Navegando por Autor "DOLZANE, Harley Farias"

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Acesso aberto (Open Access)
Tornar-se: uma apredizagem poética pelos romances de Clarice Lispector
(Universidade Federal do Pará, 2021-09-14) DOLZANE, Harley Farias; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
"The most pressing need for a human being was to become a human being." The observation that is found in Uma aprendizagem ou O livro dos prazeres (1969), brings us to the question that guides this dialogue with Clarice Lispector's novel: the need to “become a human being”. It is possible to interpret this need to become what one is as the search that moves the entire gesture of the Brazilian author's writing. In that search, there is tension and the texture weaving of an original dialogue that the entirety of Lispector's work, especially through her novels, establishes with the roots of Western and Eastern thought. It is from this dialogue that the present work is designed, intending to interpret each of Clarice Lispector's novels as a manifestation of Poetic Learning, that is, as a possible path that the reader has at his or her disposal to understand himself ou herself into the question of the meaning of being. In this way, the work articulates an ontology that sets itself the search for the meaning of being as a creative movement that enables openings from/to other possibilities of achievement. At the same time, in the rehearsal of a hermeneutic and fictional plot that permeates each of the author's novels, the perception of the way in which such dynamic is intended for each human being (reader) is provided as an invitation to self-realization searches through language (logos).
Acesso aberto (Open Access)
O voo da criação literária: procura, verdade e ser / ser, verdade e procura em Alvorada de Osman Lins
(Universidade Federal do Pará, 2013) DOLZANE, Harley Farias; FERRAZ, Antônio Máximo von Sohsten Gomes; http://lattes.cnpq.br/5982898787473373
The research seeks an opening to understand the meaning of the literary imbricated in the mystery of artistic creation from its figurations in Avalvara (1973), by Osman Lins. Amid the interpretation of the novel, it is intended to go through fundamental issues that underlie the conceptual coating established along the literary modernity. In Avalovara, the reader is forwarded to an originating thought that rescues the poetic instance of prose, and designs the artistic on a mythic dimension that is the Language happening in its silence. This is only possible by developing a narrative that no longer represents, but stages issues, performing them in the fabric of its elements. The novel begins to search for meaning to reality, questioning the mimetic tradition - a corollary of essentialist metaphysics and subjectivism - and, in its seek, it is revealed its sense of being, its being-artwork. In this sense, the essential reference between art and truth is revived,. In this reference, the truth is the dynamic re-velation of the real retracting its reality in all that manifests. The artwork corresponds to this dynamic (which is the being of things), them and for them, the work of art and truth, is that the search takes place in Avalovara, step by step, gradually revealing itself in every word. Searching for the truth, man, things between things, can be reintegrated with the reality of being; Abel, the human, the artist, the writer can rejoin the paradise by exercising full love that is in care for things in their silence , the silence of the language that welcomes not only the creative power of literature but also of human existence.