Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC
URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452
O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.
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Item Acesso aberto (Open Access) O indígena notícia na Tv Liberal: corpos de memórias coletivas(Universidade Federal do Pará, 2015-11-24) SENA, Arcângela Auxiliadora Guedes de; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863This dissertation analyzes the indigenous presence in the Liberal TV telejournalism, a TV broadcasting company sited in Belém, capital of Pará, a Globo TV’s affiliated, which is one of the largest audiences in the country. Four materialities will be reviewed, three (03) reports and one (01) broadcaster Institutional Vignette, aired between April 2012 and December 2014. This period was cut from three very significant events for the indigenous people living in the state of Pará: the accomplishment of the Indigenous Games editions in the State , the work involving Belo Monte construction and the conflict between Tembé and settlers in Indigenous Land High Rio Guama. Since the beginning of television programming in Brazil in 1950, the TV news began to establish itself as a significant opinion leader among Brazilians. However, they are not homogeneous, because they are intrinsically associated with the political and / or economic groups which they are linked to. The Television, as a significant identities production device, ie an instrument of power and knowledge circulation control, works in order to sort the speeches, from different perspectives and the telejournalism is linked to the Reality Translation idea, which represents the no fiction. We will analyze the Liberal TV telejournalism, taking as perspective the description within the multifaceted and complex Amazonian universe. We will pursue to observe their discursive practices, their regularities movements and dispersions and the historical subjects’ memories networks that put outstanding speeches committed to the colonial system and its updates. We will take the indigenous body, presented in the Liberal TV newspapers as a central object of our analysis. In this regard, we will consider the indigenous body as a main visual statement of the reports and inter-iconicity processes that are established (COURTINE, 2011). The concepts of discontinuous and event, formulated by Foucault (2014) will also be delineators of our analytical course. This indigenous body, as the news, presented on TV screens, is interwoven with the conditions of historical possibilities of who produced the TV news and seeks to forge a "reality" on indigenous peoples in an audiovisual materiality associated with truth in a regular history, which mutes the knowledge or when they appear, repeatedly resume established memories from the colonial discourse, even in the sixteenth century, who rose through literature or travel iconography full of moral and philosophical developments in different materiality as letters, internal reports or descriptions of an ideal figure to society at that time. In surveys with local TV news, the discursive functioning, very recurrently updates this colonial memory about the Indians. Therefore, we wish to work with that part of the academic debate on television news, once the study of its kind, based on an Amazon perspective is still something unexploredItem Acesso aberto (Open Access) Não é só futebol: uma análise dos laços de afetos que envolvem os torcedores do Clube do Remo(Universidade Federal do Pará, 2017-03-24) FREITAS, Aline Meriane do Carmo de; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787In this dissertation I propose an ethnography of intersubjectivity, that is, an analysis of communicative sociocultural processes with the objective of understanding the sensibility and production of "sensitive" senses involving the fans of the Clube do Remo soccer team, from an affective and collective Love, joy, pain, excitement, anger and, at times, disappointment are some of the feelings shared, affectively, by the crowd and fundamental for understanding the processes of sociality that surround them. Based on a dense ethnography (Geertz, 1989), I verified the relationship between intersubjectivities and socialities as a social practice of collectively living emotion. This methodology allowed greater freedom between the researcher and the interlocutors because of the possibility of experiencing, observation and interaction. The very perception to a look, a gesture, a smile helped in the intended understanding and, thus, everything became relevant during the research. The choice of doing an ethnography using as object of study the rowing of the Rowing Club, focusing on the bra bar Shirt 33, occurred for singular reasons. The bar has the premise of not having the bureaucracy of the organized, has a strong presence on the internet and accompanies the Remus in any modality that he is participating, including in the amateur sport. Through ethnography it was possible to establish a direct relationship with social markers of difference and to notice that the crowd is characterized by being middle class, a good part of the members, are young and university. In this sense, in order to analyze the relations that soccer evokes during games, and beyond them, I have used the phenomenology proposed by Alfred Schutz (1967) and made possible the categorization of the typifications engendered by the fans in order to understand experiences experienced by them in their daily life, and therefore social practices that reflect the communicational dimension of the intersubjective process, focusing on the sensitive dimension of social interaction. In this way, I have verified how affection, taste, ethos and empathy are typified and are present in the everyday social life of the cheerleader. To do so, I discuss with a theoretical-methodological perspective with a focus on the intersubjectivity perspective in which I use concepts from Alfred Schutz, Arlei Damo, Gilberto Velho, Michel Maffesoli and Roberto DaMatta.Item Acesso aberto (Open Access) Pioneiros e duendes: desenvolvimento e integração da Amazônia a partir dos filmes documentários de Jean Manzon(Universidade Federal do Pará, 2018-04-03) SANTOS, Rodrigo Wallace Cordeiro dos; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863From the late 1940s to the present day, the Brazilian Amazon received several actions from the federal government that, among other reasons, aim to bring progress and development to the region. The starting point for this research is the construction of the Belém-Brasília highway in the late 1950s, part of a large national development plan, the Plan of Goals of the government of President Juscelino Kubitscheck. During the period of construction of the road, there was legislation that encouraged the production of small documentaries in the country. The French filmmaker Jean Manzon was one of the main directors of these propaganda documentaries and has always been very close to the power centers of the country. Here we will analyze two of his productions on the construction of Belém-Brasília, Amazônia goes to meet Brasilia (1958) and Coluna Norte (1960) and seek to make visible the indigenous peoples who lived in this region. These films are loaded with speeches about the Amazon characterized by exoticism, fanfare and also by the absence of indigenous populations and other peoples. Based on the studies of the discourse, taking as a reference the formulations of Michel Foucault and Rosário Gregolin and authors interested in decolonial discussions such as Ivânia Neves and Aníbal Quijano, we will analyze the conditions of historical possibilities that would allow some discourses about Amazonia to be seen and others silenced in these films.Item Acesso aberto (Open Access) A presença indígena nos grafites de Belém: entre fraturas e resistências(Universidade Federal do Pará, 2017-04-05) SILVA, Camille Nascimento da; NEVES, Ivânia dos Santos; http://lattes.cnpq.br/2648132192179863The discourse on indigenous societies are always silenced. Be the television media, press or on the Internet, discourses produced on these societies are always loaded with stereotypes, giving them the place of the uncivilized, the strange, the different from Western society. In this work, we consider that the modernity of colonization brought (thus) a silencing process in the colonized society. These speeches and silenced memories, according the conditions of historical possibilities, emerge, at times, in society. We start the research from the observation of the raise in the number of graffiti in the city of Belém in the last ten years, more precisely with the Indian figure. Our research seeks to analyze the construction of speeches and statements about indigenous societies in this urban intervention, the graffiti. As theoretical support, we chose to combine our object of study, the theoretical method of the French Aspect of Discourse Analysis, with concepts such as speech, statement, recurrences and dispersions, proposed by Michel Foucault, Jean-Jaqcques Courtine, which are used in studies of Discourse Analysis in Brazil, as one used by the Rosario Gregolin. In addition, other theoreticians who take the city as their research object is made present in our analysis, namely Massimo Canevacci and Lucrezia D'Alessio Ferrara, who consider the city as a communicative environment. We also use the Walter Mignolo's analysis of the fractured enunciation result of the colonization process.