Navegando por Autor "NASCIMENTO, Claudia Helena Campos"

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Acesso aberto (Open Access)
Igreja de Santana do Bujaru caracterização tipológica, histórica e estilística a partir de suas referências documentais, físicas e icônicas
(Universidade Federal do Pará, 2013-04-03) NASCIMENTO, Claudia Helena Campos; MARQUES, Fernando Luiz Tavares; http://lattes.cnpq.br/0365104813041022
This study aimed to characterize and understand the architectural object at physical, historical and visual aspects, by documents, reports and especially from the architectural object itself. Based on the material object - architectural - and the cultural object - social heritage and history - were used methodological approaches physics research (surveys, photographic records, material and technical analysis), history (documentary and iconographic) and ethnography as a means to understand relations of the church of Santana do Bujaru (Bujaru/PA) with the site and region, and the importance of the building to the community, identifying the relationship of belonging and ownership over time, that characterize its importance as a cultural heritage.
Acesso aberto (Open Access)
O Lugar do patrimônio cultural contemporâneo: conceito e realidade a partir de uma visão amazônica
(Instituto de Pesquisa Econômica Aplicada, 2011-11) NASCIMENTO, Claudia Helena Campos
This article intends to discuss about the cultural heritage and their Place, as symbolic and physic aspects, and the “invisibility” of their elements, through two ethnography exercises: in a rural site in Bujaru/PA town and an urban situation in Belém (capital of the state of Pará-Brazil). Both of them have relevant material elements to preserve: in the rural community (Santana do Bujaru) has a bicentennial church and, in the city of Belém, more than a hundred of sculptural objects situated in public spaces. The analysis intends to characterize the cultural heritage “locus” as Memory Place or Sites of Memory (Pierre Nora) and Non-Places (Marc Augé), intending to understand how these concepts are important to comprehend the cultural heritage in the contemporary society and what elements made the invisibility a symptom of Modernism.