Navegando por Autor "SILVA, Leonardo Castro da"

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Guimarães Rosa e Martin Heidegger: duas visões sobre o Nazismo
(Universidade Federal do Pará, 2014-01-14) SILVA, Leonardo Castro da; SOUZA JÚNIOR, Nelson; http://lattes.cnpq.br/7150345624593204; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
In 1970 occurred the publication of the posthumous book Ave, palavra of Guimarães Rosa (1908-1967) which gathers some texts of the author, from this collection of texts it has chosen the chronicles “O mau humor de Wotan”, “A velha” and “A senhora dos segredos”, which revolve around the context of German Nazism and expose a contrary position to National Socialism. At first moment, this work aims to show how Benedito Nunes (1929-2011) was guided by an interpretive tendency designed by heideggerianos commentators before the complete works [Gesamtausgabe] (2001), such a tendency postulates that there is not, in the philosophy of Martin Heidegger (1889-1976), a link between the political thought and the philosophical. The next step exposes the heideggerian notion in Ser e Verdade (2001) in which the german philosopher proposes an ideological basis for Nazism, being in favor of this with certain restrictions. This way, it shows how the complete works set out arguments that point to a limitation in relation to the commentators who produced before its publication about Politics and Philosophy in Heidegger. In subchapter about O local da diferença (2005), it deals with trauma and testimony as central concepts that the author puts to theorize the Literatures of the 20th century in the contexts of war and authoritarian regimes. After, it makes a critical reading based on the premise of philosophical political thought on Heidegger in the chronicles of Rosa, because they expose images from the period of Nazi Germany when the brazilian writer was working as a diplomat. The second review of the war chronicles will be made based on the concepts of trauma and testimony formulated by Seligmann-Silva (1964), because the works of Rosa treated demonstrate the level of authoritarianism of the Nazi party. Finally, it will be made a definition of the concept of reception of Hans Robert Jauss (1921-1997) to then discuss the authors who made the critical reception of the chronicles of Guimarães Rosa.
Acesso aberto (Open Access)
O prazer estético diante das atrocidades narradas por Erich Remarque e Guimarães Rosa
(Universidade Federal do Pará, 2018-02-28) SILVA, Leonardo Castro da; HOLANDA, Sílvio Augusto de Oliveira; http://lattes.cnpq.br/0928175455054278
This dissertation selects as corpora the novel All Quiet on the Western Front (1929) by Erich Maria Remarque (1898-1970) and the chronicles “O mau humor de Wotan”, “A velha”, and “A senhora dos segredos” in Ave, palavra (1970) by Guimarães Rosa (1908-1967). For the reading of the German novel whose subject revolves around the First World War, and the rosianos texts molded by the context of the Second World War, it is proposed to apply the theorists Márcio Seligmann-Silva (1964) in O local da diferença (2005), Zygmunt Bauman (1925) in Modernity and the Holocaust (1998), and Hannah Arendt on Eichmann in Jerusalem (1906-1975) (1963), and The Origins of Totalitarianism (1951). It aims to discuss the corpora from different perspectives on the war in order to understand how literary narratives can contribute or even cause tensions for theory. The central approach of this thesis is the examination of the corpora under the reception-aesthetic method formulated by Hans Robert Jauss (1921-1997), and the Hermeneutic defined by Benedito Nunes (1929-2011) in Hermenêutica e poesia (1999), as well as the German theorist dialogues with his master Hans Georg Gadamer (1900-2002) and Martin Heidegger (1889-1976). Thereby, it focuses attention on the transcendental historicity and the state of being. According to the theories about the war from the Brazilian theorist, it will elapse two moments in this research, the first will be the application of the psychoanalytic principles of trauma, shock, war neurosis, among others, while the second will be the questioning of the location of the difference on its proposal of overlap of the ethical over the aesthetic. In relation to the Polish sociologist, beyond the treatment of these literary works under his understanding, we will consider through the aesthetics of All Quiet on the Western Front the possibility of point out elements that can lead to ask for the lesson of reason against emotion, which according to Bauman is only noticeable in the Holocaust. However, bringing closer Remarque and Guimarães, it will be observed by means of aesthetic elements, obviously different from sociology, that this notion can be reversed to show that the most notorious relation between reason against emotion is in the German novel than in rosianas chronicles. In the case of the German thinker, it will examine how the novel All Quiet on the Western Front offers analyzable images by the theory of Arendt, as well as shows complex characters that consent to trivialize evil, after think and judge questioning the power of the State and, at last, becoming indifferent to each other again. By examining the corpus according to the conception of Jauss and Hermeneutic studies, taking into consideration the theoretical premises about the war, this thesis will show how the current reader can have an aesthetic experience of pleasure in face of the terror inflicted by the man in the 20th century. Therefore the context of the Holocaust it can be interpreted as a violence more moderate than shown in the mainstream media and in the theories about the war, since the receiver will have a first contact with the First World War by the remarqueano novel.