Navegando por CNPq "CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FOTOGRAFIA"

Agora exibindo 1 - 20 de 21

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Alair Gomes e Alvin Baltrop: o voyeurismo e o flaneurismo pornoerótico na fotografia gay dos anos de 1970
(Universidade Federal do Pará, 2013-06-13) BARATA, Rodrigo Otavio Maroja; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
This study aims to analyze the interdict of pornography in art related to male nudity, investigate the sensual and the pornoerotism voyeurism and flaneurism in art and its aesthetic consequences, in addition to the subversion of pornoart after interdicts and how it is found in the gay and voyeur/flaneur photography of Alair Gomes and Alvin Baltrop, artists who embraced the male nudity and performed a vast work as perpetuers of gay icon borned at seventies.
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Uma câmera para os quilombolas: representações imagéticas de si e da cultura negra em Ourém-PA
(Universidade Federal do Pará, 2014-06-26) AGUIAR, Karollinne Levy; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267
The thematic of this work deals with the quilombola photography and its object are the image representations that quilombola children, from the black community “Mocambo”, in Ourém, in the northeastern part of Pará, construct about themselves and their culture. The theoretical approach seeks to relate Visual Arts, Visual Anthropology and Post Colonial Studies to substantiate comprehensions towards the relations and the senses these individuals, within their creative process, let see in the constitutive movement of photography as an artwork with its interfaces with culture, memory and quilombola identity in Amazon. To obtain such objectives, the methodology parts from oral history and image analysis, through ethnographic exercises and image workshops with quilombola children and teenagers. In this sense, at the first moment, these individuals assume the role of visual artists to compose registry about them and about the most significant local landscape, according their choices. At the second moment, we put ourselves listening to the meanings attributed to the records by their creators, seeking to capture connections with quilombola modes of living. We argue that the study of objects of art, taking their joints with the place, their subjects and their stories, constitutes strong evidence of alliances between art and life. On the other hand, this work seeks to uncover and appreciate looks that these people construct about themselves and their culture, which can be an important clue about their silences in visual narratives and unexplored intercultural perspectives through the research in Arts in Amazon and in other regions of Brazil.
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A casa de Marlene
(Universidade Federal do Pará, 2018-06-29) NASCIMENTO, Suely da Silva; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522
This memorial presents the research “Marlene’s House”, which I developed in the Academic Master of Arts, Graduate Program in Arts, Institute of Art Sciences, Federal University of Pará. family and affective memories, in which photos, videos, audios, writings, feelings and emotions merge. The course is divided into moments experienced before and during the academy. I report the contribution of the disciplines and the production of articles. I talk about the construction of this poetics perceived in this path and tale about the day to day of the making of the research. My way of doing poetry, my mother’s schoolbook as the image that generates this whole process, the experimentation of creating an artist’s book and the photograph of my mother’s house complete this memorial. As well as my thoughts that there is still a significant poetic material to be worked on, in the future.
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Cenas e cenários das questões socioambientais: mediações pela fotografia
(Universidade Federal do Pará, 2012-09-21) SANTOS, Manuella Teixeira; SOUZA FILHO, Erasmo Borges de; FREITAS, Nádia Magalhães da Silva; http://lattes.cnpq.br/2982253212145468
The social-environmental issues have consolidated important sources of research from many areas. In turn, social and environmental issues constitute the focus of constant concern of contemporary times, including for Science Education. Moreover, the science education has been based on willingness to contribute to a correct perception of environmental problems, and promote the formation of a critical and autonomous citizen, able to understand the complexity of the natural and social world, approaching these two fields. In this context, we seek to understand the readings of undergraduate students (biology and physics) about environmental issues prevailing in the metropolitan region of Belém, from photography, and its possibilities of use in Science Education in perception them. We choose a qualitative approach and as methodological strategy, we use action research. The research took place during the workshop "Photography in Science Education", strategy for data collection, in six days, with 10 students. The photo appears as an instrument to facilitate the apprehension of social, economic, environmental, political, educational, among others, and permeate the reading of the environment; in other words, favors extended readings (multidimensional) the socio-environmental context evidenced/lived. Data on knowledge, the understandings and interpretations, among other things, were organized and analyzed using discursive textual analysis. We choose to produce metatexts on apprehension of environmental issues, from the analysis of the texts of the photographs. The analysis showed that the students "(re) directed" the present research. In our assessment, the students reached a level "beyond expectations", the trivial, in its construction, the ordinary stagnated up. This is because, during the students' analytical constructs, we observed the extrapolation of these issues, to other fields of knowledge (social, economic, etc.).
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Cidade como lugar de experiência: uma percepção pelas imagens dos fotógrafos Mariano Klautau Filho e Paula Sampaio
(Universidade Federal do Pará, 2013-08-13) MOURA, Simone de Oliveira; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
This research was developed to study the city's image produced by two contemporary photographers working in Belém and other cities, which are: Mariano Klautau Filho and Paula Sampaio. Based on the understanding of the city and image, with reference aisthesis concept proposed by James Hillman in the city feel from the expanded notion of psychic reality, anthropological approach discussed by Hans Belting image that distinguishes image and medium, and in dialogue with other authors, we sought to understand what image of the city is developed by photographers research subjects, taking into account the discourses, experiences and photographs of urban environment, outlining a perception of the image of the city. This study was done by means of the assessment, selection and analysis of the work of these photographers that emerged from the 1980s in the artistic context in Belém. The methodological approach used was qualitative and inductive analysis, using the method bibliographic, documentary and semi-structured interviews to survey and knowledge of photographic production of these authors, their discourses and experiences in Belém related to urban themes.
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Construindo memórias: produção de álbum objetoartisticográfico ilustrando a vida e morte das memórias de uma família libanesa em Belém
(Universidade Federal do Pará, 2021-01-28) SOUZA, Patrícia Abud; BRITO, Maria dos Remédios de; http://lattes.cnpq.br/6896268801860211
The present research seeks to understand the affective involvement that a family descendant of immigrants has with their photographs, through the memories that they carry, taking as a support for the artistic work the process of mourning and forgetting. For this, it was necessary to make a historical overview of Lebanese immigration in Brazil and Pará, through bibliographic research and journalistic photographs, in addition to identifying how important the preservation of memories is in a family group. Throughout this research I try to establish a dialogue between authors such as José Alberto Buchabiqui and Assaad Zaidan that deals with Lebanese immigration; Edgar Morin and Henry Bergson who talk about the issue of individual memory, loss of individuality; related to the issue of death, Maurice Halbwachs and Fernando Catroga as the basis for collective memory, already Philippe Aries, João José Reis, Charles Feitosa, Roland Barthes, Maria Eliza Borges, Boris Kossoy, Jay Ruby, Michel Vovelle and Koury deal with related issues funeral customs, including art and the history of photography, Yosef Hayim Yerushalmi talking about forgetfulness; and, finally, how the mourning process can be worked within art, through studies by Hanna Segal and Sigmund Freud.
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A criança na fotografia: o retrato da infância na primeira metade do século XX em Belém do Pará (1900 a 1950)
(Universidade Federal do Pará, 2012-10-31) NASCIMENTO, Sebastião Valério Silveira do; ALVES, Laura Maria Silva Araújo; http://lattes.cnpq.br/6009592378453661
The present study aims to examine the childhood photograph of children in the city of Belém do Pará in the first half of the twentieth century. Therefore, the research focuses on the importance of photography as a historical document that reveals multiple meanings; matter, especially its potential as language or representative of childhood and of a conception of childhood scenario built in the city of Belém do Pará, which comprises the first half of the twentieth century. The photograph is a historical source, is an image / document. In the case of photos for the family album, has a record of family history and family member, not necessarily to be within an album, but only to present such characteristics as literally reveal the ways and circumstances in which the family or part of it is photographed. Have photos of children in magazines, are displacements of the photos that were usually produced for own family's interest to put them on their albums, however, were also used as a means of promoting family loose inside publications in journals or periodicals of the first decades twentieth century. Usually accompanied by a message discursive bringing the "name" of the family. The photograph allows almost everyone (not just the wealthy) can become object-image, or a series of images that depict moments of their lives. In this case, the images found in albums of school celebrations are proof of that: photographs of children exclusively and for commemorative purposes with some annual events present in children's educational leisure. The photograph could be taken as an equivalent of individual and collective memory, with the image of a fixed time, apparently, was "clipped". The photograph of children in journals and family album is a way to understand and meet the social, cultural and educational childhood in the Amazon because the images can reveal many indexes about a family and, by extension, society : their rites, ways of life, affection and ideals. The research corpus is composed of photographs of children archived in the Library Arthur Viana. For further theoretical about photography and image utilize Dubois, Kossoy, Benjamin, Fabris, Milk, Mauad, Burke and Fischman. As for reading about childhood highlight Rizzini, Del Priori, Freitas, and Kulmman. In the context of the reality of the Amazon privilege the following authors: Bezzera Neto and Sarges.
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Diante da cidade: uma poética do ao mesmo tempo
(Universidade Federal do Pará, 2017-06-20) GARCIA, Juan Martín Pérez; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522
Acesso aberto (Open Access)
Do clic na EJA ao furo da lata: experimentações fotográficas na educação e no cotidiano
(Universidade Federal do Pará, 2012-03-01) RODRIGUES JUNIOR, Walter Gomes; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184
This study reveals two processes of experimentation with the image through photography: the first aimed at a group of students of Youth and Adults (EJA) from a Public School in Bethlehem / PA, and the second directed at a group of young community of the District of Mainland on the outskirts of Bethlehem / PA. Seeking to unleash new subjectivities and interpretations from experimenting with photography in its many aspects, we point our lenses as well as a production technique, in the direction of a perception that step into what we see those who build their own identity. The whole process experienced was concerned to develop the aesthetic sense of students and especially in re-educate the eye to a more sensitive, attentive to detail the day-to-day and critical, based on principles of observation, experimentation and research. We chose this approach because we believe that photography, all given end trajectory imagery, historical and conceptual, within and outside a school context, can contribute to the training of individuals in society.
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Identidades submersas: uma análise do cárcere feminino como crônica visual
(Universidade Federal do Pará, 2013-06-17) RODRIGUES, Renata Aguiar; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
This work research about the women’s condition in their prisoner quotidian, using photographic portraits and oral relate made with the interne women of Centro de Reeducação Feminino – CRF, the only female prison of Pará state, placed on Ananindeua, metropolitan area of Belém city. Inciting the perception of self-image on the interns – that is denied by the absence of mirrors – and using their oral relates and memories as a source for semiotics analyses of photographic portraits, recognizing the identity and gender reflections and its inferences that appears in the process.
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ILUMINAÇÃO DOS MORTOS: Uma fotofabulação Afro-pindorâma na Amazônia paraense a partir dos acervos da família Jinknss e Castro em contraponto aos carte de visite etnográficos do século XIX
(Universidade Federal do Pará, 2024-10-25) CASTRO, Naiara Jinknss de; Sequeira, Alexandre Romariz; http://lattes.cnpq.br/0763555042066498
This research aims to create “photofabulations” to fill gaps and recover the memories and histories of Afro-Pindoramic people through photography. As practice-based research, I developed the concept of “Photofabulation” as an artistic practice that emerges for the study and reinterpretation of the XIX century’s carte de visite. Therefore, I challenge and fictionalize the carte de visite created by foreign photographers in Brazil throughout the XIX century that contributed to a history of violence, stereotypes, and one-sided histories regarding the Afro Pindoramic population. I elaborate this process in order to understand how racial stigmas that are present in these cartes de visite have impacted the development of my identity and the history of my family. To reach this proposal, I have created digital interventions in my family’s photo albums aiming to evoke, complement, recognize, and restore the absences generated through the widespread reproduction of the carte de visite. While reflecting upon these images and integrating them into the histories of my family, I hope to establish a more sensible relationship with the past and the memories of my own family’s histories. This research’s methodology includes: a literature review on the concept of Critical Fabulation; digital interventions in images of historical archives; and the digital merging of my family’s (Jinknss and Castro) photo albums. I hope to contribute to the development of artistic counter-narratives that value and represent the experiences and knowledge of Afro-Pindoramic populations in Brazil, exposing an array of complexities that compose of the identity, diversity and history of the country, thus promoting a richer and more inclusive comprehension of Brazilian society.
Acesso aberto (Open Access)
A imagem por fora: uma experiência “verbivocovisual” pelos caminhos da errância
(Universidade Federal do Pará, 2013-06-27) TAVARES, Mara Rodrigues; FRANCA-HUCHET, Patricia Dias; http://lattes.cnpq.br/9065267896846482; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184
The photographic language, when it reaches the limit of its functional use, opens the potential to produce a new image, an opening to the field of art, within the images estate. A foreign image. Just as verbal language that diverge from its everyday use to become essential language. When these opening or folding processes are held, it can be said that these structures undergo a delirium in their senses. Within this perspective, this research is based on the concept of the out to point a pathway from where you may think about these delusional openings of the image, as well as the views of the paradoxes to observe how they happen and the notion of becoming to understand from where they become, in order to show and narrate the interactions that exist between: photo-document, photo-expression, colloquial language and essential language. Existing relationships in the photographic and literary languages, interfaces that are entwined in the research.
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Imagens do corpo e da sensualidade na arte contemporanea paraense: o erotismo masculino nas fotografias de Sinval Garcia e Orlando Maneschy
(Universidade Federal do Pará, 2012) OLIVEIRA, Adelaide Oliveira de; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
The proposed theme is the study of the representation of the male body and the characteristics of eroticism in the contemporary paraense photograph. For the study were chosen works from the artists Sinval Garcia (series "Automátic Men") and Orlando Maneschy (series: "Homens de Sangue") produced in the decades of 1990 and 2000. The investigation in the research relied on bibliographic examination on contemporary art, photography, eroticism, and homoeroticism. For this, we used the tests on photograph of Susan Sontag, the study of Charlotte Cotton on photography and contemporary art, in addition of the thought of Kátia Canton on the relationship and implications of image and world, and how this relationship is demonstrated through the body. George Bataille and Afonso Medeiros are references for the study of eroticism. This work aims to contribute to the reflections on the photographic production of Para and in the construction of the national contemporary art’s panorama.
Acesso aberto (Open Access)
Me inscreva quando sentir a minha falta: Poética da ausência na reinscrição de um acervo fotográfico
(Universidade Federal do Pará, 2025-02-06) SILVA, Paola Barros; DAMASCENO, Alex Ferreira; http://lattes.cnpq.br/8620263171962896
This thesis memorial presents the creative process behind the visual artwork and experimental photobook entitled Me inscreva quando sentir a minha falta ("Write Me In When You Feel My Absence"). Starting from the perception of my own visual absence in my family’s photographic archive, I sought to insert myself into the forgotten images stored on my mother’s Cyber-shot camera. To do so, I developed a methodology based on the concepts of Autofiction and Databending, which in this research served as technical tools for the creation of Pure Glitch images that form the visual essay belonging to the artist’s book and book-object developed. The text presents a hybrid research approach of a systematic and transdisciplinary nature, organizedin stages of theoretical research and creation and experimentation processes in the studio. With the theme of Poetics of Absence, the developed work makes use of Glitch Art aesthetics as a creative tool to elaborate the concept of Visual Metaphor of Error, thus creating a visuality expressed in images that reflect absence, deterritorialization, and complex questions surrounding memory. Through this study, I aim to contribute to the reflective arsenal of contemporary art and its relationship with works of resistance and counter-narrative, as well as to add to the body of work created by artists from the Northern and Amazonian regions of Brazil. As for the critical aspect, the study further expands on the reflection about the term Glitch Art and Autofiction as an experimental language within the field of visual arts. On a social level, the developed work sheds light on the need to recover marginalized memories, proposing a (visual and theoretical) reflection on absence and belonging, inspiring new creative and appreciative perspectives on art and memory in intersection with technology.
Acesso aberto (Open Access)
Memórias tecidas de cor: o retrato pintado de Mateus Machado
(Universidade Federal do Pará, 2013-08-13) MACHADO, Simone Alves de Melo; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
Mateus Machado is one of the few still active painted photography of a legion that not long ago was dedicated to the colorization of manual and manufacture of portraits painted portrait photography. About twenty years ago, prior to the effective field of digital technology to extend the image, edit, manipulate, modify or even colorize a photo was manual work done by skilled photography on canvas. This research aims to present some of the world about to disappear before the inexorable field of image scanning. Through their stories, and weave his portrait from him unravel the routine, the process of creating and techniques painted photography, who inherited and reinvented over half a century dedicated to this work. Through him, also focus on the route of the small professional outskirts of Bethlehem Inserted in the category of popular photography, his performance was primarily aimed at the social register and producing portraits, trying to cover their various production techniques, which made those who had some handicraft became painted photography. Many like Matthew specifics that were developed beyond mere simple retouching and colorization, going to the reconstitution of the full image, associating this procedure to restore a species, how effectively the painted portrait was sold and became known. Research sources were their reports, newspapers, painted portraits of his own and anonymous artists, as well as photographic record of their activities. This research expects that way have contributed to tell you a little, but not least important chapter in the historiography imagery Para.
Acesso aberto (Open Access)
Miguel Chikaoka: fotografia como prática da liberdade
(Universidade Federal do Pará, 2012-03-01) MAGNO, Luciana Loureiro Figueira; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
This research aims to study the processes undertaken by the photographer an educator Miguel Chikaoka who boosted in Belém from the 80’s through fotoatividades an intense movement of art and life in scene of photography in Pará, where he developed concurrently a unique teaching method of photography that expands the experience, not restricting it only toa n aesthetic exercise, plastic, visual, but as spring modifieractivating sensory experienses, way to the practice of freedom.
Acesso aberto (Open Access)
Projeto “Adote um urubu”: uma experiência artística na comunidade de Algodoal - Maiandeua - Pará
(Universidade Federal do Pará, 2011-09-08) ANDRADE, Andréa Feijó; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
When the art-thematize the community and discuss the artistic creation and social participation, this work has as its object of study shared artistic production. The visual language of photography is the main tool in the construction of devices artistic / aesthetic. From the epistemological point of view, we adopted the paradigm of complex thought, proposed by Edgar Morin, of reference guiding this research approach. Because it is a practical research on an experimental basis, committed to community participation Algodoal, we used the assumptions of action research, in theoretical terms proposed by Rene Barbier. The community chosen for this experiment artistic / aesthetic is located on the island of Maiandeua, northeastern Pará State.
Acesso aberto (Open Access)
O que restou do olhar: reminiscência de um álbum de família
(Universidade Federal do Pará, 2015-06-29) GIUSTI, Desiree Costa; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522
Acesso aberto (Open Access)
Sinval Garcia: um artista contemporâneo na confluência entre linguagens
(Universidade Federal do Pará, 2015-06-15) NASCIMENTO, Cinthya Marques do; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
The current research discourses part of the Sinval Garcia’s work (1966 - 2011) which performs major production in the Brazilian’s visual arts field. In his production, we will focus on the exhibition “Samsara” (1997) “Paisagens In-visíveis” (In-visible Landscapes) (2005) and “A Câmara da Transmutação Secreta” (The House of Secret Transmutation) (2009). This cut of his work constitutes by the interstices between photography and other languages, and it will be focused particularly on the established relationship with painting, observed over the links between the works within the artist's production context. To do this we used the concepts of phenomenology M.Merleau-Ponty, the study Laura Gonzalez Flores on photography and painting, beyond thought of Flusser about a philosophy for photography. This research contribute to the discussions of a story of contemporary photography in Pará and Brazil, and contribute to the reflective and critical stance of contemporary art nationwide.
Acesso aberto (Open Access)
Sobre retratos: o que dizem de nós?
(Universidade Federal do Pará, 2015-06-29) IKIKAME, Natali Tomie; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
This study is a view at the portrait picture as a visual narrative which enables the reflection of the individual's representation of relationships and subjectivities. This man's form of representation and how it converges to issues that go beyond the aesthetic formalism and embrace the way we affirm in the world It is argued under the field of visuality.This paper discuss beyond the world of visual poetry, to understand how is the everyday appropriation of the portrait picture. From the perspective of the photography, it is understood that since the advent of this technique of production of images, the way we see the world has profound changed. The theoretical bases reside in the reflections of Walter Benjamin, Roland Barthes, Susan Sontag and Annateresa Fabris, and other authors that help in specific issues of this work. The research methodology is guided in qualitative research and the phenomenological approach aided by theoretical study (bibliographic and documentary) and the visual reading (semiotics) of the images of this research, particularly the images of Pará State artists Alexander Sequeira, Claudia Leão and Mariano Klautau Filho.