Navegando por Autor "HENRIQUE, Rosalina Albuquerque"

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Descobertas do mundo sob o olhar da criança e do louco em Corpo de baile e Primeiras estórias
(Universidade Federal do Pará, 2011-05-17) HENRIQUE, Rosalina Albuquerque; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This work focuses on the narratives “Campo geral” from Corpo de baile (1956), “The thin edge of happiness”, “Treetops” and “Much ado” from Third bank of the river and other stories (1962), book wrote by the Brazilian João Guimarães Rosa (1908-1967). About the narratives, we will discuss the perspective of the child and of the madman, the way of apprehension of the world and life, through the beauty or the madness, and a comparative reading related to temporality between “The thin edge of happiness” and “Treetops”, whose similarity is present in the theme and in narrative structure. In the study, we will highlight the critic texts from scholars of the criticism reception about Guimarães Rosa as Rónai, Soares, Holanda and Tatit, besides, this paper is based in the Aesthetic of Reception, formulated by the German Hans Robert Jauss under a perspective of a literary hermeneutics that becomes the reader a major collaborator in the building of sense of a given written production, and which the aesthetic experience is taken by an integration between the legacy of the literary-historical tradition and the interpretive horizons of those who read the work, seen mainly in A história da literatura como provocação à teoria literária. Thus, the first chapter will discuss of the study recepcional-aesthetic and literary hermeneutics through of the texts from Jauss, Gadamer, Ricoeur and Palmer, outlining the main theoretical guidelines for the construction of the next chapters. Following, in the second chapter we will make the study of the “The thin edge of happiness”, “Treetops” and “Much ado” (Third bank of the river and other stories) and “Campo geral” (Corpo de baile). Finally, in the third chapter, we will present analyses of criticism reception of the small collection of the referred narratives.
Acesso aberto (Open Access)
No resflor da idade: a velhice em Corpo de baile
(Universidade Federal do Pará, 2022-02-28) HENRIQUE, Rosalina Albuquerque; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/3519128535996125; https://orcid.org/0000-0002-2507-5346; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278; https://orcid.org/0000-0003-3971-9007
In this thesis, a discussion is proposed around the figurations of oldness based on the narratives of Corpo de baile (1956), Camilo, Cara-de-Bronze, Liodoro, Manuelzão and Rosalina, written by Guimarães Rosa (1908-1967), whose stories make us discuss about their human condition that remains unfinished when the evocation of the following discourse is marked: that the current old condition does not destine them to nothing. As opposed to this, they continue to feed feelings, desires and projects. When highlighting the importance of Guimarães Rosa’s literary production for the Brazilian literature scenario, some considerations about oldness (from yesterday to the third age of today) and its correlation with death will be noted. For this, the work is improved in bibliographical research, as in Beauvoir (2018), Ariès (2014), Elias (2001), Bosi (1994), Bolsanello, A.; Bolsanello, M. (1981), Kübler-Ross (1981, 1996), Debert (1988, 1999) and Cícero (2006, 2011), and also produced productions of students from Guimarães Rosa as Rónai (2020), Oliveira; Schröder (2020), Salles (2020), Leonel; Nascimento (2018), Diogo (2017), Mendonça (2013), Lucchese (2011), Ferraz (2010), Holanda (2009), Fantini (2008), Zilberman (2007), Xisto (1991), Brasil (1969), Ramos (1968), Candido (1964), Lins (1963), Secco (1994, 2003), Martins (1996, 2001), Passos (2000, 2007), Roncari (2007, 2008), Atroch (2013, 2017), Marchelli (2016, 2018), Nunes (1957, 1998, 2000, 2009) and Vasconcelos (1996, 1997, 1998). The theoretical scope is that of the Aesthetics of reception, proposed by Jauss (1994, 1982, 2002) through a hermeneutics addressed on the reader based on Gadamer (2002), in which the primary interest lies in the way the work of art should be received, taking into account the relationship between text and reader or even between effect and reception, without losing sight of the importance of the value and aesthetic experience of the work received and for those destined, assuming, in this sense, a new posture for the reader in which the literary work only exists when it is motivated by this subject, central to both aesthetic and historical knowledge. Finally, based on the aesthetic-recepcional method, discussions pertaining to oldness in Corpo de baile will be established: the relationship of the individual with time, the world and with his own history will be left aside.