Navegando por Autor "LUZ, Jefferson Aloysio de Melo"

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Acesso aberto (Open Access)
Era tão bonito... conflitos de sensibilidade musical e o desaparecimento de um Cordão de Pássaro
(Universidade Federal do Pará, 2011-03-02) LUZ, Jefferson Aloysio de Melo; BARROS, Líliam Cristina da Silva; http://lattes.cnpq.br/0286644614789784
This work aims the investigation and the discussion of the conflict of musical sensibilities among different generations of residents of communities that lie between the 21 and the 23 kilometers of the PA136 road, near the municipality of Terra Alta, Pará, Brazil, as an important factor in the non-ressurection process of Cordão de Azulão. This is an ethnomusicological work of ethnographic character, in which the theme is developed from the discourses of these residents about a Cordão de Pássaro called Cordão do Azulão that used to happen in those neighborhoods, and that have disappeared forty years ago. The nature of the musical sensibility is discussed mainly from the writings of John Blacking, while the musical ethnography work is based on what Clifford Geertz calls a Dense Ethnography. The study reveals that the social, economic, religious, political, and environmental changes that occurred in the surveyed communities had directly affected its residents lifestyle, which favors that the traditional cultural values, that grant sense to musical expressions like the Cordão do Azulão, to cease to be apprehended by the new generation of residents, making this Cordão to exist only in the memory of the oldest.
Acesso aberto (Open Access)
ONDE ESTÁ AQUELE POVO BARULHENTO? Uma etnografia musical para compreender os corinhos pentecostais da Assembleia de Deus em Maracanã-PA.
(Universidade Federal do Pará, 2024-01-31) LUZ, Jefferson Aloysio de Melo; COHEN, Líliam Cristina Barros; http://lattes.cnpq.br/0286644614789784
In this work, of ethnomusicological nature, the author casts a look at his memories with the aim of understanding the nature, meanings, liturgical function, and musical structures of Pentecostal choruses in worship. Through a cartography of memory mixed with an autoethnographic approach, the paths taken traversed the notions of acoustemology, by Feld (2015, 2020) combined with the doctrine of musical Ethos (SILVA, 2019; GROUT and PALISCA, 2007), connected to the notion of founding myth (SALDANHA, 2018), taking into account the trajectory of the Pentecostal movement and the Assembly of God Church in history (FRESTON, 1994; MATOS, 2006; OLIVEIRA 2013), in addition to seeking to understand the iconic dynamics of ritual elements in Pentecostal liturgy that leads the believer to the experience of religious enthusiasm (STEPHENSON, 2019; ALBRECHT, 1999). His conclusion is that Pentecostal choruses are structuring elements of Pentecostal liturgy arranged among fixed liturgical elements in order to dynamize the path to religious enthusiasm or ecstasy, which is the main goal of Pentecostal spirituality; and that the simplicity of the structure, musical contours, and lyrics configures a strategy of symbolic conversion that transmutes the fundamental values and beliefs of Pentecostal faith into ritual sound icons to perform a function analogous to that of medieval icons.