Navegando por Autor "OLIVEIRA NETO, Raymundo Firmino de"

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INTERURBANO: a criação de uma exposição de arte e tecnologia em Belém-PA
(Universidade Federal do Pará, 2022-01-11) OLIVEIRA NETO, Raymundo Firmino de; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522
This study addresses the process of creating three interactive installations about the space of the city of Belém in the field of Art and Technology. In the research, electronic modifications were made in analog industrial objects appropriated as symbols of larger structures that involve the city’s dynamics in artistic installations, with aesthetic messages about the urban, river and forest space of Belém. Among the installations, there is a telephone that simulates connections with distant birds; a tap, that spurts reports from city’s residents about their relationship with water; and, an umbrella that reproduces soundscapes as it moves through space. The memorial contains the work's triggering ideas and the lines that sew the network that connects academic concepts to practice, the outside of the city to the inside of the gallery, the past and the present, the analog and the digital, the aesthetic and the communicational, art and life. The research involved reflection about the poetic use of technologies for sensory experiences with augmented space in interactive interfaces. The project had the collaboration of several professionals from different areas for its realization, as well as the participation of residents of the city. In addition to the installations Telephone, Umbrella and Tap that were mounted in the Long-Distance Call exhibition, the memorial describes the work Sound Waves that was developed after the exhibition as an offshoot of the research.
Acesso aberto (Open Access)
Poéticas do espaço aumentado: as possibilidades estéticas e políticas do uso da realidade aumentada
(Universidade Federal do Pará, 2014-06-02) OLIVEIRA NETO, Raymundo Firmino de; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522
Along with technological transformations of the XXI century, there are emerging devices that give a new dynamic to the man-machine-image relation, as well as to the perception of space and reality. Augmented Reality is one of those devices, which the relations of power, knowledge and subjectivity production are not yet fully comprehended in everyday life and in the field of media art. This research aims to comprehend the use of the device in artistic productions and its aesthetics and political possibilities from the case study of the international group Manifest.AR, besides other artists that have used augmented reality in their works. Assuming that these productions carry an investee against the logic of the device in relation to the field of art and lifetime. For this, Augmented Reality is approached as a dispositive, concept adapted from Michel Foucault, and associated with other art forms and media to discuss its specificity. The aesthetic and political discussion was proposed based on Lev Manovich’s concept of augmented space and Flusser’s concept of black box, as well as relational aesthetics of Nicolas Bourrioud and aesthetic communication of Mario Costa. The research showed that although Augmented Reality can be described as a medium with its own specificity and poetic possibilities, it is early to declare today that the artworks made with it constitutes a new form of art, instead, it augments previous forms of site interventions and installation, in which boundaries are broken and recreated between the public and the private, the digital space and physical space, real and virtual, body and media, art and politics in a cybrid and augmented space.