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O artista curador: conceitos, precursores e atuação na cena artística paraense
(Universidade Federal do Pará, 2012-03-02) MOURA, Eliane Carvalho; MANESCHY, Orlando Franco; http://lattes.cnpq.br/6198572031091761
In this paper we show a possible trajectory for the artist-curator construction, a lively figure in the field of contemporary arts and with a great action within the paraense art scene. Therefore, we build a trajectory from the first proposal about what we consider as curatorship, since the curiosities collectors until the first museum appearance. After some primary source interviews, associated to literary research we produced living documents from The Paraense Art History, in which we outlined historical facts from the regional scene identifying the process of exhibitions constructing; and some characters who have excelled in the art scene in the context of the nineteenth century to the present day. In the contemporary scene we highlight the actions undertaken by national and regional curators, who revealed to the artist-curator as one of the possible classifications for the contemporary art field of Belém do Pará, where the artist’s job and the curator’s job both intensify and self complement in thinking and making of the target-character: the artist who creates and care.
Acesso aberto (Open Access)
Teia de Pykatôti: um estudo da corpografia mẽbêngôkré do rio Fresco na Amazônia Brasileira
(Universidade Federal do Pará, 2017-06-26) CABRAL, Rafael Ribeiro; SANTA BRÍGIDA JÚNIOR, Miguel de; http://lattes.cnpq.br/6889411521648199
The Mẽbêngôkré-Kayapó People lived in a great village called Pykatôti. In contemporary times, the Mẽbêngôkré villages are located in the north of Mato Grosso, and in the south of the state of Pará, on the banks of the Rio Fresco and the Xingu River. This work aims to perform a study of the corpography of the Mẽbêngôkré People from the corporal experience lived through the work of field-life for artistic activity purposes. The methodology of this research, called spider web, is woven through ethics - kumerex and aesthetics - mej from the myth kapran ok. As an artist-ethno-researcher, the author experiences corporealities in the creative work in process, Pykatôti Circle. In the fabric of the plots are ties between ethnocenology, aesthetic Anthropology, Comprehensive Sociology, from indiginous perspectivism. The results are contributions to the PCHEO - Organized Practices and Human Behavior Organized in the understanding of relations not only human-human, but in human-animal relations as the founding proposition of the term Kukradjá for the Mẽbêngôkré People.