Navegando por Autor "GOMES, Gleidson Wirllen Bezerra"

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A natureza comunicativa da cultura: a Festividade de Carimbó de São Benedito de Santarém Novo - Pará
(Universidade do Vale do Rio dos Sinos, 2016-04) GOMES, Gleidson Wirllen Bezerra; CASTRO, Fábio Fonseca de
This article reflects on the communicative nature of the popular Carimbó party of São Benedito, held annually in Santarém Novo, state of Pará, on the Brazilian Amazon. In the foreground, we think the party as a major cultural phenomenon, present in all human societies and understandable as social structure – or as what Simmel (1999) calls the social order – in their cultural and communicational dimension. In the subsequent plan, we think it as a social content, the specific variant of the social form, located in a specific cultural place and embodied by the ongoing social experience and as intersubjective dynamic at the same time cultural and communicational. We discuss this process with the support of Martin-Barbero’s (2006) and França’s (2001) notions of communicative cultural nature. The research was conducted from an ethnographic field, with participant observation and in-depth interviews. We try to think the social experience in their cultural and communicational dimension and from its endogenous dimension.
Acesso aberto (Open Access)
A natureza comunicativa da cultura: pesquisa exploratória sobre a Festividade de Carimbó de São Benedito de Santarém Novo - Pará
(Universidade Federal do Pará, 2013-08-16) GOMES, Gleidson Wirllen Bezerra; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This dissertation is titled The communicative nature of culture: exploratory research about the Festividade de Carimbó de São Benedito de Santarém Novo – Pará. The goal of the research is to understand the communicative nature of this festivity, noting the characteristics that constitute and them looking for elements that are interpreted as communicative processes. The proposal part of the notions of communicative nature of culture in Martín-Barbero (2006) and França (2001), in addition to the design of this communicative process. We have outlined the contexts in which the research is inserted, reflecting on the "invention" of Amazon (ARAGÓN, 2007; MAUÉS, 1999; DUTRA, 2009) and its socio-historical (BEZERRA NETO, 2001; BECKER, 2009) and cultural training (SALLES, 2004; ALVES FILHO, 2001; LOUREIRO, 2000). With regard to Communication, we seek their "anthropological perspective" (WOLTON, 2006) allied relations between media and modernity (THOMPSON, 2011). Understanding communication from the culture, discussed, noting the cultural experience that the festivity represents (RODRIGUES, 1994), the relationship between tradition and modernity (THOMPSON, 2011) in processes of hybridization (GARCÍA CANCLINI, 2008). In addition, we reflect on the "functional heritage" in Communication Research (WOLF, 2008; MARTÍN-BARBERO, 2004, 2006, 2009; MARTINO, 2004, 2006) and our perspective of communicative nature of culture (MARTÍN-BARBERO, 2006; FRANÇA, 2001), relating it to the concepts of “communicative mediation of culture” and “media” (BRAGA, 2012; SODRÉ, 2011). To develop the field research, besides the bibliographical research, use techniques of Ethnography for the collection of data, such as: participant observation, in-depth interview with members of the party and the field journal. We understand the communicative nature of the feast from the elements that are highlighting the community character and tradition, which led us to highlight the communication in their sense of sharing and communion.
Acesso aberto (Open Access)
OLHARES DA/NA CI(S)DADE: transexualidades/travestilidades, raça e práticas nos espaços citadinos de Belém – PA “em plena luz do dia”
(Universidade Federal do Pará, 2023-03-19) GOMES, Gleidson Wirllen Bezerra; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101
This thesis aims to understand the relationship between the gender transitions of trans/travestis people and their practices in urban spaces (CERTEAU, 2014) in Belém “in broad daylight”. Thus, the ethnography proposed here was elaborated from references and reflections of Urban Anthropology, in dialogue with gender, sexualities and race studies. One of its bases was the biographical narratives (ROCHA; ECKERT, 2013a) of five interlocutors who, based on their life trajectories, allow them to reflect on the issues of gender, sexuality and race involved in their daily transits through the city. In addition to the semi-structured interviews focused on life trajectories, the narratives and reflections of trans/travestis people about Belém were also used, as well as direct observations with them, using the street ethnography technique (ROCHA; ECKERT, 2013b) to describe and interpret the situations that occurred in places in Belém such as streets, squares, sidewalks, and also in their displacements in the city within bus. The ethnographic data constructed in this way were organized into “scenes”, inspired by Perlongher (1984), in which it is possible to perceive the performances (TURNER, 2015; SCHECHNER, 2012) contained therein, gestures and facial expressions, evidencing the looks of strangers in the capital of Pará as one of the micro-gestures that make up the urban interactions (GOFFMAN, 2014) of trans/travestis people, when their bodies are sometimes rejected, sometimes desired, or observed with curiosity, demonstrating part of the complexity of the urban lifestyle in this amazon city. In these games of glances, territorialities (PERLONGHER, 1984; 2008) are also perceived in their symbolic-spatial demarcations in Belém, which helps us to think about the idea of a ci(s)ty, that is, a city that has in its foundations cisgenderism and whiteness, acting in the delimitations of the concrete spaces of the city and composing part of the social relations experienced therein.