Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452

O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.

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Amazônicos e tecnológicos: os Suruís de Rondônia e suas articulações globais
(Universidade Federal do Pará, 2012-08-03) COSTA, Tamiles do Espírito Santo; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703
This work aims to describe and analyze the experience of the indigenous community Paiter-Suruí, located between the states of Rondonia and Mato Grosso, which experiences a process of technological integration. From materials posted on the internet about the Suruí´s partnerships, specially the partnership formalized with Google, is done a study of the position change of the Amazonian Indians, historically relegated to a subordinated position, who, in this new technological scenario, gains voice and ability to interfere in their own narrative, in particular using the internet. The concepts of "to see" and "to look", "social capital" and an overview on the imaginary built about the Indians, intends to subsidize a brief phenomenological analysis supported by a field research, which aims to understand how the Suruís see subjectively the objective phenomena they experience. In addition, other discussions will be raised during the work, such as post-colonialism, the dialogue between tradition and modernity and hybridization of cultures.
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Cartografia movente: uma postura de pesquisa em comunicação na Amazônia
(Universidade Federal do Pará, 2013-08-30) MIRANDA, Fernanda Chocron; MALCHER, Maria Ataide; http://lattes.cnpq.br/5418062253829906
In this dissertation, however, we propose a discussion of what we call moving cartography, that is a result of several articulations traced in the ways and reways that we establish in the dialogue with life and work of Jesús Martín-Barbero and his perspective of "cartography that moves". The moving cartography presents itself as a posture of research, in which the investigator allows himself to affect by what he studies, revealing the different faces of a diurnal and nocturnal science, from what he is a researcher integrally and that what constitutes him as sociocultural integrates the research and drives his ways. As a central element for discussions about moving cartography are some key situations that I experienced in specific empirical sceneries of the state of Pará and that delineated my academic formation even before the entrance in the Post-Graduation. In the work of being a researcher and researched, I commented on the challenges and singularities that delineate the empirical sceneries of the region, especially from the concept of forest-cities observed by Pacheco (2006), one of the examples that I dare to identify by communicational realities (therefore, sociocultural), by understand, from authors of the communication area, such as Vera França and José Luiz Braga, that the communication is constituted as a strength which gives league to the social, what connects people culturally. So, also demarcate my position concerning the epistemological discussion of the Communication area, which calls the attention of the researchers to the importance of establishing a “special angle to look at the society”, what, on the other hand, does not invalidate the moving cartography and yes it delimitates its angle of entrance. In this sense, the work approximates of the discussion of what would be to investigate the study object of the communication and what the contribution of our area is for the comprehension of communicational realities (therefore, sociocultural) that we observe in the moving landscape from Amazon.
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Comunicação, neoconservadorismo e reconhecimento: tensões, contradições e disputas acerca das noções de família no Brasil em ambientes de visibilidade ampliada
(Universidade Federal do Pará, 2023-09-29) SEREJO, Elias Santos; LAGE, Danila Gentil Rodriguez Cal; http://lattes.cnpq.br/4593992869253877; https://orcid.org/0000-0003-3243-8368
The democratic crises and political ruptures marked by the 2016 coup, which polarized the public debate in Brazil, showed us that the notions of family have guided contemporary discussions, especially when tensioned from the advances in the struggles for recognition taken up by the LGBTQIA+ populations and of women, through the feminist gender debate. In different spaces, we were able to witness the mobilization of the concept of traditional, or nuclear, family, as a resource for coping with social changes arising from the visibility of other relationships and ways of being and living. At the same time, we also see in debate arenas the assertion that, as a historical-social construct, the family entity is mutable and diverse. In this context, we ask ourselves: what arguments are put forward in the public sphere to defend one or another way of dealing with the issue? And how do the media act in this context? These questions instigated this research. Our general objective in this work is to understand how the notions of family guide the contemporary political debate from the tensions arising from the action of social movements and the meanings produced about the family category in the media. Specifically, we want to a) Identify which senses/notions and arguments about family emerge in different communicational contexts; b) Identify which contemporary landmarks are decisive for the debate on families in the political agenda; c) Understand what notion of politics or democracy underlies discourses about families and what elements/characteristics/aspects of the family entity are in dispute; f) Understand how social movements from different political spectrums (conservatives and progressives) build their political agendas around the family category. For this, we focus on a theoretical framework to understand the elements that led to the rise of the extreme right in western democracies, the convenient partnership between neoconservatives and fundamentalist Christians, especially evangelicals, and the strength of neoliberalism operating as rationality in social relations. In addition, we seek to understand the role of the media in inserting themes for discussion in the public sphere and how social movements appropriate environments of increased visibility to reverberate their agendas. The corpus of analysis consists of texts published on the news portals O Globo and Estadão; and the content of progressive (ABRAFH and Aliança LGBTI+) and conservative (Instituto Plínio Corrêa Oliveira and Movimento de Defesa da Família) sites. To answer our questions, we developed a Content Analysis with technological support from the Iramuteq software, which helped us to systematize the data. For each dimension, we established categories based on the Descending Hierarchical Classification (CHD) derived from the Reinert Method, produced by the software. The categorization allowed us to understand the available arguments about families that deal with the defense of a rigid structure, which contributes to the maintenance of traditionality and an expanded notion of family.
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Da teoria à prática: uma análise das ações da ONG Projeto Saúde e Alegria no Telecentro Comunitário de Suruacá no Rio Tapajós
(Universidade Federal do Pará, 2013) CORDEIRO, Everaldo de Souza; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This study is the result of a research examing the relationship between theory and practice of the actions proposed by the NGO "Project Health and Happiness" (NGO-PSA) on the inlands of Suruacá, among Tapajós river, Santarém, in the western of Pará state. The research problem was conducted from two main questions: What’s the relation between theory and practice in the projects experience of the comunity Telecentre of Suruacá? And, what’s the cultural impact caused by new media use in the area? Data analysis was produced from field work and bibliographical-documentary survey about NGOs actions – material collected from the official website of the NGO-PSA, institutional videos and interviews with staff and external researchers acting in Communication, Culture and Education fields. On the survey results, we constacted that the publicized Project proposal corresponds to the social description helded by the residents about the action developped in the last 25 years by the NGO. We perceived that there are convergent communicational and educational practices in relationship between PSA and Suruacá. These practices are not only in a dialetc order, but also in a dialogical one. We understand this dialogical order with the complexity theory, present on Morin’s thought (1991), the mediation theory, presente Martín-Barbero’s thought (1997) and the “deep dialogicity”, present in Freire’s thought (1996) in cases involving Communication, Culture and Education. We also consider that the presence of NGOs in Suruacá does not exempt the necessity of brazilian state action in the execution of public policy on communication, culture, education and health on those areas.
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Entrelaces da resistência: comunicação e práticas emancipatórias de mulheres negras trançadeiras da Amazônia
(Universidade Federal do Pará, 2023-06-13) SOUSA, Raissa Lennon Nascimento; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This research focuses on the emancipatory practices of black women hair braiders living in Amazônia, in Belém Pará. We understand braiding activity as communicative experience of resistance, economic autonomy, and overcoming the oppressions that affect black Amazonian women. The braid, for black women and men, is not just a matter of aesthetics or vanity it represents an encounter with African ancestry and the affirmation of an historically relegated identity by a racist society. For Nilma Lino Gomes (2019), hair and body can be considered expressions of Brazilian black identity, since they are symbols of relations of violence and ethnic racial inequalities. The objective of this work is to understand, in light of communication and social sciences, the crossings that women hair braiders experience on issues concerned to racism, black identity, coloniality, ancestry, territoriality, and resistance. We understand that braiding culture in Amazônia enables singular forms of communication divergent from the logic of the capitalist and colonialist white patriarchal system. As methodological paths inspired by Kilomba (2019), we conducted an investigation focused on the individuals, through non-directive interviews (in depth) with black women hair braiders, who work in the city of Belém Pará. From the reports extracted from this dialogue, we interweave a decolonial and Afrodiasporic epistemology, in which the women's narratives are what show us the paths of research. We are supported by Muniz Sodré's (2014) notion of the organization of the bond and the “common”, Paulo Freire's (2018) critical theory, Grada Kilomba's (2019), bell hooks' (2017) and Nilma Lino Gomes' (2019) reflections on race and gender, and Zélia Amador de Deus' (2019) and Vicente Salles' (1971) perspective on blackness in Amazônia, among others. The emancipatory practices of women hair braiders happen through overcoming economic difficulties, in solidarity, in the valorization of a black, feminist, and Amazonian identity, and above all, in the communicative relationship of black ancestry promoted by braiding.
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Espetáculos Culturais Amazônicos: a festa como resistência e experiência estética
(Universidade Federal do Pará, 2023-03-24) LIMA, Nair Santos; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
The thesis deals with the Amazonian cultural festivals with an emphasis on cultural shows, which, over time, have been re-signified from their traditional places. The visibility of these events occurs through mediatization, a process obtained by the technological means of communication and enhanced by a model of globalization, which naturalizes them as a marketing product. In conducting the research, the difference between "Amazonian festivals", which are cultural manifestations within the scope of the Brazilian territory (Legal Amazon), and "Amazonian cultural festivals" - culminating with the "Amazonian cultural shows", which are those constituted of the aesthetic experience of the imaginary of these populations and, therefore, typical of the riverside or caboclo culture. It was noticed, even though the term “caboclo” has been reconfigured since the knowledge of these peoples revealed a unique importance in the cultural context and inserted in the academic spaces of the various sciences, consubstantiated, above all, in the idea of a specific Amazonian culture, of intrinsic characteristics of the Amazonian being, as well as the understanding of Amazonian researchers on the subject. The locus of enunciation takes place in the cities of Juruti and Santarém, in the state of Pará and in the city of Parintins, in Amazonas, whose corpus of analysis are the festival of the tribes, the festival of Sairé, and the folkloric festival of Parintins. Bibliographical research was the procedure that conducted all phases of this study and the analysis of the phenomenon is theoretically and methodologically based on semiotic conversion – mental activity of a symbolic nature produced by human thought and which acts in the production of new meanings. The corpus is based on three documentaries contemplated by the Aldir Blanc law referring to the three parties, however, other audiovisuals about the environment of the parties posted on YouTube, and selected by criteria of relevance, representativeness and participation of the organizers and/or “party makers”. served as support for the analysis. From this perspective, it is understood that the Amazonian cultural shows are means of expressiveness and resistance of a culture that operates as a form of communication, and that through the YouTube platform and languages of digital or mediatized communication, the place is transposed, gains visibility, profit and produces new meanings, whether through the re-establishment of belonging ties with the local culture or the ways of celebrating and being- together.
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Estratégias discursivas e relações de poder na Imprensa de Vigia, Pará, no século XIX: O Liberal da Vigia, O Espelho e Cidade da Vigia
(Universidade Federal do Pará, 2023-11-02) SANTA BRÍGIDA, Jessé Andrade; SEIXAS, Netília Silva dos Anjos; http://lattes.cnpq.br/2301685130625189
This research focuses on the analysis of the expansion of the press in the Amazon region during the 19th century, with a particular emphasis on the city of Vigia in Pará. The newspapers O Liberal da Vigia, O Espelho, and Cidade da Vigia serve as empirical objects for investigation. The research formulated the central problem of how these periodicals became spaces for the circulation of power relations in the city of Vigia during the 19th century, through the discursive strategies they adopted in their presentations to readers. The general objectives included identifying the discursive strategies and political and social ideals promoted by the newspapers of Vigia, analyzing the role of these periodicals in the establishment and maintenance of the press in the city, investigating the circulation of discourses in the city, and evaluating the importance of newspapers as means of communication and discursive subjects. The methodology used involved the analysis of French-oriented discourse in the periodicals, with an emphasis on identifying discursive strategies related to editorial presentation and the political and social meanings proposed by the newspapers in the 83 editions available in archives. Additionally, the research used documentary and bibliographic analysis to contextualize the period under study and the relevance of the periodicals of that time. The results revealed that the newspapers were simple, often with between two and five columns of text, with creative layout, considering resource limitations. The content of the periodicals varied, with a focus on political issues in O Liberal da Vigia and O Espelho, aligned with the Liberal Party, which emphasized education and literacy issues. Cidade da Vigia, linked to the Republican Party, presented administrative content due to the limited number of available editions, but still reflected important political stances. The discursive strategies adopted by the publications were associated with politics and religion, reflecting the relationship of the inhabitants of Vigia with Catholic issues and proposing the idea of civility that did not ignore religion as a fundamental part of the social group's identity. O Espelho used a peculiar strategy, alternating prose and verse texts to elevate political debate to the realm of ideas, while O Liberal da Vigia and Cidade da Vigia highlighted their affiliation with political parties as a means to legitimize their proposals. Although we did not find a unified defense of the press as an institution in the city, the newspapers played important roles in the circulation of political and social discourses, contributing to the consolidation of political power in the city. The results indicate the need for the preservation and study of these periodicals, highlighting their role in the history of the Amazon and Brazil. This research represents a first step for future studies on newspapers in other cities in Pará during the 19th and 20th centuries."
Acesso aberto (Open Access)
Justiça nos trilhos: redes comunicativas de comunidades e movimentos sociais em defesa das atingidas e dos atingidos pela Vale S.A. na Amazônia
(Universidade Federal do Pará, 2018-03-16) SANTOS, Larissa Pereira; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
The present work aims to analyze the Justice On the Rails Network as a network of communities and social movements that act in defense of the women and men affected by the Vale S.A. corporation on the Amazon. We begin with the hypothesis that the Justice On the Rails is a communicative articulation of communities and social movements that develops activities in the physical and virtual spaces to denounce impacts and to promote rights through local, national and international actions. The network was first created in 2007 as an international campaign to seek support for the people hit by the Vale S.A. and has gained adherence of various social movements, communities, syndicates, and organizations during the World Social Forum (WSF), in 2009, in Belém of Pará, Brazil. We took as the basis the following question: How do Justice On the Rails articulations occur among different communities and social movements to stand against the actions of the Vale S.A.? Other questions also make themselves necessaries: What are their objectives? What social actors make part of the network? What are the communication processes that can be seen face to face and on the Internet as network articulation? In search of answers, we have engaged with the theoretical contributions of Freire (1983), Wolton (2010), Gohn (2013, 2014), Scherer-Warren (2006, 2011), Castells (2013, 2015), Melucci (1989), Tourraine (1989, 1998), Pinsky e Pinsky (2013), Mouffe (2003, 2015), Buber (1982), Peruzzo (2005, 2009, 2013, 2017), Paiva (2011) e Amorim (2018), among others, to understand the studies about social movements, social movements network, forms of social mobilizations, collective actions, communication, citizenship and community. The methodology consists of a qualitative-descriptive approach, alongside with the use of Content Analysis to study Justice On the Rails forms of organization on the Internet. As techniques we used wheels of conversations, participant observation, followed by open and semistructured interviews at the Meeting of Youth Affected by Mining (Maranhão), at the Regional Meeting of People Affected by Mining (Pará and Maranhão), and at the Exhibition and Cycle of Debates “From the river which was sweet to the other side of the rails, the irreversible mining damage” (Pará), to understand their networks of communities and social movements. The meetings occurred on June, July and August 2017. During June and July 2017 we also monitored the Justice On the Rails’ social media and website, with the intention to perceive the network articulations manifested in the internet. We consider that the Justice On the Rails communicative networks are processes developed in the scope of communitarian, alternative, popular and dialogic communication, having the transformation of the communities affected by Vale S. A. as an central objective, for which they help in the construction and expansion of citizenship through developing their practices on social media or on the Internet.
Acesso aberto (Open Access)
Os moradores de Belém e suas relações com a cidade: tessitura de uma cartografia comunicativa
(Universidade Federal do Pará, 2023-04-12) KABUENGE, Nathan Nguangu; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
A present thesis analyzed the narrative constructions that the residentes of Belém create about themselves, the other and Belém. Considering the imaginary constructions that are established among the residents of the capital of Pará, fear constitutes one of the tensions in the fabric of the narratives. The question was asked in the analysis: How does the cartography of Belém allow us to observe the communicative processes of constructing the self, the other and the city? The question instigated the search to find out how the residents of Belém understand themselves in a relationship between the self and the other. In contemporary times, understanding this I-Thou relationship is justified because this relationship has been configured as calculating, to the extent that it makes the other an It, and not the externalized self that is decisive in understanding human action. As a methodological approach, a communicative cartography was developed in order to weave together the meanings attributed by individuals to themselves and to others, as well as to the spaces they experience. Cartography was understood as a relationship of power, tensions and force in the negotiation of meanings and the control of space as a product of social practices and relationships. In this construction, 15 narrative interviews were conducted with residents of 14 neighborhoods in Belém, from January to October 2022. The analyzes of such interviews were inspired by the theoretical-methodological openings: Ricoeur's narrative-hermeneutics, and his explanations of the unfolding of mimesis I, II and III; Deleuze and Guattari's cartography; Buber's ontological dimension of the I-Thou relationship; and Lévinas' ethical dimension of the faceto-face relationship. From the interlocutors' stories about and from Belém, we identified how a general frame was formed, called the "affective frame", with ramifications in other frames: urban, socio-cultural and security. In the affective frame, residents map the city of Belém in an affective and personal way. In all the frames, Communicative experiences emerged that were categorized into three dimensions: a) in the city center - a strong relationship of communication as possibility or miscommunication; b) in the periphery, communication as dialogue; and c) in Belém as a whole - communication as a relationship of otherness. The results of the research pointed to a cartography of the relationships, affections, intensities, conflicts, disputes over meanings, resistance, territoriality, deterritoriality and reterritoriality, which the residentes of Belém live create daily to make the city a place of possibility, as this same place holds, at the same time, a feeling of security and danger, where there is wealth and poverty. Despite these problems, the residentes of Belém strive, through cultural manifestations, to vibrate together around the city.
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Música e tecnointerações na Amazônia paraense: retóricas e identificações culturais em materialidades do Terruá Pará e da Banda de Thrash Metal Antcorpus
(Universidade Federal do Pará, 2013-08-09) BAENA, Talita Cristina Araujo; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703
There are times mankind has experienced a long process of social mediatization, intensified by the advent of the playing techniques of art and culture. This process, in contemporary times, enabled the transformation of real experience in the music-historical experience media. In this context, culture and business merge and globalize, restructuring each other. In Paraense Amazon, the complexity and possibilities of this media experience of music has led the region to another wave of adjustments to global contexts. The dissertation deals of communication processes and cultural identity through materiality of two phenomena of contemporary music experience perceived in Paraense Amazon: the dissemination of music project - Terruá Para - and thrash metal band Antcorpus. The analysis started from the reflection that the communication can be understood as a hermeneutic of existence, crossed by a mediatical ambiance. Among the observations recorded, stood out because of its importance: the social mediatization through technological interactions, namely, tecnointeractions that vectorize appropriation, and incorporation of musical expressions, both groups of young as professionals related to local cultural industries. To vectorize these processes through mediatical images of musical experiences, the tecnointeractions exhibit sound experiences of the town, which in some cases suffered metonymic processes that evidence a standard system of feeling, which here is called aesthesis policy.
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Não é só futebol: uma análise dos laços de afetos que envolvem os torcedores do Clube do Remo
(Universidade Federal do Pará, 2017-03-24) FREITAS, Aline Meriane do Carmo de; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
In this dissertation I propose an ethnography of intersubjectivity, that is, an analysis of communicative sociocultural processes with the objective of understanding the sensibility and production of "sensitive" senses involving the fans of the Clube do Remo soccer team, from an affective and collective Love, joy, pain, excitement, anger and, at times, disappointment are some of the feelings shared, affectively, by the crowd and fundamental for understanding the processes of sociality that surround them. Based on a dense ethnography (Geertz, 1989), I verified the relationship between intersubjectivities and socialities as a social practice of collectively living emotion. This methodology allowed greater freedom between the researcher and the interlocutors because of the possibility of experiencing, observation and interaction. The very perception to a look, a gesture, a smile helped in the intended understanding and, thus, everything became relevant during the research. The choice of doing an ethnography using as object of study the rowing of the Rowing Club, focusing on the bra bar Shirt 33, occurred for singular reasons. The bar has the premise of not having the bureaucracy of the organized, has a strong presence on the internet and accompanies the Remus in any modality that he is participating, including in the amateur sport. Through ethnography it was possible to establish a direct relationship with social markers of difference and to notice that the crowd is characterized by being middle class, a good part of the members, are young and university. In this sense, in order to analyze the relations that soccer evokes during games, and beyond them, I have used the phenomenology proposed by Alfred Schutz (1967) and made possible the categorization of the typifications engendered by the fans in order to understand experiences experienced by them in their daily life, and therefore social practices that reflect the communicational dimension of the intersubjective process, focusing on the sensitive dimension of social interaction. In this way, I have verified how affection, taste, ethos and empathy are typified and are present in the everyday social life of the cheerleader. To do so, I discuss with a theoretical-methodological perspective with a focus on the intersubjectivity perspective in which I use concepts from Alfred Schutz, Arlei Damo, Gilberto Velho, Michel Maffesoli and Roberto DaMatta.
Acesso aberto (Open Access)
A natureza comunicativa da cultura: pesquisa exploratória sobre a Festividade de Carimbó de São Benedito de Santarém Novo - Pará
(Universidade Federal do Pará, 2013-08-16) GOMES, Gleidson Wirllen Bezerra; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This dissertation is titled The communicative nature of culture: exploratory research about the Festividade de Carimbó de São Benedito de Santarém Novo – Pará. The goal of the research is to understand the communicative nature of this festivity, noting the characteristics that constitute and them looking for elements that are interpreted as communicative processes. The proposal part of the notions of communicative nature of culture in Martín-Barbero (2006) and França (2001), in addition to the design of this communicative process. We have outlined the contexts in which the research is inserted, reflecting on the "invention" of Amazon (ARAGÓN, 2007; MAUÉS, 1999; DUTRA, 2009) and its socio-historical (BEZERRA NETO, 2001; BECKER, 2009) and cultural training (SALLES, 2004; ALVES FILHO, 2001; LOUREIRO, 2000). With regard to Communication, we seek their "anthropological perspective" (WOLTON, 2006) allied relations between media and modernity (THOMPSON, 2011). Understanding communication from the culture, discussed, noting the cultural experience that the festivity represents (RODRIGUES, 1994), the relationship between tradition and modernity (THOMPSON, 2011) in processes of hybridization (GARCÍA CANCLINI, 2008). In addition, we reflect on the "functional heritage" in Communication Research (WOLF, 2008; MARTÍN-BARBERO, 2004, 2006, 2009; MARTINO, 2004, 2006) and our perspective of communicative nature of culture (MARTÍN-BARBERO, 2006; FRANÇA, 2001), relating it to the concepts of “communicative mediation of culture” and “media” (BRAGA, 2012; SODRÉ, 2011). To develop the field research, besides the bibliographical research, use techniques of Ethnography for the collection of data, such as: participant observation, in-depth interview with members of the party and the field journal. We understand the communicative nature of the feast from the elements that are highlighting the community character and tradition, which led us to highlight the communication in their sense of sharing and communion.
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Oralidade em uma comunidade amazônica: comunicação, cultura e contemporaneidade
(Universidade Federal do Pará, 2012-08-01) CRISTO, Élida Fabiani Morais de; LOUREIRO, João de Jesus Paes; http://lattes.cnpq.br/2018214713424265
Differently of the speech, the orality is a social process: it is communication. Therefore, it is more than a way of use of the language or a manner to spread information. In a situated way, it wants to reach the other one according to the different socio-cultural contexts. This way, this research proposes investigating the amazonic orality from Andirá community, municipality of Curuçá-PA, where the contemporary orality maintains its traditional popular character, because it is still linked to the culture and amazonic imaginary, but now it interacts with the mediatic media. This interaction results a multi-territorialized orality, as the contexts brought by the contemporary media, especially by the television, are various and they compose the local imaginary. It proposes a study of an interface between Communication and Culture, where is essential the perspective of the British Cultural Studies and the understanding of the modernity as a historic process which has a facilitator and at the same time one of its consequences in the development of the communication.
Acesso aberto (Open Access)
Palafitas Digitais: comunicação, convergência cultural e relações de poder em Afuá
(Universidade Federal do Pará, 2014-03-17) MIRANDA, Diogo Silva Miranda de; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863
This research aims to analyze the communication issues in the Amazon. To do this, I try to understand the social uses that individuals do of different technologies involved in the process. And I also try to understand the power relations that are established at scene. For this exercise, I‟m using Jesús Martín-Barbero‟s (2004) theoretical and methodological aspects, which identifies the mapping like a more open and rigorous perspective of study. This aspects allows the researcher to experience the dynamics of the object. This experience was the key to grasping the reality that must be experienced to finally be understood. In analyzing this contemporary setting, I also seek support in the work of Henry Jenkins (2012) to understand that culture is changing and the different information and communication technologies (ICTs) are organizing to provide individuals an experience unlike interaction society. However, one thing must keep in mind that not all participate in the same manner. Here, Michell Foucault (1996, 2008) help to understand the analytical issues of power in society, how manifest disputes in small stocks and how individuals perform small forms of domination. From these questions we can say that Amazon has a multifaceted context, where the differences are inscribed in each part of its territory. Afua is an example of the complexity that exists in the region. Located at the Marajo‟s archipelago, in the brasilian Amazon, the "Venice of Marajó" (as the city is called by its residents) has its streets, houses and high buildings on stilts that support the entire city on the rivers. In this particular place, the web became popular a few years ago by the signal of mobile phones and provided a new scenario of interaction among its residents. But their success is strongly linked to the importance that the radios have the articulation of social relations that community. So we can see how each form of use of ICTs is linked to experiences that take place in society. In this sense, thinking of communication in the Amazon is an exercise that requires looking at the communicative nature of social events (FRANÇA, 2001). These developments reflect specific contexts, that particularize the place where they happen. It is these contexts that enable the particular practices of appropriation and the different uses of social media. They make the experience of individuals a unique and singular event and that allow us to understand the extent of the communication process that goes beyond simple social interaction.
Acesso aberto (Open Access)
Pensar a comunicação, repensar a moda
(Universidade Federal do Pará, 2016-03-30) VASCONCELOS NETO, Dilermando Gadelha de; LIMA, Regina Lúcia Alves de; http://lattes.cnpq.br/8158415442871989
This work address the interface between fashion and communication studies. We use the concept of interface developed by Braga (2004), which considers it as a cooperation among fields of knowledge that goes beyond the subordination of the assumptions of a field to the other, or the creation of a new field based on the assumptions of more consolidated fields. The interface concept presupposes that disciplines uses their assumptions to address specific research questions. To investigate the interface between the two fields of knowledge, we use the foucaltian archeology method (FOUCAULT, 2013a) and the “theoretical model of apprehension” of the communication process proposed in França (2001). In this context, we do the archeology of the fashion and communication discursive domain, seeking to perceive how they build their objects, concepts, themes and theories; besides of perceiving, specifically on the communication domain, the construction of the gaze directed to the communication process in the various historical moments of the filed development. Considering the recurrence of a concern with relation/interaction that is established among subjects and groups in the fashion studies, we utilize the assumptions of the relational model of communication (QUÉRÉ, 1991; FRANÇA, 2003) aiming to develop the interface between fashion and communication studies. We use two statements that immerge in the Pará’s scenario, whose analysis bases our research.
Acesso aberto (Open Access)
Políticas públicas para a comunicação na Amazônia: o caso do Programa NavegaPará
(Universidade Federal do Pará, 2012-08-31) BAÍA, Dayane Corrêa Pantoja; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
The NavegaPará Program, developed by the state government of Pará since 2007, set in a public policy aimed at ensuring access to the Internet for free in the municipalities of Pará, through a wide network of own fiber optical. Looking beyond the basic infrastructure, seeking to understand the NavegaPará above all as a communication policy, based on the discussion of communication, information and lack of communication. About Political Economy of Communication, seeking to understand the context and how the program's methodology is applied in three distinct infocenter in the capital Belém, from the analysis of their political and social conditions, material, institutional, methodological and ideological . The method of approach is inductive qualitative with applying semi-structured interviews of three groups of social agents belonging to the dynamics. The research methodology found in the infocenter not standard, contributing to the cultural issue of communication was deprecated in relation to the aspect of technicality and access to computers to the Internet.
Acesso aberto (Open Access)
Processos comunicacionais em Cajazeirinha: estudo exploratório em Ilhas do Lago da Usina Hidrelétrica de Tucuruí
(Universidade Federal do Pará, 2013-07-31) SILVA, Edenice Pereira da; MARQUES, Jane Aparecida; http://lattes.cnpq.br/1197835678797660
This research talks about the communicational processes in an Amazon community, called Cajazeirinha, located in the Lake of the Tucuruí Hydroelectric Power Station, in the state of Pará. The main purpose of the investigation was to identify and analyze the communicational processes of the children from Cajazeirinha daily. This community has the specificity of locating in a few meters from the Hydroelectric Power Station and, contradictorily, not accessing the electrical energy supply, what makes with the population search for alternative sources of electricity (car battery, solar board or generator) to, among other things, using the broadcasting, such as the television, the radio and the cell phone. Initially, it started with the assumption that, to analyze the communication of a community or a group of people is necessary to understand its playing field and its constitution, and then observe the reality in a contextualized way, not dissociated in time and space. So, it was sought to understand the communicational processes of community, basing in the theoretical concepts of communicational processes from Vera França, communicational processes from José Luiz Braga, in the concept around Jesús Martín-Barbero and in the theoretical basis of the Studies of Latin-American Reception, from the authors Ana Carolina Escosteguy and Nilda Jacks, besides the notion of social interaction, from John Thompson. The methodological way treaded has as a perspective the exploratory research with qualitative data analysis, from bibliographical researches, deep interviews (with children, mothers and trendsetter of opinion), observation not systematic participant and field diary. The purpose was to identify and analyze the communicational processes of the community Cajazeirinha and map the existent broadcasting in Tucuruí and in the islands of this community. In this research, it was verified that in Cajazeirinha the communicational processes are constituted from the sociocultural mediations, highlighting the family, the church and the school. The communicational interactions were also observed, those that occur in leisure moments and the presence of broadcasting in the daily community, mainly in that involves contents such as soap operas, television news and cartoons. Finally, it was verified that hte ways of reception in Cajazeirinha are permeated by characteristics space-temporal-places, because of the rythm of the river that determines the life of the community.

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Navegando Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC por CNPq "CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::TEORIA DA COMUNICACAO"