Teses em Antropologia (Doutorado) - PPGA/IFCH
URI Permanente para esta coleçãohttps://repositorio.ufpa.br/handle/2011/7137
O Doutorado em Antropologia está inserido no Programa de Pós-Graduação em Antropologia (PPGA), da Universidade Federal do Pará. É um curso ministrado sobre a responsabilidade do Instituto de Filosofia e Ciências Humanas (IFCH) da UFPA.
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Item Acesso aberto (Open Access) Peixe frito, Santos e Batuques: Bruno de Menezes em experiências etnográficas(Universidade Federal do Pará, 2018-04-06) WANZELER, Rodrigo de Souza; PACHECO, Agenor Sarraf; http://lattes.cnpq.br/5839293025434267In this thesis, I undertake a study that primarily tries to present another reading key for the intellectual production of Bruno de Menezes (1893-1963), who gained prominence in the Amazon cultural scene as a great literary. Thus, I try to reconstitute important aspects of his life trajectory, I highlight representations of the daily life of the city of Belém coming from his social and political experiences and I focus the diversity and plurality of voices, coming from the latent interculturality in Belém of the first half of the twentieth century. In this exercise, I explore the ethnographic bias in some of his main compositions, an interpretive line chosen to resignify the studies on the black literate. In order to achieve the central objective of the research, in other words, the thesis that stitches the work, some questions became the north: What ethnographic experiences make up the life trajectories of Bruno de Menezes? How did the intellectual perceive himself and others in his writings? In what conditions and circuits did the writer conduct research and produce writings about the cultural dynamics in paraense scenarios of the Amazon? Finally, what is the importance of Bruno as a social thinker for the Amazon context in the first half of the twentieth century? The formulation and understanding of these issues are anchored in the theoretical-methodological cross-cutting of an ethnographic know-how that was aligned in the connections of Anthropology with Literature and Folklore, Cultural Studies, Postcolonial Studies and Oral History and it verticalizes in a field that literary works, folk surveys, photographs and oral reports reconstruct evidence of and about the writer on screen. In view of the above, I divide the academic text into two parts: in the first, I deal with Bruno's various paths throughout his life and emphasize established networks, which have contributed to the formation of his self-constitution and critical repertoire. In the second part, I approach three productions of Bruno de Menezes - Boi Bumba: auto popular; São Benedito da Praia: Folclore do Ver-o-Peso and Batuque. The intention is to reconstitute and analyze the ethnographic experience of these literary compositions and dare to include the black jurunense in the roll of the great thinkers about the culture in the Amazon, going, thus, beyond the literary aspect, facet which Bruno is really recognized. So, I think that from every epistemological background in which the thesis is supported, another Bruno de Menezes is unveiled, the esthete of the word is also an ethnographer of the paraense Amazon.Item Acesso aberto (Open Access) Pontos de memória: de Política Cultural a Museus em periferias.(Universidade Federal do Pará, 2021-11-05) ALCÂNTARA, Camila de Fátima Simão de Moura; GODOY, Renata de; http://lattes.cnpq.br/5173744417832044; https://orcid.org/0000-0002-8138-8670The following thesis presents an ethnographic research on the community initiatives of Points of Memory that participated in a democratic process for the construction of a cultural public policy in Brazil, based on social museology. The objective of this study is to understand the political and social (re)arrangements that the twelve self-styled “pioneers” initiatives make to maintain their museum processes in the Brazilian peripheries. Territories marked by deprivation and abandonment of effective public policies, where there is a proliferation of all kinds of violence against the place and its people. Reflections on the object of the research took place through the Anthropology of Museums, which provided an interpretation of museum processes in contact with the perception of the representations of pioneer Memory Spots about their realities in their places of existence. Organized into five chapters, the thesis discusses museums in processes that use realities and creative solutions in peripheral urban spaces to register the social memory and safeguard the cultural heritage of the various social groups that live in these territories. Presenting the main public policy guidelines aimed at museums that encouraged these groups to create their museum processes. The pioneering points' initiatives are revisited based on a privileged view of the Terra Firme Memory Spot, in Belem do Para, in which it considered community movements to defend the territorial, social, cultural and political development of the communities they represent. In this ethnographic research, I understand that the pioneering Memory Spots are museums in processes formed by different subjects who enrich themselves as communities, when they develop critical thinking about their realities and organize transformative collective actions in the cities where they take place, based on the active forces of memory. These museum processes come to life within communities, strengthening them as subjects who create, recreate and decide on their realities.Item Acesso aberto (Open Access) A “Senhora do reino encantado de Guimarães” e suas contemporâneas: Antropologia e Literatura na trajetória da escrita feminina negra na Amazônia do entresséculos XIX e XX(Universidade Federal do Pará, 2022-04-08) TRINDADE, Maria de Nazaré Barreto; ACEVEDO MARIN, Rosa Elizabeth; http://lattes.cnpq.br/0087693866786684; https://orcid.org/0000-0002-7509-3884The thesis The “Lady of the Enchanted Kingdom of Guimarães” and its contemporaries: Anthropology and Literature in the trajectory of black female writing in the Amazon region between the XIX and XX centuries intends to ethnographically reconstruct the literary, social and politic trajectory of female and black voices produced in Brazilian literature and, especially in the Amazon region between the XIX and XX centuries. To produce a web of relations where multivocality, that is, the multiple voices are put in evidence and, essentially, the voices silenced by a society built in the tripod of prejudice-racism-social discrimination. Through the dialog between anthropology and literature and by using ethnography as a theoretical-methodological conception that substantiates a type of “archaeology” of the knowledge on women who write and wrote and whose works remained shadowed by literary historiography. I believe that these questions are relevant in this context of intensification of the discussions around the construction of new power relations and the democratization of access to cultural property in Brazil. This way, we alsoface literature as a field of power, a space historically and socially built, where the publications and access were controlled by men, white and from privileged social groups. The thesis tracks a few of these female authors, whose names were, in certain moments, erased from official records, but whose writing remains registered in feuilletons, in loose publications, in journals, in published books. I will take into consideration their subjectivities, the trace of their existence in the world, or like Evaristo points out, whose write-living, or escrevivências, therefore, are for me subjects, from whom the thesis compiles and analyzes a slice of their life trajectories and literary production. Some authors were my companions in this attempt, among whom I mention: Lélia Gonzalez, Conceição Evaristo, Ângela Davis, bell hooks, Michele Perrot, Regina Dalcastagnè, Vicente Salles, Abdias do Nascimento, José Veríssimo, Aimé Cesairé, Frantz Fanon, George Balandier, Goldman, Pierre Bourdieu, J. Clifford, among others.