Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452

O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.

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Acesso aberto (Open Access)
Agência de notícias jovens comunicadores da Amazônia: práticas de comunicação alternativa em defesa da juventude negra de Belém do Pará
(Universidade Federal do Pará, 2020-06-22) SILVA, Lanna Paula Ramos da; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This research has as theme the communication produced by Agência de Notícias Jovens Comunicadores da Amazônia (Agência JCA), a space of mobilization in defense of black youth in the Metropolitan Region of Belém, Pará, through alternative communication. The question-problem that guides this study is: How are the alternative communicative practices of Agência de Notícias Jovens Comunicadores da Amazônia in defense of black youth from Belém? The general objective of this research is to understand how the alternative communication dynamics of Agência JCA are constituted, in the exercise of alternative communication. The specific objectives are to a) identify how the Agência de Notícias Jovens Comunicadores da Amazônia is set up, with the communicative and educommunicative evidence present as a central feature; b) understand how the extermination of black youth from the periphery presents itself as a problem before the Agência JCA; c) investigate and analyze the communication strategies carried out by Agência JCA and their contribution in defense of young blacks living in peripheral areas of the Metropolitan Region of Belém. The methodology used is based on bibliographic research; conducting individual semi-structured interviews with young people who participated / participate in the media and project coordinators. In addition, participant observation was also carried out in activities promoted by the Agência JCA. The theoretical foundation of this study included discussions about alternative communication (Peruzzo, 2008; 2009; among others; AMORIM et al, 2015), educommunication (Soares, 2011; 2002), youth (PAIS, 1990; DAYRELL, 2003) and extermination black youth (NASCIMENTO, 1978; MUNANGA, 2003; ALMEIDA, 2018; GOMES E LABORNE, 2018). We believe that Agência JCA develops through it is critical reflective alternative content about the youths and peripheries of Belém and its actividies, ways of mobilizing, raising awareness and fighting against the extermination of black youths in Belém and also the expansion of citizenship rights, thus constituting itself as an important articulation in defense of the black youths of Belém do Pará.
Acesso aberto (Open Access)
Alô, Alô Amazônia: o rádio que o ouvinte também faz
(Universidade Federal do Pará, 2019-12-20) WANDERLEY, Patrícia Teixeira Azevedo; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638; https://orcid.org/0000-0003-3843-4499
This research proposes to analyze the discourse produced by the listeners of Rádio Difusora de Macapá, seeking to understand the relationship between the radio station and its audience. By addressing the characteristics of the amazonian persona, through messages and notices spread by the Alô, alô Amazônia broadcast, we seek to analyze the text, its marks and attributes. The main theoretical and methodological framework is based on authors such as Benetti, Bakhtin and Bourdieu. We acknowledge the relevance of radio for the riverside communities from the states of Pará and Amapá, even with the effervescence of social networks, emphasizing the relation established between listeners and radio broadcasters. The quantitative analysis of 117 messages also revealed that the female audience is the one that sends the most messages and the male audience is the one that receives the most. The texts draws attention to the kinship that precedes these people's names; to the river, its main avenue; to the river network, its main mean of transport; and to the different religions, which are part of the daily life and habits of the riverside dwellers.
Acesso aberto (Open Access)
Amazônia ameaçada: análise do discurso jornalístico nos portais de notícias O Liberal.com – PA e A Crítica – AM sobre desmatamento e queimadas no contexto da pandemia da COVID-19
(Universidade Federal do Pará, 2022-07-26) MANGAS, Laiza Monik de Oliveira; COSTA, Luciana Miranda
The year 2020 was marked by the beginning of the COVID-19 pandemic and the increase in deforestation and fires in Brazilian Amazon. Data from Inpe (2020) recorded 10,312, 88 km2 of consolidated deforestation in the region, in addition to 103,161 outbreaks of fires during that year. Months of August and September were the ones with the highest rate of fires and the states of Pará, Mato Grosso and Amazonas accounted for 70% of deforestation. Meanwhile, "the herd passed" [a figure of speech refering to Ricardo Salles speech] with the approval of 593 acts by the federal government related to changes in rules on environmental protection in Brazil (OBSERVATÓRIO DO CLIMA, 2021). Amid the health, political and environmental crisis, journalism played an important role in providing information to population (CASERO-RIPOLLÉS, 2020). In this context, this research analyzes how was the coverage on deforestation and burning in two of the main news portals of the North region of the country: “O Liberal.com – PA” and “A Crítica – AM”, during the month of September 2020, considering the pandemic period and its adversities. The main theoretical and methodological framework chosen was the Critical Discourse Analysis - CDA (FAIRCLOUGH, 2001). Through the analysis of the newspapers it can be concluded that Jair Bolsonaro government, in the midst of the COVID-19 pandemic, managed to occupy a privileged space in the publications, with a speech aimed at alleviating the problems in the Amazon and widely reproduced by the two newspapers without significant counterpoints. Justifications that attributed deforestation and burning to the climate itself in Amazon and to agricultural activities traditionally carried out by rural, indigenous and quilombola communities were used. In addition, the credibility of scientific data on the subject disclosed by institutions such as the National Institute for Space Research - INPE was questioned.
Acesso aberto (Open Access)
Amazônia ameaçada: análise do discurso jornalístico nos portais de notícias O Liberal.com – PA e A Crítica – AM sobre desmatamento e queimadas no contexto da pandemia da COVID-19
(Universidade Federal do Pará, 2022-07-26) MANGAS, Laiza Monik de Oliveira; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638; https://orcid.org/0000-0003-3843-4499
The year 2020 was marked by the beginning of the COVID-19 pandemic and the increase in deforestation and fires in Brazilian Amazon. Data from Inpe (2020) recorded 10,312, 88 km² of consolidated deforestation in the region, in addition to 103,161 outbreaks of fires during that year. Months of August and September were the ones with the highest rate of fires and the states of Pará, Mato Grosso and Amazonas accounted for 70% of deforestation. Meanwhile, "the herd passed" [a figure of speech refering to Ricardo Salles speech] with the approval of 593 acts by the federal government related to changes in rules on environmental protection in Brazil (OBSERVATÓRIO DO CLIMA, 2021). Amid the health, political and environmental crisis, journalism played an important role in providing information to population (CASERORIPOLLÉS, 2020). In this context, this research analyzes how was the coverage on deforestation and burning in two of the main news portals of the North region of the country: “O Liberal.com – PA” and “A Crítica – AM”, during the month of September 2020, considering the pandemic period and its adversities. The main theoretical and methodological framework chosen was the Critical Discourse Analysis - CDA (FAIRCLOUGH, 2001). Through the analysis of the newspapers it can be concluded that Jair Bolsonaro government, in the midst of the COVID-19 pandemic, managed to occupy a privileged space in the publications, with a speech aimed at alleviating the problems in the Amazon and widely reproduced by the two newspapers without significant counterpoints. Justifications that attributed deforestation and burning to the climate itself in Amazon and to agricultural activities traditionally carried out by rural, indigenous and quilombola communities were used. In addition, the credibility of scientific data on the subject disclosed by institutions such as the National Institute for Space Research - INPE was questioned.
Acesso aberto (Open Access)
A Amazônia codificada: a configuração narrativa da comunicação institucional
(Universidade Federal do Pará, 2017-03-29) RODARTE, Lídia Karolina de Sousa; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
This dissertation aims to comprehend how the sustainability narratives about Amazon are configured in Amazônia Viva magazine, an institutional journal that works on sustainability in the relationship between company and society. We also seek to understand the communicative dimension present in this relationship, de symbolic dimension of Amazonian imaginary representation and the aesthetic codes of Amazon’s identification in the visual and written narrative of the magazine. We start from the analysis of the mechanisms of narrative construction about the Amazon from the perspective of the Amazônia Viva magazine, monthly publication, produced and chartered in Pará's newspaper O Liberal, owned by the Rômulo Maiorana Organizations, sponsored by the mining company Vale S/A, The second largest mining company in the world. As theoretical-methodological procedures, we used narrative analysis, with inspiration in the hermeneutic phenomenology proposed by Paul Ricoeur, and methodological procedures based on the seven narrative analysis movements proposed by Motta. As the corpus analysis we selected 14 covers and cover stories, chosen by its level of relation with the sponsoring company and the development of sustainability theme, a way of understanding the construction of institutional narrative in the social context which it is inserted.
Acesso aberto (Open Access)
Amazônia Virtual no game Brasil Ragnarök Online: representações, construção e circulação de sentidos sobre a região
(Universidade Federal do Pará, 2015-02-27) ASSIS, Bruno Monte de; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638
The present study aims to analyze the presence of Amazonian representations in Brasil Ragnarok Online (BRO), a digital game for thousands of simultaneous participants. The investigation was based on documents and literature to support the discussions of representation processes, construction and circulation of meanings in games, especially on digital games, and briefly introduces the transformation of representative capacities of these media products over its history. For the description and analysis of the empirical object, it was sought the construction of analytical model representations in digital games, based on theoretical contributions of Denise Jodelet (1989), Mikhail Bakhtin (1995), Stuart Hall (2003, 2005) and José Luiz Braga (2012) and in the methodological proposals directed to digital games of Ian Bogost (2007, 2008), Cristiano Pinheiro (2007) and Felipe Teixeira (2007), respectively, procedural rhetoric, the digital game model and dynamic hermeneutics. Following the proposed model of analysis, it was conducted a survey of digital games which submitted representations of Amazon in its contents to verify aspects relatable to those found in BRO. It was found that the meanings built in BRO reinforce numerous stereotypes about the Amazon region, in order to present similarities with the meanings contained in digital games discovered in mapping. Nevertheless, it is believed that digital games are configured as a potential media to value and debate about the Amazon region, showing a reality that enables forthcoming researches.
Acesso aberto (Open Access)
Um amor sem fim: interações e afetos entre ouvintes de um programa romântico de rádio em Belém, no Pará
(Universidade Federal do Pará, 2020-03-24) SILVA, Vanessa Monteiro da; SEIXAS, Netília Silva dos Anjos; http://lattes.cnpq.br/2301685130625189
The objective of this research is to understand the dynamics of WhatsApp group interactions that lead to the construction of affective bonds between listeners and radio programs, based on the Amor Sem Fim radio program. The program has been broadcast since 1993 on the 99FM radio, in Belém, Pará. Amor Sem Fim proposes to pack “the hearts in love” and, more than presenting a romantic musical production, it also serves as loving mail among its listeners. Through a board called Clube da Amizade, listeners have the chance to get to know each other, and, from there, develop (or not) some kind of relationship. Throughout this duration, several couples have already graduated through the program, and Amor Sem Fim continues to play its role as cupid. Since 2014, the program has had a new way to interact with the listener: WhatsApp. Without having more space to talk live during Amor Sem Fim, the inclusion of the app as a form of participation on the radio made listeners advance in their forms of interaction, creating WhatsApp groups formed only by people who like to listen to the program. With that, they started to interact independently of the transmission time of Amor Sem Fim and the mediation by Clube da Amizade. One of these groups is Amigos do Aelson, whose interactions left the virtual field and went to the face-to-face, with listeners promoting meetings in malls, clubs, and restaurants. With this interaction, the members of the group end up establishing ties, ranging from friendships to romances. This study proposes to have a relational conception (FRANÇA, 2016; SODRÉ, 2006), having as the guiding theories the studies of interactions (LEMOS, 1997; THOMPSON, 1998, 2018; PRIMO, 2007) and the relationships of affection established between listeners (RECUERO, 2005; 2009; RUDIGER, 2013; GRISA, 2003). For this, it is necessary to understand the specifics of the radio medium, from classic studies (LOPES, 1988; BACHELARD, 2005; MCLEISH, 2001), to the present, with its new characteristics and transformations (KISCHINHEVSKY, 2007, 2016; SILVER, 2002, 2008; QUADROS, 2003, 2017). To achieve the objective of this research, the methodology adopted followed a qualitative approach, with the use of techniques such as interviews, field diary, participant observation, and documentary research. Based on the data obtained and the theory consulted, the data analysis showed that the listener presents different forms of interaction, trusts friendship with the speaker, creates affective bonds in the group and perceives the program as a bond that unites them all.
Acesso aberto (Open Access)
Uma análise da experiência do fazer jornalístico e sua reconfiguração diante das mudanças tecnológicas
(Universidade Federal do Pará, 2021-11-23) NASCIMENTO, Valéria dos Santos; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This research seeks to understand the journalistic work, from the perspective of those who deal with the professional activity affected by the accelerated process of communication technology. Our reflection takes place through a hermeneutic approach to the phenomenon of media communication, which involves journalistic activity, interpreted under the thought of the philosopher Martin Heidegger, in his existential analysis of Dasein, the Being-there that is inevitably a Mitsein, the Being-with -others and the matter of technique. We also added authors such as Muniz Sodré (2015), Fábio Castro (2013, 2015, 2016, 2017), José Salomão D. Amorim (2012), among others. The central objective is to reflect on contemporary journalistic practice, based on the journalists' understanding of practices, in order to understand how they make possible both the social legacy of the profession - the right to information - and the service to the new consumption habits of news due to the spread of the use of digital technologies. As a methodology for the proposed discussion, we used participant observation and interviews with professionals who work for the printed newspaper O Liberal and the portal OLiberal.com, in Belém, between 2019 and 2020. The information and data collected are exposed based on the professionals' findings and how they develop paths for action, confronting empirical and theory. In advance, it is possible to argue that there are journalisms in progress, yes, in the plural, since the profession, depending on the resources invested by companies and editorial guidelines, has different practices nowadays. In the case of this research, the observed practice reconfigures the routine established until then, impacting, to a large extent, on the journalist's own ability to maintain classic precepts of the profession, in the face of the pressures of unbridled market competition.
Acesso aberto (Open Access)
Análise de aspectos discursivos da atuação de vereadoras de Belém e de Manaus no Facebook
(Universidade Federal do Pará, 2019-04-30) KAHWAGE, Nathália Lima; LAGE, Danila Gentil Rodriguez Cal; http://lattes.cnpq.br/4593992869253877
Female underrepresentation and marginalization in formal politics are recurrent findings in research and studies in a number of countries, including Brazil, which indicate a power relationship based on male domination over women and structured by the sexual division of labor. However, these data reveal only one side of the power commonly associated with the exercise of government, but which, in this research, is analyzed under other nuances: empowerment, resistance and solidarity. The attempt to silence the public voice of women in public spaces and the use of stereotypes in political careers enables elected women to reassign the exercise of political activity in less conventional communicational environments such as digital media. Our problem, in this research, is to investigate, through the videos of Facebook of the aldermen of Belem and Manaus, how the power relations (power over, power to and power with) act in the configuration of the discursive representation of the parliamentarians in an environment in which they have mastery of their own discourse, resorting to, denying or re-signifying stereotypes. In order to do so, we analyzed a corpus of 210 videos posted in social profiles and fanpages of the city councilors of Belém, Marinor Brito (PSOL), Simone Kahwage (PRB) and Blenda Quaresma (MDB), and in the City Hall of Manaus, Glória Carratte (PRP), Joana D'arc (PR), Professor Jacqueline (PHS) and Professor Therezinha (Democrats), from August 4, 2015 to March 8, 2018. The data were submitted to content analysis from 13 categories, such as: general information; video format; video function; authorship projects; where is the councilwoman; current municipal administration; current state administration; central theme; political party; stereotypes (major and minor); power relations (main and secondary). In addition to the presentation of general quantitative data of the findings in these categories, we conducted specific discussions about the bibliographic referent involving political representation, gender and communication.
Acesso aberto (Open Access)
Antagonismo político na arena midiática: escândalos na eleição ao governo do Pará em 2014
(Universidade Federal do Pará, 2017-03-20) MORAES, Lázaro Cardoso de; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638
This research analyzed newspaper articles published during the political campaign in 2014 for governor of Pará State in the local newspapers O Liberal and Diário do Pará aiming to identify phrases, key-words and other editorial resources – such as headlines, photo captions, photographs, infographs and facsimiles – in order to check if both papers took part in the construction of media political scandals so as to demage the opponents’ simbolic capital and influence the electors’ opinion. Considering that O Liberal declared support for the re-election of governor Simão Jatene and Diário do Pará for Helder Barbalho – who is son of senator Jader Barbalho and former mayor of Ananindeua municpality, in Belém Metropolitan region, we collected 100 articles published in both papers. Each of them was analysed based on two forms referring to quantity and quality data – such as if the article was the main headline of the newspaper; internal page headline; if it was published on even or odd pages or if it showed graphical resources; and another for the quality information: if the two sides involved were interviewed; if the article was against the candidates’ administration, their relatives or political allies; if the article was framed as political scandal, or even if there was omission of any public agent accused. Among the authors who provided theory reference to embase our research are Thompson (2002), Bourdieu (1998), Bakhtin (2006) and Mainguenau (2013), references for discourse analysis of the articles published in both newspapers. Based on the quantitative as well as qualitative data collected, we analysed how the newspapers do to say what they say, going through the discourse strategies each of them used on the construction of media political scandals aiming to conquer political power. In the end, we concluded that both newspapers not only worked on the attempt to influence the electors’ votes, as well as adopted similar discourse strategies, characterizing a sui generis form of political antagonism between the two communication groups which suported their respective candidates for governor of the State.
Acesso aberto (Open Access)
Anti-homofobia no futebol paraense: engajamento social nas torcidas de Remo e Paysandu
(Universidade Federal do Pará, 2020-06-25) SOUSA, Milene Costa de; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703
This dissertation addresses the configuration of social engagement against homophobia by the fans of Remo and Paysandu and both clubs from Pará on the internet. As an empirical object, the positions of the barras bravas organised supporters' groups of football Camisa 33 and Banda Alma Celeste were selected; and the Remo and Paysandu clubs, published on their official Facebook pages. The sociation processes in the sense of visibility brought by the communication have enabled discussions about homophobia, which in 2019 was criminalized in Brazil by the Superior Federal Court. Such discussions reached the football arenas and the cultural spectacle of football, where homophobia is often performed by fans. The guiding question is: how is the anti-homophobic social engagement process being carried out amidst the cultural spectacle of Pará football? The main objective is to explain the social engagement against homophobia in Pará football, which in turn is marked by the rivalry between Remo and Paysandu and their respective fans, not just explaining, but went further by proposing a reflection on the universe of football and the practices of homophobia and against homophobia.. The methodology used is content analysis according to Laurence Bardin (1977), and qualitative and bibliographic research to obtain adequate theoretical references, such as Édison Gastaldo (2005), Itamar Gaudêncio (2003), Georg Simmel (1983), Roberto DaMatta (1982) , Manoel Tubino (2001), Frederico Coelho (2006) and Mauricio Murad (2012), for studies that made it possible to approach the proposed subject. The result of the research points out that the engagement against homophobia means a new context in football, which has the internet as a fundamental piece so that it is more relevant and developed in the midst of the Paraense and Brazilian soccer spectacle.
Acesso aberto (Open Access)
O aplicativo alerta clima indígena: digitalização das terras indígenas à luz da ecologia da comunicação
(Universidade Federal do Pará, 2021-11-17) RAYOL, Clarissa da Silva; COSTA, Luciana Miranda
This dissertation aims to analyze, in the light of the ecology of communication, the digitization of Indigenous Lands experienced by the Alerta Clima Indígena application, developed by Ipam together with the Raoni Institute, Indigenous of Roraima (CIR) and the Commission of Chiefs and Leaders of the Araribóia Indigenous Land (CCOCALITIA), whose purpose is to disseminate scientific data on climate, fire and deforestation of Indigenous Lands in the Brazilian Amazon. The platform also has resources for creating alerts against threats to Indigenous Lands and inserting information about traditional uses such as hunting, fishing and gathering. In this context, based on ecology of communication (DI FELICE, 2017), this characterization is an experimental and qualitative research context of the immersive perspective in which the researcher enters the networks and integrates as supplying all in das. In the investigative path, we present a description of the app's partner associations and the collaborative construction of indigenous workshops while, later, we immerse ourselves in the app's interactive architectures and then analyze the independent processes experienced by the Mẽbêngôkôkókre (Kayapó) people, from the perspective of two residents of the Capoto/Jarina Indigenous Land located in the state of Mato Grosso. In this sense, the experience of digitization, of Indigenous Lands, from the Alerta Clima Indígena app in the “creation of hybrid worlds” (DI FELICE, 2021), where scientific data, technologies, rains, wind, animals and how trees have their own capabilities and are transformed by them, as well as indigenous peoples and creativity in the forms of appropriation of the invention from the new practices for the Management of Indigenous Lands.
Acesso aberto (Open Access)
Apuração, desinformação e whatsapp na rotina jornalística: os atravessamentos da pandemia de Covid-19 nas redações de TV de Belém (PA)
(Universidade Federal do Pará, 2023-06-02) SILVA, George Luiz Miranda da; CUNHA, Elaide Martins da; http://lattes.cnpq.br/3778190981135428; https://orcid.org/0000-0001-7723-7055
Like other activities, Journalism also needed to adapt to the so-called “new normal” with the arrival of the Covid-19 pandemic. WhatsApp - which was already widely used by TV stations in Belém (PA) - became even more strategic for the production of television news after the start of the health crisis. Producers began to accumulate functions and use the app even more in information traffic and in contact with the public, characters, specialists and official sources. In view of this, the purpose of this research was to investigate what are the procedures adopted by these professionals to filter and verify the information that reaches the newsrooms, through WhatsApp, after March 2020, the month in which Pará registered the first case of Covid-19 and the firsts restrictive measures were implemented in the State. This work also proposes to indicate the profile of the professionals who are part of the journalistic production staff of the TV stations in the capital of Pará, including gender, age group and time of profession, in addition to mapping the perception of these professionals about the fight against disinformation, the challenges of producing and the defense of Journalism when the press is suffering so many social and institutional attacks. The research is supported by the concepts of Information Disorder (WARDLE and DERAKHSHAN, 2017), Participatory Culture (JENKINS, 2009), Interactivity (LEMOS, 1997), among others. To achieve the objectives of this study, a qualitative approach methodology was adopted and online interaction application techniques were used, which included 28 professionals from six stations in Belém, in addition to semi-structured interviews and participant observation. The survey results indicate that 100% of those who use WhatsApp do it in their work routine and most of them feel responsible for combating misinformation, although some were in doubt whether they have already aired a content without proper investigation. The most common checking procedures among producers are: asking the complainant for more information, researching the matter on the internet and asking official sources for a position. As for the profile of professionals, the study shows that the production staff of the stations is formed, mostly, by young professionals with little career time. The survey also pointed out that professionals face conflicts in carrying out their work, mainly due to the accumulation of functions and the precariousness of the profession.
Acesso aberto (Open Access)
Arrastão do Pavulagem e o " estar junto" em Belém do Pará durante a Pandemia de COVID-19: comunicação, sociabilidades e consumos da cultura material
(Universidade Federal do Pará, 2023-03-22) SANTOS, Lucas Gil Corrêa dos; VIEIRA, Manuela do Corral; http://lattes.cnpq.br/1758973354834768; https://orcid.org/0000-0003-2034-5359
This master's dissertation seeks to understand how the practices of communication, consumption and sociability, involving the June procession Arrastão do Pavulagem, held annually between the months of June and July, were resiginified, with the scenario of social isolation, arising from the Covid-19 virus pandemic. To this end, the following procedures will be used as methodology: netnographic analysis, as pointed out by Kozinets (2014); interviews with semi-structured script; snowball sampling, according to studies by Bockorni and Gomes (2021); and participant observation. In order to ground the axes of analysis, the notes of França (2008) and Muniz Sodré (2008; 2002) about communication will be used; Amaral Filho (2017; 2019) about cultural shows and entertainment; Santos (2010) and Castro (2012; 2020) about Amazonia; Simmel (1983) and Maffesoli (2016) about sociabilities; Miller (2007) about material culture; and McCracken (2003; 2007), Barbosa, and Campbell (2006) about consumption. We highlight the experimental and successful character in the preparation and realization of the digital programming of the analyzed period, the sharing of similar feelings and sensations that enabled the subjects to connect with each other even at a distance, and the sensitive dimensions that crossed the practices of consumption of the arrastões and their material aspects.
Acesso aberto (Open Access)
Artitas visuais e vídeos mapping: narrativas audiovisuais produzindo sentidos na Amazônia paraense
(Universidade Federal do Pará, 2021-11-16) BREMGARTNER, Jean Lucas Teixeira; COSTA, Vânia Maria Torres; http://lattes.cnpq.br/7517564393392394
In this research, we seek to understand the use and concept of video mapping beyond its technical dimension, as it can be considered a new form of expression and contemporary interaction. At the same time, we focus on the analysis of the productions and experiences of four local visual artists, whose main characteristics are that they come from the Amazon region of Pará and express themselves through media art technology. For this, interviews were conducted with each of them so that we could observe how they understand their experiences, how they see themselves as Amazonians and how their productions facilitate (or not) a connection between art and communication, through the interaction generated between the artist and art through the created projections. In this process, we entered the audiovisual universe seeking understanding about how the connection between art, artist and technology occurs, how the use of narratives occurs in this context, and which narratives are constructed. As a methodological procedure, we used interviews with visual artists in order to get to know their creations and productions of meanings. We emphasize that the audiovisual we deal with here, video mapping, is an audiovisual expanded beyond the screens of the cinematographic circuit, which is an art and communication tool that generates connection with/among people, strengthening the cultural environment, in constant movement for the middle of the images.
Acesso aberto (Open Access)
A atuação digital de mulheres negras de Belém (PA) e o lugar da branquitude crítica
(Universidade Federal do Pará, 2024-02-26) BERNAR, Lígia Isís Pinto; LAGE, Danila Gentil Rodriguez Cal; http://lattes.cnpq.br/4593992869253877; https://orcid.org/0000-0003-3243-8368
This research analyzes the place of critical whiteness (CARDOSO, 2010), represented by white followers who repudiate racism in digital environments, in relation to performance of black women from Belém, represented by activists and producers of digital content. The theoretical framework encompasses different concepts, and theoretical disciplines, organized here in three dimensions: (1) the intersectional approach, comprising Race, Gender and Class, based on the thinking of the authors Cida Bento (2022), Edith Piza (2002), Lia Vainer Schucman (2020), Liv Sovik (2009), Ruth Frankenberg (2004), Zélia Amador de Deus (2008), Cardoso (2010; 2014), and Deivison Campos (2023); (2) that of the communicational gaze, through the lens of interactional processes and mediatization, based on the studies of the authors José Luiz Braga (2017), with interactional devices and the process of mediatization; and Axel Honneth's (2003) and Rousiley Maia (2018) with theory of recognition, used to focus on the behavior of black digital activists and content producers, covering the aspects of intersubjectivity with communication, as well as to understand how the patterns of intersubjectivity occur in the individual and collective relational process of the subjects of this research; and (3) Digital Colonialism, based on Deivison Faustino (2023) and Walter Lippold (2023) to reflect on the dynamics of communication relations in digital environments.The methodological design is that of a qualitative empirical research that connects with the theoretical foundations of this dissertation, which is based on an interactional, relational and situational conception of communication (FRANÇA, 2022). Semi-structured interviews were conducted with eight women, two of whom were black digital activists and two black digital content producers, and four followers racialized as white. From this path, it is possible to highlight that the place of critical whiteness has a secondary role, of public support against racism only in the digital environment, but little effective in terms of practical and daily attitudes in the face-to-face to combat whiteness and racism.
Acesso aberto (Open Access)
Belém também é afro: tensões discursivas na Amazônia urbana
(Universidade Federal do Pará, 2019-02-13) SARRAF, Moisés Taate Alves; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
This work seeks to penetrate the theme 400 years anniversary of Belém, celebrated in 2016, to understand how the construction of the discourse on the anniversary of the city takes place, as well as the themes, statements and other discourses with which it draws neighborhoods and relations. For this, we will look for materialities in the city press, drawing a parallel between the years 1966 and 2016, in order to characterize the discourse in its movement in two moments of commemoration of the city. Finally, let's look for political groups that have fled to an official celebration of the party. Thus, we will conduct an ethnographic research with a group that compose the Afro-religious community of Belém, trying to understand which meanings such group attributes to the city's birthday party. Our theoretical-methodological contribution is based on discourse analysis, especially in Michael Foucault’s archeology of knowledge, as well as in the use of this methodology in the study of media materialities in Maria do Rosário Gregolin. Our field research also includes Clifford Geertz’s interpretation of the cultures, Maissimo Canevacci’s urban ethnography and Alessandro Portelli’s oral history. The main objective is, therefore, to demonstrate the discursive tensions that unfold in the urban Amazon during the commemoration of Belém's birthday, demonstrating its political and relational character among different projects that reverberate in themes such as citizenship and the right to the city.
Acesso aberto (Open Access)
Boletins do Museu Paraense Emílio Goeldi: institucionalização e comunicação científica na Amazônia
(Universidade Federal do Pará, 2018-03-23) ONO, Elaynia Cristina Vicente; FREITAS, Guaciara Barbosa de; http://lattes.cnpq.br/8765902485221030
The present dissertation aims to understand the relationship of the Bulletins of the Museu Paraense Emílio Goeldi, as an element of scientific communication, in the science’s institutionalization process in the Amazon, specificaly in the city of Belém. This publication is currently dismembered in two magazines, with scopes in different areas: Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas (ISSN 1981-8122) and Boletim do Museu Paraense Emílio Goeldi. Ciências Naturais (ISSN 1981-8114). This is a documental research, with an approach of mixed analysis and exploratory content, based on the period from 1894 to 2015. It was sought to conceive the dimension in which these journals are inserted as human and communicational enterprises, crossed by the dynamic processes that constitute a culture in order to understand also the particular processes where the local science has solidified. In order to establish this relationship, it was necessary to study the scenario where the Bulletins were consolidated, observing which actors and the internal and external influences over the Emílio Goeldi Museum, that intervened directly and indirectly in the production of them, making it possible to visualize the contexts in which the movement of the institutionalization of scientific communication was being formated. In this way, it was possible to perceive elements that allowed the creation of markers as parameter for the analysis of the temporal phases by which this historical magazine passed. The following were considered as markers: I) management and administration of the institution; II) financial conditions; III) socioeconomic and political contexts; IV) disciplinarization or systematization of knowledge; V) graphic / editorial production; VI) periodicity and circulation. So in the final analysis, it was possible to outline the paths taken by the local science in its consolidation and the role of scientific communication as basis in this process.
Acesso aberto (Open Access)
O canto de um presságio: a ressignificação de tradições socioculturais no Cordão de Pássaro Colibri
(Universidade Federal do Pará, 2020-03-30) PELAES, Laís Teixeira da Silva; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703
Acesso aberto (Open Access)
O cárcere e o relato de si: abjeção e normas regulatórias na experiência de mulheres sobreviventes ao centro de reeducação feminino
(Universidade Federal do Pará, 2014-10-02) FONSECA, Nathália de Sousa; LAGE, Leandro Rodrigues; http://lattes.cnpq.br/2396184188116499; https://orcid.org/0000-0002-6814-9640
In this work, we investigate how relationships are woven between regulatory norms, intersectional systems of inequalities, and abjection as verbalized by our interlocutors in their self-reports. By investigating the experience of women who have been incarcerated, selfreports are the materialization of ethical violence – which can be subjective – in the lives of the research interlocutors. This form of violence is affected by regulatory norms, intersectionality and abjection - which are configured as moral grammars that are mobilized to organize intelligibility before and within prison. Through this problem, we seek to understand the fabric of the relationship between regulatory norms, intersectional systems of inequalities and abjection through self-reports of women who have been inmates at the Women's Reeducation Center (Belém-PA). To this end, we propose to investigate whether or in what way the movement of self-reporting by the women concerned is marked by a denial of humanity, the imposition of gendered norms and practices that traverse social markers of differences (gender, race, class and sexuality), or even their questioning. Methodologically, the central concepts that animate the work are used as analytical categories, and they have proven fruitful in the analysis. Among the results, we have the imposition of the scene of interpellation that deals with the moment of arrest as the first self-report of the interlocutors, the “woman not to be” in the understanding of how the regulatory norms of gender configure that women are incarcerated women, the intersection that unfolds in the “patent” of wealth and the privileges that intertwine with it; operating in intersectional systems and in abjection we have the reality of women who were incarcerated due to their homeless condition, to these, abjection challenges them in such a way that they are denied the status of subject, framed as dirty, and even in intersectional systems of inequalities they reflect the other side of the “patent”, devoid of respect among incarcerated women.

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