Navegando por Autor "PINTO, Rosane Castro"

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Acesso aberto (Open Access)
Aspectos resistentes e performáticos nas tragédias medeia, Electra e as Troianas de Eurípedes
(Universidade Federal do Pará, 2015-12) PINTO, Rosane Castro; SARMENTO-PANTOJA, Carlos Augusto Nascimento
This paper presents a study of the tragedies Medea, Electra and The Trojans of Euripides, in which we discuss how the performance and endurance is. We will concentrate on analyzing the female characters the tragic elements and how the narrative is important for understanding the categories violence, memory and oblivion. To understand the theories related to performance, endurance and trauma will use the texts of authors like Jorge Glusberg (1980) which ensures the performance one related to delirium, manifested through the unconscious performer desire, because "the resulting speech is close to delirium and also, truth that is always raving "(Glusberg 1980, p.124). As Sarmento-Pantoja, which states that, the performance can also be considered as a performance built by the characters, "for us this performance can be critical to understand what we call suffering performance" (SARMENTO-PANTOJA, 2002 p.23). Alfredo Bosi notes that resistance is "opposing force itself to external forces" (BOSI, 2002, p. 118) in which we understand as opposition forces that conflict with each other.
Acesso aberto (Open Access)
O testemunho em "O Sobrevivente": memória de um infante que escapou de Auschwitz
(Universidade Federal do Pará, 2018-06) SARMENTO-PANTOJA, Carlos Augusto Nascimento; PINTO, Rosane Castro
We present in this text an analysis of the work O Sobrevivente: memórias de um brasileiro que escapou de Auschwitz, published in 2000, in a partnership between Aleksander Laks and Tova Sender. It deals with the testimony of Laks as a PolishJewish boy, who experienced in his adolescence the daily traumas of the Auschwitz concentration camp. Survival and its relationship of gratitude to Brazil and its identification as Brazilian. His narrative testifies to one of the greatest atrocities suffered by his people during the Shoah in World War II. We try to verify how the exception and the naked life present themselves and dialogue in the narrative reverberating their survival. Nazism no doubt reminds us of the torture and suffering of a people who were penalized, for Auschwitz was not only a concentration camp, it was also a field of forced labor, humiliation, suffering and extermination. From this perspective, we will use Giorgio Agamben ideas based on the state of Exception and nude life as a key reading, concepts considered important for understanding and reflecting on a period in which fundamental rights have been suspended and their memory will always be a challenge, especially when it comes to infants