Programa de Pós-Graduação em Ciências do Patrimônio Cultural - PPGPATRI/ITEC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/14550

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O carimbó e a representação da imagem para a salvaguarda do patrimônio cultural imaterial
(Universidade Federal do Pará, 2022-02-22) AZEVEDO, Pierre de Aguiar; LINHARES, Anna Maria Alves; http://lattes.cnpq.br/3081434819616255; https://orcid.org/0000-0001-7548-9259
This research aims to study the cultural manifestation of Carimbó paraense, Brazilian Intangible Cultural Heritage, a title granted in 2014 by the Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN). Since before the patrimonialization process until today, they started as actions to safeguard culture, which today count on the contribution of sectors of society, independent movements, social groups and associates that collaborate for the dissemination and valorization of this heritage. In this process, the use of imagery resources is intensified - photography, video and audiovisual production - which start to serve as instruments of representation of Carimbó's heritage, both by the communities that own the property and by institutions endowed with the power of legitimation. Therefore, this dissertation intends to analyze how the carimbozeiras communities represent themselves and are represented through the use of the image, in the preservation and safeguarding of the intangible heritage of Carimbó. For this, the forms of use of imaging technologies by the holders of the heritage property were investigated, identifying the agreements and conflicts that exist between the community and institutions, regarding the definition of what Carimbó represents. The polyphonic character of the narratives was considered, the discourses of power and the notion of truth of and in the carimbó were evaluated on the representation of this heritage among communities, in relation to society and before the State. Still, observing some semantic possibilities of the image, such as materialization of cultural heritage and artifact, memorial record and place of memory, subsidy for cultural policy and market product. They are sent as narratives and speeches by members of the carimbozeiro movement, gathered in an episodic collection from informal dialogues and introduced openly that take into account the importance they give to the technological resources of the image, as memorial records to safeguard intangible heritage cultural.
Acesso aberto (Open Access)
A natureza complexa do patrimônio paleontológico da praia do Atalaia, munícipio de Salinópolis, Pará, Amazônia Oriental, Brasil
(Universidade Federal do Pará, 2021-09-02) SILVA, Rayana Alexandra Sousa da; COSTA, Sue Anne Regina Ferreira da; http://lattes.cnpq.br/3629751361208856; https://orcid.org/0000-0002-3314-5148
In this research, we reflect on Paleontological Heritage as a specifically complex heritage category that is inserted in environmental, cultural and mineral policies. The analysis starts from a review of the transformations in the conceptions of cultural and natural heritage in Brazil, to problematize the various dimensions that interfere in the processes of heritage patrimonialization, besides contextualizing and reinforcing its social importance in a context of great complexity. We will look specifically at the paleontological heritage of Atalaia Beach, which is one of the main beach resorts in the state of Pará, receiving tourists from all over Brazil and the world every year. The region's patrimony is formed by an expressive fossil record from the Brazilian marine Cenozoic, dating from 23 to 25 m.y., representing the transgressive moment of advance and retreat of the Atlantic Ocean over the continent. The fossils found are mainly of marine invertebrates and vertebrates, such as manatees, rays, sharks, gastropods and fishes. Thus, the main objective of this work is to investigate and analyze the paleontological heritage of Atalaia Beach, seeking to relate and communicate among themselves the subjects, environmental context and cultural heritage. To this end, based on Morin, in the method that seeks complexity through the creation of avenues of approach, we carried out observations in different pheres: a public hearing for environmental licensing, an activity with elementary school teachers and an interview with a private collector of fossils. The results presented in the form of two articles point out that a) the use of this heritage follows a utilitarian logic of nature transformation; b) we highlight a complex network of environmental, economic and social issues that must be considered when any project of valorization, education or even of analysis of the paleontological heritage of Atalaia Beach is intended; c) we point out the urgent need to transform our practices in relation to paleontological heritage, so that we can think and act upon it in a more comprehensive way, conceiving it as a fundamental right which contributes to the full exercise of citizenship.

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