Navegando por Autor "RODRIGUES, Silvio Ferreira"

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Esculápios tropicais: a institucionalização da medicina no Pará, 1889-1919
(Universidade Federal do Pará, 2008) RODRIGUES, Silvio Ferreira; FIGUEIREDO, Aldrin Moura de; http://lattes.cnpq.br/4671233730699231
This thesis fits into a proposal to revive the social history of medicine in Pará in a new perspective. Analyse the construction of the power and prestige of medicine and medical science in society paraense in the turn of the nineteenth century to the twentieth century is the main objective of this work. The intention is to show that, far from enjoying a hegemony in the world of healing and have an inherent power capable of shaping the society of the time, the doctors still faced enormous difficulties to legitimize their science among the most diverse social categories. While the republican authorities, in the name of "civilization" in the tropics, followed with its policy of hygiene of urban space and fight against epidemics, the paraense population still in search of relief from their problems in the traditional arts of healing. However, if the medicine is popular up in one of the biggest obstacles to the affirmation of medical academics as masters of healing, the disunity, lack of ethics and consensus within the medical profession not ceased to be some of the significant factors of discrediting that hung over the figure of official representatives of medicine in full Brazilian Republic. To address many problems, doctors, little by little, trying overcome their differences and created rules and ties of solidarity able to unite them around the common goals, consolidating identity of a group which strengthened its corporate and fought for power and prestige they both aim.
Acesso aberto (Open Access)
Todos os caminhos partem de Roma: arte italiana e romanização entre o império e a república em Belém do Pará (1867-1892)
(Universidade Federal do Pará, 2015-12-18) RODRIGUES, Silvio Ferreira; FIGUEIREDO, Aldrin Moura de; http://lattes.cnpq.br/4671233730699231
This thesis is an analysis of the major reform in the decoration of the Belém of Pará See Cathedral that happened between the years 1867 and 1892, during the bishopric of Don Antônio de Macedo Costa. The purpose is to discuss the strong relationship between the ultramontane and romanizing cultural policy that was managed by the Roman Curia, and which was ultimately destined to propagate itself through the whole world in response to the secularization of society. If Catholicism observes the model centered on the eternal city, the decoration of the ecclesiastical buildings is inspired in its most famous temples. In the second half of the century XIX, Rome plays the role of the world capital of Christianity and the sacred arts. Inspired by the ambitious iconographic program of Pope Pius X, the bishop would adopt the sacred themes defined by him. The message was clear. Purify worship and the arts would be part of the broader reform process of the clergy, and Catholic culture throughout the world. Faced with the loss of influence in society due to secularization movements, the Roman Curia made a great effort to keep intact its role as the sole moral and religious authority. The effect of this policy was the placement of Church and State in opposing camps. In Brasil, the ultramontane clergy often faced against civil and secular authorities. Through this all, the Belém Cathedral presented a decorative cycle connected with the romanizing project of Dom Macedo Costa. As a result, Amazonia closened its ties with Italian culture, updating the regional art scene in fruitiful dialogue with the international aesthetic movements. A renewed art was produced- this is true- but it was in the service of Romanized religion.