Navegando por CNPq "CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::DRAMATURGIA"

Agora exibindo 1 - 3 de 3

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O camelo, o leão e a criança que brinca: transmutações da busca de si em três atos-poéticos
(Universidade Federal do Pará, 2019-04-05) MIRANDA, Michele Campos de; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074
Acesso aberto (Open Access)
Máscaras, mascarados e oprimidos: do boi de máscaras de São Caetano de Odivelas ao Teatro de rua do Bairro da Terra Firme – Belém / Pará
(Universidade Federal do Pará, 2012) SANTOS JUNIOR, Paulo de Tarso Nunes dos; COSTA, Luizan Pinheiro da; http://lattes.cnpq.br/5390750292706184; CAMARGO, Giselle Guilhon Antunes; http://lattes.cnpq.br/2551648142775344
This research investigates and analyzes the Teatro Popular this event from the scenic and visual elements that articulate the whole aesthetic. Reflecting on the importance of theatrical masks as a symbolic element in the preparation of technical and acting for the Street Theatre. Presents the work in creating characters from the signification of the object (mask) Popular Theatre for Theatre Street, in the neighborhood of Upland, Belém-Pará. The paper addresses the creation of a collective dramaturgy, which express in their scenes, their daily working. A street theater that seeks transcendence, through solidarity toward the collective awareness of the citizen to community problems and the fight against injustice and all forms of violence.
Acesso aberto (Open Access)
Nó de 4 pernas: a tessitura de uma experiência de teatro multimídia em Belém do Pará
(Universidade Federal do Pará, 2014-06-09) LIMA, Fábio Bezerra; MARTINS, Benedita Afonso; http://lattes.cnpq.br/6379814397024971
This study analyzed the theatrical play from parauara author Nazareno Tourinho entitled No de 4 Fernas (Four Legged Knot), emphasizing the third act, as well as the videos used in the homonymous theatre show, presented at Belem, state of Fara, in the year of 2012. The methodology came from my experience as costume designer and production assistant for the show, and from attending rehearsals and presentations. Choosing to work with No de 4 Fernas (Four Legged Knot) was a selection from the production of fourteen plays by Nazareno. The proposal for stage setting, multimedia theatre, allowed for a reading based on contemporary references, in a dialogue with classical authors. In dealing with dramaturgy, the classical-modern link is unbreakable. In addition to theory, the unconditional support from Nazareno Tourinho, during meetings for conversation and interviews, made this study possible. In order to contextualize the author and his work, we traced a historical panorama of the theatrical scene in Fara, listing key concepts used as support for the proposed analyses in this academic work, of which the focus is multimedia theatre supported by the cinematic taxonomy of Gilles Deleuze. The importance of this research is attested by the registration, acknowledgement, and publicizing of Amazonian dramaturgy in the scenery of Brazilian performing arts.