Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452

O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.

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Entrelaces da resistência: comunicação e práticas emancipatórias de mulheres negras trançadeiras da Amazônia
(Universidade Federal do Pará, 2023-06-13) SOUSA, Raissa Lennon Nascimento; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This research focuses on the emancipatory practices of black women hair braiders living in Amazônia, in Belém Pará. We understand braiding activity as communicative experience of resistance, economic autonomy, and overcoming the oppressions that affect black Amazonian women. The braid, for black women and men, is not just a matter of aesthetics or vanity it represents an encounter with African ancestry and the affirmation of an historically relegated identity by a racist society. For Nilma Lino Gomes (2019), hair and body can be considered expressions of Brazilian black identity, since they are symbols of relations of violence and ethnic racial inequalities. The objective of this work is to understand, in light of communication and social sciences, the crossings that women hair braiders experience on issues concerned to racism, black identity, coloniality, ancestry, territoriality, and resistance. We understand that braiding culture in Amazônia enables singular forms of communication divergent from the logic of the capitalist and colonialist white patriarchal system. As methodological paths inspired by Kilomba (2019), we conducted an investigation focused on the individuals, through non-directive interviews (in depth) with black women hair braiders, who work in the city of Belém Pará. From the reports extracted from this dialogue, we interweave a decolonial and Afrodiasporic epistemology, in which the women's narratives are what show us the paths of research. We are supported by Muniz Sodré's (2014) notion of the organization of the bond and the “common”, Paulo Freire's (2018) critical theory, Grada Kilomba's (2019), bell hooks' (2017) and Nilma Lino Gomes' (2019) reflections on race and gender, and Zélia Amador de Deus' (2019) and Vicente Salles' (1971) perspective on blackness in Amazônia, among others. The emancipatory practices of women hair braiders happen through overcoming economic difficulties, in solidarity, in the valorization of a black, feminist, and Amazonian identity, and above all, in the communicative relationship of black ancestry promoted by braiding.
Acesso aberto (Open Access)
Espetáculos Culturais Amazônicos: a festa como resistência e experiência estética
(Universidade Federal do Pará, 2023-03-24) LIMA, Nair Santos; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
The thesis deals with the Amazonian cultural festivals with an emphasis on cultural shows, which, over time, have been re-signified from their traditional places. The visibility of these events occurs through mediatization, a process obtained by the technological means of communication and enhanced by a model of globalization, which naturalizes them as a marketing product. In conducting the research, the difference between "Amazonian festivals", which are cultural manifestations within the scope of the Brazilian territory (Legal Amazon), and "Amazonian cultural festivals" - culminating with the "Amazonian cultural shows", which are those constituted of the aesthetic experience of the imaginary of these populations and, therefore, typical of the riverside or caboclo culture. It was noticed, even though the term “caboclo” has been reconfigured since the knowledge of these peoples revealed a unique importance in the cultural context and inserted in the academic spaces of the various sciences, consubstantiated, above all, in the idea of a specific Amazonian culture, of intrinsic characteristics of the Amazonian being, as well as the understanding of Amazonian researchers on the subject. The locus of enunciation takes place in the cities of Juruti and Santarém, in the state of Pará and in the city of Parintins, in Amazonas, whose corpus of analysis are the festival of the tribes, the festival of Sairé, and the folkloric festival of Parintins. Bibliographical research was the procedure that conducted all phases of this study and the analysis of the phenomenon is theoretically and methodologically based on semiotic conversion – mental activity of a symbolic nature produced by human thought and which acts in the production of new meanings. The corpus is based on three documentaries contemplated by the Aldir Blanc law referring to the three parties, however, other audiovisuals about the environment of the parties posted on YouTube, and selected by criteria of relevance, representativeness and participation of the organizers and/or “party makers”. served as support for the analysis. From this perspective, it is understood that the Amazonian cultural shows are means of expressiveness and resistance of a culture that operates as a form of communication, and that through the YouTube platform and languages of digital or mediatized communication, the place is transposed, gains visibility, profit and produces new meanings, whether through the re-establishment of belonging ties with the local culture or the ways of celebrating and being- together.
Acesso aberto (Open Access)
Os moradores de Belém e suas relações com a cidade: tessitura de uma cartografia comunicativa
(Universidade Federal do Pará, 2023-04-12) KABUENGE, Nathan Nguangu; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
A present thesis analyzed the narrative constructions that the residentes of Belém create about themselves, the other and Belém. Considering the imaginary constructions that are established among the residents of the capital of Pará, fear constitutes one of the tensions in the fabric of the narratives. The question was asked in the analysis: How does the cartography of Belém allow us to observe the communicative processes of constructing the self, the other and the city? The question instigated the search to find out how the residents of Belém understand themselves in a relationship between the self and the other. In contemporary times, understanding this I-Thou relationship is justified because this relationship has been configured as calculating, to the extent that it makes the other an It, and not the externalized self that is decisive in understanding human action. As a methodological approach, a communicative cartography was developed in order to weave together the meanings attributed by individuals to themselves and to others, as well as to the spaces they experience. Cartography was understood as a relationship of power, tensions and force in the negotiation of meanings and the control of space as a product of social practices and relationships. In this construction, 15 narrative interviews were conducted with residents of 14 neighborhoods in Belém, from January to October 2022. The analyzes of such interviews were inspired by the theoretical-methodological openings: Ricoeur's narrative-hermeneutics, and his explanations of the unfolding of mimesis I, II and III; Deleuze and Guattari's cartography; Buber's ontological dimension of the I-Thou relationship; and Lévinas' ethical dimension of the faceto-face relationship. From the interlocutors' stories about and from Belém, we identified how a general frame was formed, called the "affective frame", with ramifications in other frames: urban, socio-cultural and security. In the affective frame, residents map the city of Belém in an affective and personal way. In all the frames, Communicative experiences emerged that were categorized into three dimensions: a) in the city center - a strong relationship of communication as possibility or miscommunication; b) in the periphery, communication as dialogue; and c) in Belém as a whole - communication as a relationship of otherness. The results of the research pointed to a cartography of the relationships, affections, intensities, conflicts, disputes over meanings, resistance, territoriality, deterritoriality and reterritoriality, which the residentes of Belém live create daily to make the city a place of possibility, as this same place holds, at the same time, a feeling of security and danger, where there is wealth and poverty. Despite these problems, the residentes of Belém strive, through cultural manifestations, to vibrate together around the city.

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