Navegando por Autor "NEVES, Adriana Di Marco"

Agora exibindo 1 - 1 de 1

Acesso aberto (Open Access)
Dançando Chico Buarque: análise dos gestos artísticos em um processo criativo de dança moderna
(Universidade Federal do Pará, 2014-06-09) NEVES, Adriana Di Marco; OLIVEIRA, Maria Ana Azevedo de; http://lattes.cnpq.br/0145317590210668; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
This work has as objective to analyze the creative process of the show Dancing Chico Buarque, produced from the language of modern dance, directed and choreographed by professor Help Monteiro, in order to investigate the artistic gestures, more specifically the gestures interpreted the choreography Construction. Thus, we seek to reflect on the choreographic process, noting its relation to the principles that concern the Modern Dance as well as the questioner thought the artist featured in the show, Chico Buarque. As a theoretical framework about the creative process bring Salles (1998) and Ostrower (2001). For theorists of modern dance, Monteiro (2004) and Garaudy (1980). For the analysis of everyday gestures transfigured dialogue with the semiotic concept of conversion, according to Loureiro (2007) and abstraction of movement according to Mendes (2004). And the analysis of the technical movement of Modern Dance relate with the thought Kaeppler (2013) and also Macara, Monteiro and Pinto (2012). This paper presents the methodology and descriptive, participatory research, as well as literature, since the work was composed from investigations, interviews, statement of facts, experience reports and reviews of bibliographic materials. Thus, this research will be discussed in the second section, entitled "Experiences in Dance", my experiences and learning in dance and historical background of Modern Dance. Highlight on the choreographer of the show, Help Monteiro, which the watch as a reference in studies of Modern Dance in the city of Belém do Pará and also point out, on the artist portrayed in the show, Chico Buarque, who regard it as a great name for Brazilian Popular Music, for in his compositions, he expressed his own feelings. The third section named "Dancing Chico Buarque: Creation Process" highlights the creative path of the show, with regard to the procedure of classes, testing and research of movement for the creation of choreographies. And the fourth section titled "Analysis of the show Dancing Chico Buarque" shows a reflection of the proposed outcome of the show, with respect to the work of expressiveness of the dancers, the making of the costumes and scenery. Finally, I emphasize an analysis of artistic choreography of gestures Construction. Therefore, the result reveals the choreographic assembly from the reflection of gestures interpreted the scene. The choreography demonstrates the presentation of technical movements of modern dance, and also everyday gestures abstracted and transfigured into the choreographic scene. Accordingly, in a choreography and / or based on the language of modern dance, is possible to create and expressive gestures that suggest different interpretations.