Navegando por Autor "VENTURIERI, Leonardo Vieira"

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Acesso aberto (Open Access)
Diálogos Atemporais de Música e Imagem: Ressignificando a obra de Clemente Ferreira Júnior (1864-1917)
(Universidade Federal do Pará, 2023-01-26) VENTURIERI, Leonardo Vieira; COHEN, Líliam Cristina Barros; http://lattes.cnpq.br/0286644614789784
In the present thesis, ‘Timeless dialogues between music and image: resignifying Clemente Ferreira Júnior’s work (1864-1917)’, the author aims to promote a dialogue between Clemente Ferreira Júnior’s work (his great grandfather), composer, pianist and conductor, with his own work, considering epistemologies in the study of music and image. The author presents a historical summary, presenting an overview of the composer’s sociocultural surroundings, subsequently making an analysis of his pianistic work, utilizing an semiologic and semiotic perspective (musical and visual), aiming do unveil creative (poietic) and perceptive (estesic) aspects, considering its covers, the musical object and a few historical aspects. Develops, therefore, a musical product as a result of the epistemological and phenomenological dialogue, the Imaginary landscapes catalog, throughout artistic and compositional processes (“transmelodies” e “pictoscores”), transforming and resignifying Clemente’s work, to be released in parallel as this thesis. The author aimed to establish, therefore, a transdisciplinary artistic and epistemological dialogue, combining musical semiology and semiotics, proposing an outline for a kinesthetic sign, grounded in different notions from various authors: Nattiez (1990), Molino (1990), Tarasti (1994).
Acesso aberto (Open Access)
O Schottisch de Clemente Ferreira Júnior
(Universidade Federal do Pará, 2018-06-26) VENTURIERI, Leonardo Vieira; COHEN, Líliam Cristina Barros; http://lattes.cnpq.br/0286644614789784
This work investigates the presence of the musical genre schottisch in Brazil and Belém during the late 19th century and early 20th century, throughout the figure of Clemente Ferreira Júnior, composer, maestro and pianist. In this investigation, some methodological tools concerning ethnomusicological studies are utilized, as well as analytical tools from music theory and musical composition. The research problem presents itself from the following propositions: How does Clemente Ferreira’s musical creation processes occur? Which are the musical elements of Clemente’s schottisch? How does this musical creation relates to the composer’s socio-economic background? It is aimed the comprehension about the composer’s musical practice, based in Sônia Chada’s (2007) “musical practice” precept, focusing on his social context as the main parameter. The work also offers an overview about the transformation ocurred in Brazilian music since the second half of the 19th century, proposing the adoption of the term “novidades musicaes” (musical novelties) to designate this phenomena of ongoing import of foreign musical genres to the country during the period. At last, it is presented a musical composition, accompanied by a memorial detailing this auctor’s aesthetical views on the work, showing a concept called “Transmutation”, in which some of Clemente Ferreira Schottische’s caractheristics are used for creating original musical.