Navegando por Autor "VIEIRA, Paulo Roberto"

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Acesso aberto (Open Access)
Florestas e comunidade: cotidiano de famílias em Jericó, Garrafão do Norte, Pará
(Universidade Federal do Pará, 2005-05-25) VIEIRA, Paulo Roberto; GUERRA, Gutemberg Armando Diniz; http://lattes.cnpq.br/4262726973211880
At Eastern Amazon, farmers' families build their daily life starting from the forests that complement the landscape, appropriating of the material and non-materials resources which come from the vegetation. The human’s pressure over the nature during the years creates a social drama while the families see the surrounded forests refusing and they become threatened about their land permanence. It was intended to discuss about the various families-forest relations views based in a detailed observation of the daily life at Jericó community in Garrafão do Norte, Pará, Brasil, using as resources: interviews, informal chats and photographic registrations, always having a solid base for the analyses in the local empiric knowledge about the nature. Even if the families worry about the forest degradation there’s a constant necessity to use these forests to guarantee the agricultural productions and other daily activities. In this context, the forest works as a mirror of the man, in front of which he is looking for his self-understanding in the world.
Acesso aberto (Open Access)
A poesia de Jurandyr Bezerra: organização dos manuscritos inéditos de um poeta quase esquecido
(Universidade Federal do Pará, 2020-04) VIEIRA, Paulo Roberto
The poet Jurandyr Bezerra, born in Belém do Pará in 1928 and living in Rio de Janeiro from 1960 until his death in 2012, published only one book, Os limites do pássaro, in 1993. Jurandyr is the least known among modern poets of the Pará that consolidated works throughout the second half of the twentieth century. Still, it received the attention of readers such as Carlos Drummond de Andrade and Antônio Olinto who, in 1958, awarded him. In the paraense archive, eight sets of unpublished poems remained – As águas de Mara, A lâmina convexa, Configurações, Superfície, O rio da minha aldeia, O signo transverso, A rosa de Jericó e outras notícias da morte e Sombra submersa: recordações da Amazônia – manuscripts distinguishing the paths of the creative process. This paper presents results of the process of classification and organization of manuscripts and poem analysis, designed to show the relevance of unpublished poetry by a significant Brazilian poet of the twentieth century, practically unknown