicts and negotiations. In the subjective dimension, also connect the material dimension, that is, objects that make up collections and have a usage history and reuse within the society outside and inside the museums. On the latter problematized the story of three collections and their collectors. In the three chapters of the work I try to put the questions scored above that have been made arising also from my experience in the field researching, which set out to investigate from the perspective of anthropology.The chapters that follow give account first my ethnographic experience and my involvement with my subject matter; then discuss the methodological construction of the research and the theoretical framework that supported my analysis. In a second moment problematized institutional dynamics and divergent relationships that are engendered within the museums and systemic unit that manages them; in this regard I reflect on my own condition as a researcher and as a native of the place. Finally, we analyze the relationship of social subjects with the objects that are protected in museums, which appropriated them in various ways; the exhibits and expository narratives are also problematized within the museum spaces surveyed, such as representations on readings about the history, the culture and the past of the Amazon and the city of Belém.