Navegando por Autor "RABELLO, Rafaelle Ribeiro"

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Acesso aberto (Open Access)
A estética da media art: as obras de Christa Sommerer e Laurent Mignonneau
(Universidade Federal do Pará, 2011-03-04) RABELLO, Rafaelle Ribeiro; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522
The theoretical trends and creation activities intended to somehow walk sideby- side with the discoveries and tecno-scientific developments. The contemporary scientific and technological thoughts wide and transform material basis and the aesthetics's production mode potentials. Such transformations can be observed in the Media Art field, an attributive manifestation to the contemporary context, which the main artistic investigations are focused on Computational Art, Tele-presence Art, Iimmersion, Virtual Reality, Transgenic Art and Genetic Art. Therefore, this master thesis has the objective to investigate the Aesthetic Theories which emerge from the Media Art context and have foundations on the idea of interactivity and interface, such as the Christa Sommerer's and Laurent Mignonneau's aesthetic results idealized based on the scientific, technological and artistics' thoughts. Broadly, the notion of the “Art as a live system” is adopted in order to comprehend the interative process as a set of chained elements, subject to constant intervection.
Acesso aberto (Open Access)
Território móvel: poéticas da criação a partir de memórias e cibermemórias
(Universidade Federal do Pará, 2021-01-13) RABELLO, Rafaelle Ribeiro; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522
This work linked to the Research “Poetics and Processes of Performance in Arts” presents the various movements of a poetic experimentation, through the appropriation of photographic images of my own and an old family photo album, configuring the path of my creation process. The way process, mediated by a mobile device, comprised stages contaminated by memories, desires, complexity and a journey around the multiplicity of the image and resulted in the presentation of two photographic series. Throughout the memorial, the operational layers of construction of this research will be elucidated - what had been experienced, what had been materialized and what had been conceptualized. The outcome of these three instances delineates the plot of a Poetic Project configured by crossings such as the return, the rhizome and resonances directing me to what I call mobile territory