Navegando por CNPq "CNPQ::CIENCIAS HUMANAS::ANTROPOLOGIA::ANTROPOLOGIA URBANA"

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Belém entre filmes e fitas: a experiência do cinema, do cotidiano das salas às representações sociais nos anos de 1920
(Universidade Federal do Pará, 2011-08-12) CARNEIRO, Eva Dayna Felix; SARGES, Maria de Nazaré dos Santos; http://lattes.cnpq.br/2076421409418420; LACERDA, Franciane Gama; http://lattes.cnpq.br/1007392320101957
The social history of cinema is also marked by the habit of frequenting. In addition to the film, elements such as infrastructure and advertising plays a major role in order to create an atmosphere of seduction and involvement with the images displayed. The track of the cinema, among other ways, is linked to the viewer, the physical space of projection rooms and the sociability it worked out. This essay discusses the cinema in the city of Belém (Pará) in the 1920s. To investigate how much the cinema interacted with the urban scene that period. Likewise, we discuss elements of the infrastructure of the rooms such as accommodation, ventilation, and music. We sought to demonstrate that the act of watching a movie in the state capital of those years was just a part of the "ritual" of frequenting the cinema, hence the concern to understand the forms of sociability processed within those rooms. Besides, it is an analysis of the cinema acting as a mediator of social representations of gender and childhood.
Acesso aberto (Open Access)
Cidade Velha e Feliz Lusitânia: cenários do Patrimônio Cultural em Belém
(Universidade Federal do Pará, 2006-10-31) MIRANDA, Cybelle Salvador; BELTRÃO, Jane Felipe; http://lattes.cnpq.br/6647582671406048
The Thesis was motivated by the rediscovery of Cidade Velhas district, in Belém, state of Pará, rediscovered by the authors childhood and the district as a memory space and landmarks for the risorgimento of Pará state. Analyze the concepts of patrimony in modern city, as though the mythic imaginary which lives in the citizens memory in tree stages: Pombal Colonization; the Belle Èpoque and the New Pará. The argumentation is constructed by actors narratives such as: old residents, new residents, business men, patrimony technician, so by the images reading which help to tell the districts history and to tell how is it saw as a heritage. The ethnographic method and the semiotic were the reading guides for the written spoken and visual materials, helping to the researchers position as an older habitant, architect and plastic artist. Drawing a map with the culture concepts in the Cidade Velhas district, since the residents point of view to the planers of Feliz Lusitânia Project, this work is as open view of the theme heritage in Cidade Velha, which revels contradiction between the definition of patrimony of the patrimony technician and the social groups.
Acesso aberto (Open Access)
"É a festa das aparelhagens!": performances culturais e discursos sociais
(Universidade Federal do Pará, 2008-04) LIMA, Andrey Faro de; MOTTA-MAUÉS, Maria Angélica; http://lattes.cnpq.br/7861116876230464
This work is a research about the called festas de aparelhagem that, in generic way, are inserted in the set of festive popular promoted by aparelhagens, undertakings identified by the use of pomps electronic/sounds structure and differentiated by the “style” of parties that propose, the audience that attract and by his dimensions and different outlines. The festas de aparelhagem shape a wide and well-known scenary in Belém, through the relations that establish between audience, party and aparelhagens, marked by certain symbolic articulation that unfold for besides the festive moment properly stated. In these terms, this dissertation constitutes an interpretative study on the relation existent between the dynamic of reproduction aesthetic/performative of the festas de aparelhagem and the different hues semantic/discursive that these acquired: publicly (your communication in the large mídias) and in plans more intersubjectives, where there emerge the protagonists (audience/aparelhagens) of this universe.
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Espaço público e movimento Hip Hop: batalhas de MCs, identidade, sociabilidade e cidadania em Belém, Pará
(Universidade Federal do Pará, 2019-07-18) BATALHA, Eryck de Jesus Furtado; MERCÊS, Simaia do Socorro Sales das; http://lattes.cnpq.br/8905447990410938
Currently the Hip Hop Movement in Belém, Pará, have occupying the public space more presently through the battles of MCs that are held in public squares throughout the city. In this work we intedd to understand how the action of these battles, in public spaces of Belém, represent a reference to the struggle for citizenship. To achieve this goal we seek, through the concepts of public space, social movements, identity, socibility and citizenship, analyze the actions of the subjects that make up these battles, the senses that their attach to the space, their relationship with others groups, their goals and motivations. We conduct a field work guided by an ethnographic perspective that allowed us to raise pertinent data to our issues and understand that the presence of hip hop in the public spaces of the city changes both within the movement, educating and forming citizens aware, as in the spaces it occupies, promoting dialogue with other groups and encouraging the presence of differences in public space
Acesso aberto (Open Access)
Falando de amor: discursos sobre o amor e práticas amorosas na contemporaneidade
(Universidade Federal do Pará, 2011) GONÇALVES, Telma Amaral; MOTTA-MAUÉS, Maria Angélica; http://lattes.cnpq.br/7861116876230464
This study has as its focus the discourses about love and loving practices experienced by dyads that constitute two partnerships in specific universes – the heterossexual and homossexual, both belonging to the urban middle classes. He falls in the field of more recent studies on the gender approach focusing on the new settings that affective and sexual relationships have assumed nowadays. In this sense, my interest about that subject was to investigate the discourse of partnership affairs, the idea of love (this love) and his expression in daily life which enabled me to identify its different versions and translations, as well as the approximations, defferences and ambiguities in the discourse and practice of love.
Acesso aberto (Open Access)
Hospital D. Luiz I da Benemérita Sociedade Portuguesa Beneficente do Pará como documento/monumento
(Universidade Federal do Pará, 2015-04-16) FIGUEIREDO, Cibelly Alessandra Rodrigues; MIRANDA, Cybelle Salvador; http://lattes.cnpq.br/3254198738703536
This research presents the headquarters building of the D. Luiz I Hospital of the Praiseworthy Portuguese and Beneficent Society of Pará, built in 1877, located North of Brazil - in Belém city - as a cultural, material and immaterial identity memory support of the Portuguese immigrant that landed in Belém. The existing relationship between the Hospital’s architecture and the languages of Brazilian Imperial Classicism and Brazil’s Classicism in Portugal are evidenced by the transcontinental and reciprocal dialogue existing between the two Nations. The ethnography, under and anthropological look of the urban relationship mesh, was used as a tool for approaching and data obtainment that provided the recognition of the headquarter building as a historical, architectural and cultural patrimony of the health history in North of Brazil. The memory as a rapturous space of keepsakes and forgetfulness was used as a support to the study as a way to understand History. The patrimonial value connected to the object of study is evidenced by historical, architectural and cultural perspective. Therefore, this dissertation, in conclusive optics, shows factors, evidences and architectural and cultural traces that ratify the characterization of the D. Luiz I Hospital as “Document and Monument”.
Acesso aberto (Open Access)
A memória coletiva e o ofício de sapateiro em Belém-Pa: as narrativas de mestres e aprendizes da arte dos calçados
(Universidade Federal do Pará, 2014-09-04) ROCHA, Manoel Cláudio Mendes Gonçalves da; SILVEIRA, Flávio Leonel Abreu da; http://lattes.cnpq.br/1972975269922101
The objective of the present study is to think over shoemaker craft in Belém, Pará. The research starts from the assessment of cobbler’s narratives, accurately workers from Batista Campos’s district and Campina’s District, located at central portion of the city. By the review of shoemaker’s memories about their social trajectories, I intend to comprehend how this occupation altered itself, how these people realize changes in urban life and space modifications over the years elapsed, therefore, frame and reconfiguration of urban world’s landscapes. The propositions listed here point to the fact that shoemaker knowledge and know-how, and a “saber viver” that reflects everyday experience of these individuals make workshops constitute spaces of sociability. In these places, besides manufacture and repair of shoes, other social forms are produced – full of sensitive and symbolic contents resulting from interactions and relationships engendered there and by the mediation of craft inherent technical gesture.
Acesso aberto (Open Access)
Menino que faz menino ainda é menino?: homens jovens e pais construindo o seu protagonismo
(Universidade Federal do Pará, 2011-05-06) SANTOS, Jorge Luiz Oliveira dos; CANCELA, Cristina Donza; http://lattes.cnpq.br/8393402118322730
The proposal of this Thesis was to investigate the subjective aspects that are related to parenthood among the young parents that belong to the middle class urban population, in the city of Belém, Estate of Pará, who are living or lived through this experience. Due to the theoretical opacity, which is practical as well, the paternity event in young ages, the work shows an centrality of references that identify issues about the pregnancy amongst those Young parents as an exclusive female problem. At the same time, it was discussed in which way this phenomena can be shaped, among other things, in relation with gender and social class, which revealed very heterogeneous paths and profiles. The deconstruction of ideas coming from the common sense about young parenthood, with the support of the ethnographic method, that gives the voice, or better saying, listens to the young male parents and guided by an anthropological look, shows how those actors have been contemporarily constructing their role as protagonists in the parenthood event.
Acesso aberto (Open Access)
Mundo metálico belenense e política cultural: declínio e reorganização do heavy metal paraense (1993-1996)
(Universidade Federal do Pará, 2014-12-05) SILVA, Bernard Arthur Silva da; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361
This paper seeks to explain why and how the art world and Para underground circuit of Heavy Metal and the actions of its practitioners, after the 3rd Rock 24 Hours between 1993 and 1996, began to enter the transition process, accompanied by declining dispersion and sprawl, the city of Belém, resulting in the gradual decrease of events of Heavy Metal, along with elimination of the presence of metal shows at the Experimental Theatre Waldemar Henrique, Municipal Theatre of São Braz Market, Square Artist / Centur Circus and Republic Square, while setting "a modification of the city‟s metal map" by the emergence of other spaces for concerts, private spaces like Olê-Hello Park Igarapés, Nightclub Rhyno's Nightclub Spectron, Bar, Nightclub slips and Nightclub Insânu, intense stampede of practitioners of development spaces of "metal sociability", reduction in cultural news columns of the leading local newspapers (The Liberal, Diary of Para and the Province of Para), accusatory and prejudicial treatment given to the Heavy Metal and Rock in Pará relation to the 3rd Rock 24 Hours a cultural columns of some paraenses journals (The Liberal and Diary of Para), continued to launch (demo-tapes and albums in vinyl format) metal phonograph records and the gradual and permanent change in state cultural policy facing public spaces used by local Heavy Metal and Rock. Newspapers, magazines, fanzines, videos, concerts, posters, flyers, interviews and recorded such actions were used to make this discussion.
Acesso aberto (Open Access)
A música e a cidade: práticas sociais e culturais na cena da canção popular em Belém do Pará na década de 1980
(Universidade Federal do Pará, 2014-08-11) MOREIRA, Nélio Ribeiro; COSTA, Antonio Maurício Dias da; http://lattes.cnpq.br/2563255308649361
The dissertation discusses the development of practices of sociability and a network of commitments among members of an art world (BECKER, 1982) made possible in popular song, as well as forms of cultural production and circulation of such goods in the city of Belém do Pará, Brazil, understanding it as a frontier area ( HANNERZ, 1997) in the eighties. For this, I turned to the musical scene category (STRAW, 1991) as an input for socio-cultural analysis of these occurrences. This is an anthropological study of a historical theme (FREHSE, 2005; SAHLINS, 1999) which is divided into three chapters. The first, entitled "An expanding city and its musical culture in process" presents a characterization of the transformations of the urban scenery of Belém do Pará in the early 1980s and the foundations of a scene of popular song. Thus, two key events are studied concerning for the formation of this music scene: the Feira Pixinguinha in Belem and Projeto Jayme Ovalle. The second chapter is named “The production of identity by song discursive practices of popular music artists in Belém in the 1980s”. The focus in it is the relationship of place with the making of the song and its meaning, the idea of a song as the object-value, the formation of the association of musicians called CLIMA and a study of some emblematic songs of the eighties scene. The third chapter, "Practices of sociability and ‘places of Popular Song’ in Belém do Pará eighties" studies social spaces of popular song as places where they produced and consumed to that cultural commodities and place to artists and audiences this musical mode in the city - such as bars, theaters, concert halls - in the characteristics of the urban environment. Also, it presents a view on the song festivals and recordings as cultural commodities as projeto (VELHO, 2008) for the category to the artists of music scene.
Acesso aberto (Open Access)
Pedra, redes e malha na circulação do pescado do Ver-o-Peso ao meio urbano de Belém do Pará
(Universidade Federal do Pará, 2016-03-08) SILVA, Luiz de Jesus Dias da; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424
This thesis aims to use ethnography to describe the social network involved in the process of fish circulation that arrives at Ver-o-Peso market on a daily basis and is distributed around the city of Belém do Pará. The problem is to understand how this commercialization still remains important, to this day, in the largest popular market in the city and to the city itself considering that it has been active since the Brazilian colonial days. The local ethnography becomes a cultural, historical and economic significance to the social life of Belém; the players in this market perform, between water and land, in a set of collective spaces, where an interpenetration of history to local culture exists, and is transformed in practices and update the senses. Methodologically, research was done using secondary data for theoretical foundation and the ethnographic research, with both direct and participant observation, once accepted in the field, sometimes, I was able to be help with the fish commercialization at the “Pedra”, at the Marambaia market and another point of sale in the city. Ver-o-Peso, was researched as a popular Market, symbolic system and of cultural importance for the city of Belém. There was an investigation concerning the origin of this fish trading space as a place of interrelations, its specific characteristics, local conflicts, laws or tacit regulations, and also the preparation of the fishing boat crews for a new journey, because once a fish load is sold, distributed throughout Belém and other places, a cycle ends and new preparations start again for the next trip in search for fish to be sold at this place. The fish distributed in Belém reaches final consumers in natura, and is found in street markets, small markets, supermarkets and other points of sale throughout the city, including the most diverse restaurants as regional dishes to people who love good food. During the final considerations, there was a reflection concerning the fish commercialization network and its economic, social and cultural aspects, its rules, informalities and conflicts, as a response to why fish circulation remains so vigorous after so many years, having Ver-o-Peso as the center of its flow, as well as, propositions collected from workers who labor there on a daily basis concerning its permanence at the local.
Acesso aberto (Open Access)
“Pelas ruas de Belém...”: produção de sentido e dinâmica cultural nos arrastões do Pavulagem em Belém do Pará
(Universidade Federal do Pará, 2016-04-01) CHAGAS JUNIOR, Edgar Monteiro; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424
Recent demands by groups of residents from large Brazilian urban centers for some cultural manifestations understood as traditional – approached according to a model of cultural representation whose dimension of identity value has been increasingly activated – has permitted some reflections that surpass the conditions of use and appropriation of urban public spaces that elaborate and institute different forms of artistic- cultural expression without necessarily following the consolidated standards for large events where distance from the artist and the public prevails. During the last two decades, there has been a resuming of actions of pedagogical nature on knowledge whose origin are in old popular dances that started to provide a referential for production of discourses by urban cultural activists who became known for their appeal to “degradation” of identities in a world economically globalized, redirecting participation and consumption of the socalled cultural assets and providing a form of public mobilization that began to (re) assume the streets as referential in the sense of socialization and experimentation as driving energy of accomplishment of a cultural action performatically ritualized. Therefore, this study aims to collaborate with these discussions anchored in the possibility of intermingling among the notions of heritage, ritual and performance motivated by observations of a cultural movement called Arrastão do Pavulagem, which has been performing for the last twenty eight years, and has been consolidated in the annual cultural schedule of Belém do Pará as a moment of esthetic and symbolic (re) creation of the festivity based on performance of musicians, dancers, actors, producers who carry out their actions in an environment, that suggests that it is institutionalized from a sense of participation and experimentation of the place as one of the fundaments of this movement mobilized by different interests, but that, when meeting at this environment, intermingle and performatically elaborate discourses and visualities that operate in the possibility of (re) interpretation of the urban landscape of the Historical Center of Belém do Pará.
Acesso aberto (Open Access)
Sendo mãe, sendo pai: sexualidade, reprodução e afetividade entre adolescentes de grupos populares em Belém
(Universidade Federal do Pará, 2007-11-23) PANTOJA, Ana Lídia Nauar; MOTTA-MAUÉS, Maria Angélica; http://lattes.cnpq.br/7861116876230464
This study it focuses the events related to the affective-sexual trajectories of young people (men and women) of popular layers, in its majority, students of a public school. Guided for an antropological look, the research contemplated beyond the 36 adolescents (24 women and 12 men), main interlocutors, pertaining people to its nets of relations in the family and the school, such as: mothers, aunts, sisters, grandmothers, godmothers, teachers and friends. The direct comment in the contexts of sociability of the group was increased of informal colloquies and the use of the field’s diary, having been carried through deepened individual interviews with the 36 participants. In the interior of the different trajectories analyzed here, the contexts and unfoldings of the pregnancy during the adolescence, the maternity and the paternity, the conflicts, the impasses, the arrangements, rearrangements and the nets of relations established around the mentioned events are pointed, in the scope of the family and the school. The cultural logics that preside over the affective-sexual experiences, informed, over all, for the sort gender differentiations are detached. The objective was to formulate the understanding, as next as possible translated in a interpretation to the cultural meanings attributed to the events for that they live deeply them.
Acesso aberto (Open Access)
Sociabilidades no Mercado de Peixe do Ver-o-Peso durante o Círio de Nazaré
(Universidade Federal do Pará, 2010-03-12) NASCIMENTO, Lícia Tatiana Azevedo do; RODRIGUES, Carmem Izabel; http://lattes.cnpq.br/5924616509771424
This paper aims to analyze some aspects of the practices carried out by fishmongers, rockers and glaciers from Ver-o-Peso through the sociability they perform. Assuming that the social practices are responsible for the signification or re-significations of the spaces, the Ver-o-Peso, the oldest commercial area of the city of Belém, is daily presented as a place for expressive activity of work, but eventually it is also a place of entertainment for those who work daily on it. From the festival, that takes place during the Círio de Nazaré in Belem, in order to render honors to the Saint, Our Lady of Nazareth, will be interpreted in the prism of an anthropological approach, the existed playful side in Ver-o-Peso. To perform the analysis, were carried out direct observation and interviews with those who work in the fish commercialization in Ver-o-Peso, more precisely in the Mercado de Ferro (Iron Market), as also known as Mercado de Peixe (Fish Market), which are responsible for carrying the Feast.
Acesso aberto (Open Access)
Uma vida, duas vidas, muitas vidas: diferenciações de gênero no cotidiano familiar e profissional de camadas médias urbanas
(Universidade Federal do Pará, 2003-02-17) ESTUMANO, Evanildo Moraes; MOTTA-MAUÉS, Maria Angélica; http://lattes.cnpq.br/7861116876230464
It addresses about the differentiations of gender among fractions of urban medium classes in Belém-PA, starting from aspects of family and professional life of people who work with the theme gender in the field of the academic studies (teaching and research). The work tries to show the updatings, changes, sometimes escapesfrom social models of reference, that is, the conjunctions and disjunctions in the speeches of people when those turn to the performative contexts, where social practices informed by the gender are developed. It discuses also how the social representations are updated and/or modified from the reference that they make about elements of their personal and professional daily life. Thus, the stories of life of the investigated group are taken into analyze proving their experiences in the different and, sometimes, intertwined sceneries in which they build/update their lives.
Acesso aberto (Open Access)
Ver-o-peso, patrimônio(s) e práticas sociais: uma abordagem etnográfica da feira mais famosa de Belém do Pará
(Universidade Federal do Pará, 2008-05-30) LIMA, Maria Dorotéa de; CONRADO, Monica Prates; http://lattes.cnpq.br/6141735247260273
This work aims at identifying and interpreting, by the means of ethnography, the cultural heritage of people who work at the Ver-o-Peso, the most famous open-air market of Belém do Pará. The focus is not the architecture and landscape as it was acknowledged as cultural patrimony by Brazilian state law in 1977, but the heritage as a means for aggregating a social group, conveying a sense of belonging and collective identity, as well as a way for attributing values and meaning, even by people who are largely unaware of it. The investigation methods included participant observation and formal and informal interviews, in four field stages, from 2005 to 2007. The cultural heritage that was identified has an intangible nature, but also is present in tangible form, around a space, one territory according a proper timing, which is also considered a place, defined by its users social practices and everyday routines, that reach other dimensions of social life. In that space, objects, body expression, feelings and sociability associated and developed during everyday practices, full of meanings and possibilities stimulate imagination and activate memories. From generation to generation, this legacy is responsible, together with those who preserve, reinterpret, and transmit it, for the maintenance of the essence of Ver-o-Peso, as well as for the sense of belonging and identification of its workers with the place over the years. The despite of the negligence of institutions, these workers preserve their culture.
Acesso aberto (Open Access)
Visto, logo existo: moda, sociabilidade feminina e consumo em Belém no limiar do Século XX
(Universidade Federal do Pará, 2010-07-12) MARTINS JÚNIOR, Rui Jorge Moraes; LACERDA, Franciane Gama; http://lattes.cnpq.br/1007392320101957
The dissertation discusses the women's clothing in Belém in the first two decades of the twentieth century, trying to understand the multiple meanings given to women's clothing by women themselves and by the chroniclers of magazines and newspapers that circulated in the major city of Pará as A Semana, Belém Nova, A Tarde, A Palavra, Folha do Norte among others. In this regard, the discussions turn to the relationship between the consumption of fashion elements and the advance of modernity in Belém, with the backdrop of the profound transformations undergone by the urban city in the early decades of the twentieth century, marked by the crisis in the later business of rubber. They reveal themselves so the quest for change in some of these women constructed from cutting the hair, the length of skirts, the construction of a new look, and concerns play spaces beyond the ambience of the private. Thus, sociality built by many elite women, suggests a questioning of its social role in that fashion, sometimes functioned as non-verbal speech.