Navegando por CNPq "CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO::INTERPRETACAO TEATRAL"

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Acesso aberto (Open Access)
Cenas que revelam o encontro com a vida: a presença de intervenções cênicas no espaço hospitalar como provocadoras de alegria e humanização
(Universidade Federal do Pará, 2013-07-30) PINHEIRO, Patricia Mara de Miranda; LIMA, Wladilene de Sousa; http://lattes.cnpq.br/4769018199137074; AMORIM, Ana Karine Jansen de; http://lattes.cnpq.br/5875820201443540
This Master Research is based on the different intervention strategies scenic in the hospital space, among the groups: Clowndoctors (SP) , The Universe as Scenic Hospital (RJ) and Infirmary of Laughter (RJ) . My goal is to identify and analyze , from the experience of the groups mentioned, the conceptions of art and health support groups in their scenic interventions in the hospital. Among the authors who dialogued, is important to highlight: Beard (2010), Masetti (2011), Foucault (2011), Deslandes (2006), Boal (1996), Boff (1999), among others. The methodological model chosen for this study was qualitativ , more specifically with the approach in the case study, according to Yin (2005) . In the stage of data collection, I used the analysis of documents and semi-structured interviews with actors and group coordinators. The analysis of the research material was based on three categories of analysis, namely: the first intervention - scenic and space, in which I found that the encounter between art and health can cause distinguished look for these aspects when interventions may appear with scenic the most varied possibilities for creations of theatrical forms, praising the work of the artist 's perception of how art can engage within the hospital. The second - setting for intervention, before the analyzes revealed a consistence of preparation, training, organization, producing quality work, in a dialogue with the world of the hospital within creative possibilities and materials, and can bring power to artistic action regarding the art of scene. And the third - actor/clown/patient, when I found that interventions materialized in meetings in the hospital, can trace a direction for a new encounter with the health, because the theater, introduced in the hospital, may be involved in a road of cure, in the sense of caution: of the space, the relationships, the others.
Acesso aberto (Open Access)
Corpo de Cristo, máscaras de diabos: etnopolítica e espaços de performance nos Diablos Danzantes de Yare, Venezuela
(Universidade Federal do Pará, 2019-08-22) FERREIRA JÚNIOR, Amarildo; ACEVEDO MARIN, Rosa Elizabeth; http://lattes.cnpq.br/0087693866786684; FIGUEIREDO, Silvio José de Lima; http://lattes.cnpq.br/2713210031909963
This research analyzes the social relations of the Diablos Danzantes de Yare, eucharistic brotherhood from Venezuelan Center-North, through which it situates and elucidates the symbolic and sociopolitical complexity of this festival and its respective social field, called the Festive Field of the Diablos de Yare. Its proposal aims to understand the experience of being in the world and the meaning production of the Diablos de Yare, in face of the assemblages and reflexivities they go through, considering their historical-social trajectory, which made them occupy the center of the party of Corpus Christi in Venezuela. Characterized as an interdisciplinary research, this study is guided by three fundamental principles, mutually influenced and organically linked, which consist of relational thinking in the social construction of research; in the “new social cartography” as a fundamental ethnography for research; and in the proposition of a possibility of praxiological integration between the theoretical references and the frameworks obtained from the empirical works performed, denominated as ensemble experience. The research was done in a small parish called San Francisco de Yare, of Simón Bolívar Municipality (Miranda State, Venezuela), and the survey collected data on fieldwork through non-directive interview, directive interview, direct observation, audiovisual and photographic records, georeferencing, and cartography workshop, as also bibliographical and documentary research. In its course, the study realize the contextual presentation of the set of parties known as Diablos Danzantes of Corpus Christi from Venezuela. It presents a dense ethnographic report about the Diablos de Yare, discusses the realization of the second life, and the Christian upcoming in the locality throughout party, and also discusses the practices of constitution, spatial distribution and activation of political and social meanings of expressions embodied in performance spaces, set up through what is defined as the ethnopolitical process of the Diablos de Yare. Finally, the research goes beyond the understanding of the feast-fact onto the apprehension of the feast-question in the evidence of the Diablos de Yare as bodies that resonate historical, symbolic and political specificities, for understanding sociopolitical and cultural processes that constitute and shape the local and the national in Venezuela.