Navegando por Autor "PORTO, Luciana de Andrade Moreira"

Agora exibindo 1 - 2 de 2

Acesso aberto (Open Access)
A casa da atriz: uma cartografia desassossegada das sociabilidades de um coletivo teatral em Belém do Pará
(Universidade Federal do Pará, 2015-06-26) PORTO, Luciana de Andrade Moreira; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
The House of Actress: A Cartography of Disquieted Sociability’s a Theatrical Collective in Belem takes over as creative principle risk up by forked paths, the investigation of daily negotiations this theater collective demands. The researcher knows for breaking initial ways of mapping must create an existential territory between the previous days and the present, to understand the need or not, the existence of home-womb. Its background research, other houses headquarters here recognized as interior geographies where locals and shelters are confused, converging memories, feelings and poetic. As an object, existing dichotomous feelings and residents in both structures (traveler and home). In the midst of the paths in between, the choice of the researcher is to be cartographer of the soul and unrest, walker and resident. When launching the path of poetic thought, discovers the traces of steps left in the boiling asphalt other foot, then it is known accompanied by other hikers in books: Gaston Bachelard saying the most precious, the have and being home; Fernando Pessoa poeticizing that existing restless wanderings in the plans of ideas and life are but a power test turn out to be; Lewis Carroll and Alice as beings who risk the new, all the time; Hilda Hist burning desires and Ítalo Calvino, in this imaginary lines, which depicts and recognizes through the fable, the habitat itself. Assuming the error and the unfinished as part of the paths taken, it precipitates a new journey.
Acesso aberto (Open Access)
Cosmogonias amorosas: aberturas do caderno de encenadora n’A casa da atriz
(Universidade Federal do Pará, 2021-05-31) PORTO, Luciana de Andrade Moreira; ALMEIDA, Ivone Maria Xavier de Amorim; http://lattes.cnpq.br/5012937201849414
Cosmogonies of love: the opening of a theatrical female director’s sketchbook in the House of Actress is an affective and luminous cartography of a woman director on the process of discovery in a house-theater. Created as a dismantle, as named by Rosane Preciosa in Discreets rumours of Subjectivity, it is composed by pieces that take risks of being completely disarticulated. These writtings try to build the creative process using images and exercises stimulated by Eugênio Barba in Burning the house: the birth of a director, multiple voices wich compose and exhaust themselves. The text presentes some changes in the verb tenses, confusions, stories and dreams. Accepting Barba’s speech when he says that there is a wound in the middle of the creative process and, in addition to it, there is also Jorge Dubatti’s voice in The theater of the dead saying that we need to recognize our failures to make them better, it shows us (as science and construction of sense) a most human position and more sincere with the object written by myself: the humanity in the flesh, in the thoughts, in the wrong distances of the mistakes that many times made me just an automat of the scene. This doctoral thesis is above all, an agreément of humanity, of becoming a Doctor in a pandemic period, with all the risks that we take and of the privilege of keep thinking during this context. Even if this act is made in other ways. Eliana Bertolucci in Psychology of the sacredness and Zulma Reyo in Interior Alchemy are flames in the darkness, to take consciousness about the creative process, we shall give birth and light, illuminating unknown places, reaching out things that we don’t know how to talk. A risk conceived in three steps: Misteries of joyis about the creation through the pleasure, used as a method of writting; Cosmos came to me inspired by the people who lives with me, so it is about the interchange of presences, essays about the director’s universe in the moments of creation and Lunar conjunction is a way to constelate in the essence, as Hilda Hilst wrote in Seven songs from the poet to the angel, shows the presence of other people in the poetic, in the thoughts. Astonishment.