Navegando por Autor "VELOSO, Ivone dos Santos"

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A infância desvalida em Dalcídio Jurandir: um bulício de crianças, picado de risos e gritos
(Universidade Federal do Pará, 2019-02-27) VELOSO, Ivone dos Santos; FURTADO, Marli Tereza; http://lattes.cnpq.br/2382303554607592; https://orcid.org/0000-0001-7597-7834
The thesis proposes an analytic–interpretative reading that aims to demonstrate that the childhoood category has a prominet role in the literary proction of Dalcídio Jurandir and especially, in the ethical and aesthetic dimension of the construction of his literary project that became known as the Extreme - North. This study, with a qualitative bibliographical approach, focuses mainly on the first five novels of the Dalcidian cycle, namely: Chove nos Campos de Cachoeira (1941), Marajó (1947), Três casas e um rio (1958), Belém do Grão-Pará (1960) e Passagem dos Inocentes (1963). The analytic-interpretative approach is based on the thematic and discursive technique, which allows us to observe the ideological formations of the discursive construction of the marajoara writer, and the way in which the figuration of childhood and the child collaborate with the social tone of his aesthetic project. From this point of view, the fundamental axes that guide this reading are the relations between Literature and Society and Literature and Memory so that we revise authors that fall within this theoretical scope, as well as those that give treatment to the theme of childhood and the Dalcidian work. The research has shown, among other things, that the childhood universe that emerges from the Dalcidian narratives is not restricted to the presence of children's characters, or that they recall this stage of life, but also comes to light through the representation of the child's imagination, and, by insertion into the narrative structure itself, through the incorporation and often re-elaboration of fairy tales, myths, or other signs of popular and erudite culture that somehow approach the world of childishness. These strategies, in turn, are aligned with the ethical and aesthetic commitment of Dalcídio Jurandir, whose novels combine social commitment and awareness of literary work.
Acesso aberto (Open Access)
Marajó: espaço, sujeito e escrita
(Universidade Federal do Pará, 2007-09-04) VELOSO, Ivone dos Santos; CASTILO, Luís Heleno Montoril del; http://lattes.cnpq.br/3519128535996125
This work thinks the romance Marajó, written by Dalcídio Jurandir as a culture good in a after-colonial perspective, in the which is questioned and re-articulated the hegemonic speeches and those ones that become the modernity.homogeneous. I consider, in this manner, to defend the idea that, to the similarity of the archipelago of Marajó, the romance homonym of Dalcídio Jurandir can say us that under the apparent homogeneity of the region it is the ambivalent and the heterogeneous, and that this narrative redefine, therefore, the symbolic process and the social imaginary on the Amazonian that, traditionally, have constituted the image of this region. For in such a way, I demonstrate how is forged a new cultural sign from the representation of a space that oscillates between document and fiction, as well as from the representation of a citizen in bordering and ambivalent condition and of a writing that makes itself fragmentary and double. The theoretical frecital of this study consists, over all, in backgrounds about the construction of established represent a nation and create a cultural identity, mainly, by Timothi Brennan, Homi Bhabha and Stuart Hall, as well as, in the idea of dissimulation and supplement inferred of the studies of Barthes and Jacques Derrida; in the contributions of Deleuze and Guatarri, Donaldo Schuller, Finazzi-Agro,Garcia Canclini, Costa Lima, Angel Rama, amongst other, to think the condition of the citizen and the construction of the space about the Dalcídio”s narrative, and, still, in the analytical contributions of researchers of the Dalcídio‟s work as Assmar, Vicente Salles, Marli Tereza Furtado, Castilo,dentre many other.