Navegando por Autor "TRUSEN, Sylvia Maria"

Agora exibindo 1 - 4 de 4

Acesso aberto (Open Access)
Contos de Grimm e novos contos de Grimm: tradução e adaptação em Monteiro Lobato
(Universidade Federal do Pará, 2016-04) TRUSEN, Sylvia Maria
Monteiro Lobato’s work is well known in the field of literature for children, and so is his effort to emancipate the genre of European canons. However, his task as translator to transfer and circulate a large number of foreign literature works within the national environment, seems to contradict his project of founding a own Brazilian children’s literature. With the review of the reception of the Grimm´s collection in his work, especially the adaptations of Grimm Fairy Tales and the New Tales of Grimm, the task is therefore to analyse how Lobato has reconciled the purposes in apparently disagree.
Acesso aberto (Open Access)
Diálogos: uma leitura intratextual de “Varandas da Eva” (A cidade ilhada) com Cinzas do Norte e Órfãos do Eldorado, de Milton Hatoum
(Universidade Federal do Pará, 2016) SILVA, Francisca Andréa Ribeiro da; TRUSEN, Sylvia Maria
This study discusses the possible intratextual relations between the story " Varandas da Eva" ( A cidade ilhada), "Cinzas do norte" and "Órfãos do Eldorado" . The focus will be on dialogue between characters in the romance and the novel and the short story, in the common theme, especially with regard to the work of memory and time, as key elements in the narrative. Also, will stand out - the female characters present in both , watching the enigmatic character that entangles.
Acesso aberto (Open Access)
A personagem Dinaura, de orfãos do Eldorado: vozes narrativas e alteridade na construção do enigma da feminilidade
(Universidade Federal do Pará, 2018) SILVA, Francisca Andréa Ribeiro da; TRUSEN, Sylvia Maria
This article discusses how the character Dinaura, belonging to Milton Hatoum's Órfão do Eldorado, is constructed by the narrative voice and by the perspectives of the characters who, with her, participate in the plot. Thus, the relations of alterity and the influence of these relations on the constitution of this character are observed. In addition, it is noted how Dinaura and the other orphans set in this novel relate to ethnic and religious alterities in cultural, linguistic and belief negotiations, while portraying the consequences of colonization in the modern period, such as the translation process cultural relations present in these relations, which are of postcolonial subjects. Thus, it is based on the conceptions of Fanon (1968, 2008), Burke (2009), Beauvoir (2016) and Genette (1989), among others.
Acesso aberto (Open Access)
Vigienses e cabrassurdos: um espelho de si no outro
(Universidade Federal do Pará, 2017-06) BRITO, Geovana Nascimento Brito; TRUSEN, Sylvia Maria
The purpose of this article is to study the theme of alterity that emerges from the relationship between the carnival street groups “Virgienses” and “Cabrassurdos” from Vigia de Nazaré, Pará. On a hand, there are men who dress as women, who use allegories and wear feminine adornments, as well as the makeup that represents an indispensable item for the characterization of “The Virgienses” in this carnival context. On the other hand, there are the women who are characterized as men to compose the imagetic mosaic that will highlight the group "The Cabrassurdos". It may be observed, on the interrelation between the groups, the existence of a dialectical tension. The interdiction imposed by "The Virgienses" group results in a self-recognition in the other. The Ego (“The Cabrassurdos”) creates a self-becoming in the other (“The Virgienses”). Thus, the composition of the group “The Cabrassurdos” was stimulated by the rules of the group that has provoked the interdiction (“The Virgienses”). In this dialectical relationship, women recognize themselves in men and men recognize themselves in women. In this sense, the main premises that base this investigation are found in the discussions of Beauvoir (1970), Bravo (1985) and Bakhtin (1987), among others. The methodology used was a bibliographic research and image capture. Then, it is performed the analysis about the relation of alterity established between the street groups Virgienses and Cabrassurdos in the carnival of Vigia de Nazaré.