Artigos Científicos - FAV/ICA
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/3184
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Item Acesso aberto (Open Access) Arte Pará: etnografia e interpretação em um salão de artes visuais na Amazônia(Universidade Federal do Pará, 2019-04) FLETCHER, JohnThe presente paper brings ethnographic reports on experiences with artists, curators, organizers and technicians in the assembly of the Arte Pará exhibit, between the years of 2012 to 2015, held in the city of Belém. An integral part of a doctoral research, this clipping is based on synchronic and dialogical methodological premises from authors, such as Vincent Crapanzano and James Clifford, problematized by contributions of thoughts by Walter Mignolo, Eva Marxen, Beatriz Sarlo, Homi Bhabha and Johannes Fabian, among others. Thus, in order to expose a more critical view of our asymmetric present, this research aims at conferring other interpretative dimensions to the general dynamics of human experience.Item Acesso aberto (Open Access) Museus em periferias urbanas brasileiras(Universidade Federal do Pará, 2019-04) ALCÂNTARA, Camila de Fátima Simão de MouraNowadays, in Brazil, community initiatives in urban centers express their social and cultural values through museological processes. The main objective in this article is to investigate museums and cities as anthropological ethnographic fields, when identifying these processes in low income neighborhoods of Brazilian urban centers. The study is applied to the Pilot-project for the Memory Points Program, linked to the Brazilian Institute of Museums, based on the ethnographic experience with the Ponto de Memória da Terra Firme, a community initiative that develops a museological process in the neighborhood of Terra Firme in Belém, Pará. After analyzing strategies and relations established due to the consolidation of the Memory Points, it is concluded that these museological processes derive from a political will to register social memory through the appropriation of cultural heritages recognized by its residents, thus consolidating in community museums.