Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452

O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.

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Agora exibindo 1 - 13 de 13

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O arrasta povo do Pará: experiência comunicativa e estética nas festas da aparelhagem Super pop
(Universidade Federal do Pará, 2017-03-24) COSTA, Hans Cleyton Passos da; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
The sound systems were created on the outskirts of Belém between the years of 1940 and 1950, with simple structures and familiar character. They consist of a sound projector, also known as a "boca-de-ferro", which was connected to one or two turntables. Based in a Communication Science approach, the present work aims to analyze the communicative experience, addressed as an aesthetic experience, present in the intersubjective elements that are shared with during the celebrations of the Super Pop sound system, held in Belém and its metropolitan region. The work was conducted from a phenomenological perspective, through which it seeks to highlight the experience of the researcher’s encounter with the object as a comprehensive and hermeneutic process. The intersubjective materialities are analyzed from the phenomenological approach present in Maffesoli and Schutz’s methodological orientations. In order to do so, I concentrate on the analysis of three events held by Super Pop Live, since, in my view, they contain the elements we observe in the set of such festivals and can thus be understood as syntheses of social forms and experience of the sound system party.
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Boletins do Museu Paraense Emílio Goeldi: institucionalização e comunicação científica na Amazônia
(Universidade Federal do Pará, 2018-03-23) ONO, Elaynia Cristina Vicente; FREITAS, Guaciara Barbosa de; http://lattes.cnpq.br/8765902485221030
The present dissertation aims to understand the relationship of the Bulletins of the Museu Paraense Emílio Goeldi, as an element of scientific communication, in the science’s institutionalization process in the Amazon, specificaly in the city of Belém. This publication is currently dismembered in two magazines, with scopes in different areas: Boletim do Museu Paraense Emílio Goeldi. Ciências Humanas (ISSN 1981-8122) and Boletim do Museu Paraense Emílio Goeldi. Ciências Naturais (ISSN 1981-8114). This is a documental research, with an approach of mixed analysis and exploratory content, based on the period from 1894 to 2015. It was sought to conceive the dimension in which these journals are inserted as human and communicational enterprises, crossed by the dynamic processes that constitute a culture in order to understand also the particular processes where the local science has solidified. In order to establish this relationship, it was necessary to study the scenario where the Bulletins were consolidated, observing which actors and the internal and external influences over the Emílio Goeldi Museum, that intervened directly and indirectly in the production of them, making it possible to visualize the contexts in which the movement of the institutionalization of scientific communication was being formated. In this way, it was possible to perceive elements that allowed the creation of markers as parameter for the analysis of the temporal phases by which this historical magazine passed. The following were considered as markers: I) management and administration of the institution; II) financial conditions; III) socioeconomic and political contexts; IV) disciplinarization or systematization of knowledge; V) graphic / editorial production; VI) periodicity and circulation. So in the final analysis, it was possible to outline the paths taken by the local science in its consolidation and the role of scientific communication as basis in this process.
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Ciência, comunicação e meio ambiente: processos comunicacionais e estratégias de socialização do conhecimento no projeto Espaço ITEC Cidadão na UFPA
(Universidade Federal do Pará, 2021-12-03) QUEIROZ, Fábrício Natalino Bentes; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638; https://orcid.org/0000-0003-3843-4499
The interaction between science and society through initiatives of socialization of knowledge has been intensely developed since the 18th century. However, in a scenario of paradigmatic transformations in science, these actions are reconfigured from the influence of several factors, such as criticism of the principles of modernity, the appreciation of different social groups, their knowledge and their cultures, and the strengthening of the communication field. This research starts from the understanding of these phenomena to discuss the interrelation between science, communication and environment to investigate the role of environmental communication in an extensionist action called Espaço ITEC Cidadão, held in the Camillo Vianna and Benito Calzavara woods, located on the Guamá campus of the Federal University of Pará. The main thread is the notion of public communication of science applied to environmental issues, which, in our view, dialogues with the critical debate on the strategies of domination and coloniality, in which science and communication are involved. The exploratory research uses secondary source information about the activities carried out in the Espaço ITEC Cidadão over 15 months and published in the project's profile on the social network Instagram. In addition, the research is supported by an interview, data collection in records of the activities and other materials that reference the project's performance in order to understand the dynamics of interaction between the three fields in this case. The results indicate that there is an interface between science, communication and environment verified by the parallels existing between the different perspectives and models proposed in each area. In the case of the Espaço ITEC Cidadão, this manifests itself in the way the project articulates conceptions of instrumental content to the promotion of a broad debate about sustainability, encompassing the idea of resistance, collectivity and solidarity, for example. Thus, it is evident the tensions and negotiations existing in this relationship, as well as its reflection on the debate abourt social role of knowledge and universities.
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Coletivo Terra Firme: comunicação e cidadania na periferia
(Universidade Federal do Pará, 2018-03-16) LIRA, Adriana do Socorro Campos de; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This research departs from the themes and concepts of communication, citizenship and periphery, understood as fundamental for a better understanding Coletivo Tela Firme‟s communicative pratices, which is our studied object. The group works in the urban periphery, specifically in Terra Firme neighborhood, in Belém, Pará state. Their work consists of audiovisual production that circulates on the internet as well as citizenship actions directly in the outskirts of the city. Such work is based on the logic of popular, alternative, community communication, since it is carried out in and for the peripheral neighborhoods and communities from Belém, aiming at social awareness and social change. The group‟s work has become a reference in the city‟s political and educational fields. Thus, this research goal is to inquiry the configuration of Coletivo Tela Firme‟s communicative practices in the outskirts of the capital of Pará. The hypothesis raised in the investigation is that the group‟s activism in the communities where it operates in is intended to stimulate and promote political and social engagement among those who live there, mainly to contribute to their citizenship rights enhancement. Hence, it is proposed in this study a process of mapping and analyzing their videos and the actions they have done in Belém peripheral neighborhoods, either on their own or in partnership with other movements and organizations engaged with political and social struggles. The theoretical standpoints that support our research are based on Peruzzo (2009), Gohn (2010), Gonczevski and Martin (2011), Pinsky and Pinsky (2013), Mouffe (2013). Coletivo Tela Firme‟s work began in social media which, according to Castells (2005), Lemos (2006) and Primo (2013), are platforms that favor political and social participation processes, as much as they contribute to the articulation with other resistance movements. To carry out this study, the master's thesis approach is based on bibliographical and qualitative-descriptive research, mainly informed by content analysis, as well as interviewing, to reach its objectives, among which identifying citizenship alternatives in and for the urban periphery through Coletivo Tela Firme‟s communicative practices.
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A construção da imagem da mulher no cinema de ficção produzido na Amazônia paraense
(Universidade Federal do Pará, 2016-03-01) SOUSA, Raissa Lennon Nascimento; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638
The main goal of this resarche was to observe the construction of the woman’s imagine in the fiction movies made at paraense Amazon, according to the constant speeches in the plots and its main iconic elements. We can understand that the presence of women in cinema is very significant, assuming relevant characters in contemporary. Thus, contemporary movies highlight the woman as the main subject of the plots selected. The analysis corpus consists of short movies released in a period of effervescence of Para cinema, from 2010 to 2012: " Matinta " (2010 ) , Fernando Segtowick ; " Bordering the Asphalt " (2011 ) , by Jorane Castro ; "Birds Walkers and Bois Flying " (2011 ) , Luiz Arnaldo Campos ; and " Juliana Against Jambeiro Devil by John the Baptist Heart " (2012) , Roger Elarrat . Authors from the area of communication and especially the cinema , linguistics and Philosophy were used in analytical construction of the chosen corpus , as Michel Courtine (2005 ) , Jacques Aumont (2002 ; 2008) , Walter Benjamin (1994 ) , Pêcheux (1995 ; 1997) and Michel Foucault (2000 ; 2008) . Based on the four movies analyzed, we can conclude that the image of contemporary Amazonian woman in fiction movies is the women who while maintaining submission elements in relation to man , they conquisted their space using courage, work, seduction and femininity, spaces of action and emancipation in the environments they live ( urban or rural ).
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Espetáculos Culturais Amazônicos: a festa como resistência e experiência estética
(Universidade Federal do Pará, 2023-03-24) LIMA, Nair Santos; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
The thesis deals with the Amazonian cultural festivals with an emphasis on cultural shows, which, over time, have been re-signified from their traditional places. The visibility of these events occurs through mediatization, a process obtained by the technological means of communication and enhanced by a model of globalization, which naturalizes them as a marketing product. In conducting the research, the difference between "Amazonian festivals", which are cultural manifestations within the scope of the Brazilian territory (Legal Amazon), and "Amazonian cultural festivals" - culminating with the "Amazonian cultural shows", which are those constituted of the aesthetic experience of the imaginary of these populations and, therefore, typical of the riverside or caboclo culture. It was noticed, even though the term “caboclo” has been reconfigured since the knowledge of these peoples revealed a unique importance in the cultural context and inserted in the academic spaces of the various sciences, consubstantiated, above all, in the idea of a specific Amazonian culture, of intrinsic characteristics of the Amazonian being, as well as the understanding of Amazonian researchers on the subject. The locus of enunciation takes place in the cities of Juruti and Santarém, in the state of Pará and in the city of Parintins, in Amazonas, whose corpus of analysis are the festival of the tribes, the festival of Sairé, and the folkloric festival of Parintins. Bibliographical research was the procedure that conducted all phases of this study and the analysis of the phenomenon is theoretically and methodologically based on semiotic conversion – mental activity of a symbolic nature produced by human thought and which acts in the production of new meanings. The corpus is based on three documentaries contemplated by the Aldir Blanc law referring to the three parties, however, other audiovisuals about the environment of the parties posted on YouTube, and selected by criteria of relevance, representativeness and participation of the organizers and/or “party makers”. served as support for the analysis. From this perspective, it is understood that the Amazonian cultural shows are means of expressiveness and resistance of a culture that operates as a form of communication, and that through the YouTube platform and languages of digital or mediatized communication, the place is transposed, gains visibility, profit and produces new meanings, whether through the re-establishment of belonging ties with the local culture or the ways of celebrating and being- together.
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Experiência comunicativa na prática do crossfit: processos intersubjetivos e estéticos
(Universidade Federal do Pará, 2018-04-18) LIMA, Rebeca dos Santos; CASTRO, Fábio Fonseca de; http://lattes.cnpq.br/5700042332015787
This research is part of the researcher's insertion in a CrossFit box, observing and experiencing the moments during, during and after training, in the search for understandings that understand the communicative experiences produced among the practitioners of the sport. These symbolic interactions of the current life of a contemporary urban micro-society will be described through an ethnographic account. From the perception of intersubjective dimensions of belonging and production of affective meanings, we will discuss the field data from a theoretical reference that includes the notions of Aesthetics (Maffesoli), Intersubjectivity (Schutz), Typification (Schutz) and Conflict (Simmel), related to the uses of the Body (Mauss) and its Performances (Schechner). This theoretical reference seems to us propitious to interpret the communicative phenomena perceived during field research, since the study of intersubjectivity corresponds to a new perspective of analysis of communicative phenomena. This approach comprises communication as the structuring phenomenon of cultural mediations of social life. So here we intend to approach communication as knowledge that falls within the sphere of the action of human experience, behind that which is relational and shared.
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Fotojornalismo em cenários de convergência: reconfigurações, inovação, cultura participativa e práticas profissionais
(Universidade Federal do Pará, 2018-03-22) SIQUEIRA, Thaís Christina Coelho; CUNHA, Elaide Martins da; http://lattes.cnpq.br/3778190981135428
This research aims to investigate the reconfigurations through the photojournalism in the context of culture of convergence (SILVA JUNIOR, 2012), characterized by technological, market, social and cultural transformations (JENKINS, 2009). Such changes alter the ways of producing and consuming content, leading many communication companies to invest in innovation and to rethink their practices. In this scenario is photography, which since the beginning of the 20th century accompanies the written text in the constitution of news from newspapers, gain more information autonomy, becoming, in many cases, protagonist of the information. We start from the assumption that in this scenario the photojournalism comes to occupy a central place in the construction of the news. In view of this, this study focuses on three central questions: what changes can be observed in the current photojournalism in terms of innovation in languages and formats? How is the participation of users in photographic production for news portals? And how do these transformations affect the professional practices of photojournalists? For a better understanding of these processes are discussed convergence culture concepts and, more specifically, convergence journalism (SALAVERRÍA; NEGREDO, 2008; SALAVERRÍA, 2010; SALAVERRÍA, AVILÉS E MASIP, 2010); the particulars of cyber media (HERSCOVITZ, 2009; ZAMORA, 2011); reproducibility and multiplication of technical images (BENJAMIN, 2012; 2014); the types of images present in the press (BAEZA, 2001); the characteristics of photojournalism on the web, mainly in its convergent stage (SILVA JUNIOR, 2012); the photojournalistic genres (SOJO, 1997); the formats of photography used by journalism in contemporary times (PEREIRA, 2016); innovation in journalism (FUCK; VILHA, 2011; BARBOSA, 2011; MACHADO, 2010; FONTOURA, 2015; MARTINS, 2017); and participatory culture (JENKINS, 2009; JENKINS; GREEN; FORD, 2014). Besides that, we will also discuss the concepts of narrativity (MOTTA, 2013); of photographic narrative in the culture of convergence (SALLET, 2015; HENN; SALLET, 2012); and the implications of the culture of convergence on the professional practices of photojournalists (SILVA JUNIOR, 2011; 2012; SOUSA, 2013; SALLET, 2014; FERREIRA, 2014; RAMOS E MAROCCO, 2017). We start from direct observation and content analysis to examine the photojournalistic content in the websites Diário Online (DOL), UOL and Clarín, based on the photographic categories prepared byPereira (2016). The methodology also includes semi-open interviews with photojournalists and news websites editors and with a photojournalist and researcher, seeking to discuss the professional experiences and the visions of these subjects about the photojournalistic production in the convergent context. The results of this study point out that the news portals have sought to embrace innovation in photojournalism, investing in multimedia resources that make possible to explore the informative potential of photography, such as galleries, slideshows and 360º images. We also observed a reconfiguration in the narrative forms of photojournalism, with emphasis to the photographic production in sequence, a growing participation of the public in the production of images that compose as analyzed news and increase the space for this participation, with a view to the users' engagement. Finally, we identify that, in general, professionals point these transformations even as a natural process in the development of photojournalism and believe that, with strategies, training and a greater appreciation of their work by companies, professionals tend to expand their repertory.
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Geração 60+ na internet : relações tecnológicas, tensões e produção de sentidos na pandemia de Covid-19
(Universidade Federal do Pará, 2023-02-14) SIMÕES, Camila de Andrade; CUNHA, Elaide Martins da; http://lattes.cnpq.br/3778190981135428; https://orcid.org/0000-0001-7723-7055
The study is interested in the relationships of people aged 60 or over with everyday technologies, especially during the Covid-19 pandemic. The reference years (2020 and 2021) are marked by a health crisis experienced worldwide, of undulating administration, with regard to Nation-States and, also, internally. In Brazil, physical distancing measures and hygiene guidelines have become a central issue and, in this context, digital communication technologies have taken on a previously unseen centrality. When considering groups of people who may have shown more evident distancing from connected screens, the research focuses on the experience of the elderly, as a starting point. This qualitative research departs from a communicational context to encompass the phenomenon of expanded social doing. Some of the theoretical fronts activated during the argument are in the field of aging (chronological and social), identities (generations), material culture, and power relations, starting from a set of meanings produced by the interlocutors of the research. As collection methods, the digital form and focus groups were used. With that, the Thematic Analysis (TA) showed a path of interest, with the necessary flexibility, in the search for speech patterns, paths of meanings, and senses produced by the investigated. To help with the task, the Iramuteq software was used on the fronts of statistical analyses, similarity, descending hierarchical classification, and presentation of word clouds. By opening up the range of findings, the initial concern about the heterogeneity of the experiences of older people is reinforced. Life, health, economic, and family conditions, for instance, will directly influence the so-called independence (more connected to physical issues) and the desired autonomy (decision-making; self-government). The main screen used was the cell phone to talk to family and friends. Among those who maintained active professional relationships during the verified period, it was possible to perceive a smaller field of friction. In general, the meanings that emerged from these relationships are paradoxical – they contain, roughly speaking, positive and negative points – and translated into technologies seen as access, a door to new learning and possibilities, at the same time as a set of spaces of danger, insecurity, and mystery, especially among those who used the term fear to refer to digital experiences.
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A guerrilha do Araguaia: meios de comunicação contra-hegemônicos da Amazônia para a Europa
(Universidade Federal do Pará, 2017-03-22) RODRIGUEZ, Lorena de Meira; AMORIM, Célia Regina Trindade Chagas; http://lattes.cnpq.br/9650931755253248
This study aims at reflecting on the role of counter-hegemonic media in the dissemination of news about the Araguaia Guerrilla in the international, national and regional dimensions and has as empirical objects of analysis the following alternative means of communication: Tirana radio (Albania), newspapers Brazilian Front of Information (1968- 1973) (Chile), Politique Hebdo (1970-1978 / 1982) and Liberatión (1973) (France), A Classe Operária (1925), O Araguaia (1974-1975), Coojornal (1976-1983) and Resistência (1983) (Brazil). For this purpose, we selected placements that approached the Guerrilla, being one of each medium, giving priority to the first identified according to the chronological order. These alternative media referres to the Araguaia Guerrilla, a movement of armed resistance to the Brazilian military dictatorship (1964-1985) that took place between the 1960s and 1970s, in southeastern Pará, while it was still in progress and under the gag of the Brazilian State. The hypothesis is that even these mediums were produced at different scopes and locations, they were fed by one or more networks of information, concerned with publicizing the conflict. The problem that gave rise to this research was: how did Guerrilla news reach the international counterhegemonic media if the conflict was denied by the Brazilian Military Regime and was not reported in the official press at the time of its occurrence? In order to be able to unveil the object of study that has been missed, we look for fundamental concepts such as the one of hegemony proposed by Antonio Gramsci (1999), that approaches the domain of a group that holds financial and / or intellectual capital over another that holds The condition of oppressed, this alludes to counter-hegemony, here anchored by Denis de Moraes (2011). Other precepts were fundamental as the press censorship debated by Karl Marx (2006) at the international level, and by Beatriz Kushnir (2015) and Anne-Marie Smith (2000) at the national level. We also focus on the radical and alternative media that challenge the status quo, through John Downing (2002) and Cecilia Peruzzo (2006), among others. Therefore, for the Guerrilla, we studied the works of Fernando Portela (1986), Élio Gáspari (2002) and Paulo Fonteles Filho (2013) The research was relevant since it raised counter-hegemonic media that approached the subject of the Guerrilla and, nevertheless, had not been worked previously. In addition to the novelty, the study made us realize that, even though the national press was censored on the subject, the subject reached international vehicles, and these were fundamental for the conflict to be registered and legitimized. It was inferred that news was shared by information networks. The research was made using the qualitative techniques proposed by Ortez and Gonzáles and the techniques of content analysis proposed by Laurece Bardin (1979).
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O museu na era virtual: uma análise sobre os processos comunicativos on-line do Museu da UFPA
(Universidade Federal do Pará, 2016-03-30) SOUZA, Lucimery Ribeiro de; LAGE, Danila Gentil Rodriguez Cal; http://lattes.cnpq.br/4593992869253877
The objective is to analyze how the museological institution interacts through on-line social networks with its public and how the responsible agents understand this communication process taking into account the social function of museums and the need to promote dialogue with society. To accomplish this reflection, it investigates the Museum of the Federal University of Pará (MUFPA), situated in Belém (PA). As theoretical foundation, it is used the reflections made from literature relating to the Communication (BRAGA; FRANÇA; MARTINO; RECUERO) and the Museology field (CARVALHO; CURY; GUARNIERI; MUCHACHO; SCHEINER). As methodological procedures for data collection, two main techniques are highlighted: the direct observation unsystematic and systematic of social networks Facebook and Instagram appropriated by the Museum of UFPA and interviews from semi-structured scripts with the subjects involved in the production and circulation of the content published in the virtual environments connected to MUFPA. It concludes that the way MUFPA makes use of the studied on-line environments provides expansion and strengthening of the local social ties established virtually, through the practice of posts whose contents portray regional aspects and scenes of the day-by-day of the museum. The maintenance of this practice may provide that the links established in cyberspace are scaled to the physical space of the museum, with potential to reframe the dynamics of presential visitation of the museum circuit in the city of Belém. Analyze the museum as an object allows an extension of the perspectives of Communication and Museology area, and points the necessity for further research that investigate more broadly the museological institutions as a medium, for example, the communication in the experience of the visit to the museum, the dynamic and the museums and its diferente public, among other possibilities.
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Recepção radiofônica: o rádio no cotidiano de uma comunidade rural na Amazônia paraense
(Universidade Federal do Pará, 2014-03-13) RODRIGUES, Manoel Ednaldo; SEIXAS, Netília Silva dos Anjos; http://lattes.cnpq.br/2301685130625189
The focus of this paper was to investigate by means of radio listening the importance of radio in everyday life of the residents of Vila Brazil, in Rio Arapiuns region in Santarém - Pará Theoretical and methodological construction was based on the Latin American cultural studies proposed by Jesús Martín - Barbero, Néstor García Canclini and Guillermo Orozco - Gómez as a theoretical orientation to the study of communication. Leaving contributions of these researchers and Brazilian authors, among others, Ana Carolina Escosteguy, Nilda Jacks, Itânia Maria Gomes, Mauro Wilton de Sousa, Luiz Artur Ferraretto, discusses the concept of radio reception about the importance of radio in a rural community Amazon in Pará, in the region of rivers, one of the peculiarities found in the geographical formation of the Amazon. The reception research was conducted in six visits to the community in the months of July, September, October and November 2013, totaling six weeks in locality, interspersed, and exploratory visits before to the start date of the activities in the field. In this process, the corpus consisted of study and analyzed a set of information obtained from interviews, questionnaires and other approaches such as participant observation and oral history, through testimonies of community. Brazil village has 329 residents, of whom 219 participated in the study. The research was conducted on three groups - adolescents, adults and the elderly - to stand up information regarding the importance of radio in everyday life of the residents of Vila Brazil. It was found that the radio still has relevance to the community in various organizational segments importance with the irradiation of, among others, news, educational, sports, labor and religious content as an integral part of the culture of a traditional Catholic community, even considering the strong presence of other mediations. It was also found that television is present in the community and that the night program plays a role as a unifying element in the family, but the radio is still the medium that streamlines the daily lives of residents, indicating specific elements to understanding the Radio contemporaneity and its role as one of the most important means of communication in the Amazon. The existing communication media in the community are the radio (battery and electricity), television (via satellite) and the mobile phone operator Vivo, accessed through makeshift antennas, working precariously.
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Trocas comunicativas sobre a violência: experiências intersubjetivas do Movimento pela vida
(Universidade Federal do Pará, 2018) AZEVEDO, Ana Paula de Mesquita; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
The present research seeks to understand the communicative experience or exchanges of experiences established, in the daily life, by the people affected by the violence, from members of the Movement for Life and their narratives of pain. We start from the reflection on the world of everyday life in Schtuz (2012), in which reality is socially constructed through knowledge and the different attributions of meanings given by individuals in certain contexts. In this perspective, intersubjectivity is an essential element in the social construction of the senses. As a research object, I take the pain narratives of the Movement for Life (Movida), an entity created informally in 2005, with the purpose of hosting victims of violence in search of justice. I observe, therefore, that this relation of the members of Movida occurs through narratives of pain and communication resources that this social movement uses for its interchanges of intersubjective experiences. These resources or communication strategies used by the group are mediators of subjectivities, playing a central role in the construction of reality, by highlighting some events in the world of life. To compose this understanding of this exchange of experience, we seek in Simmel (2006) the concept of sociation, in which individuals approach each other in the search for the same end and in the understanding of the narrative of the testimony, in order to understand the necessity of the disclosure of the pain narrated by the group. In listening to five participants of Movida, we work with qualitative research, which aims to understand as a principle of knowledge and interpretation of reality construction, considering aspects of phenomenology, combining methods of participant observation research and in-depth interview. In this way, we perceive in the interviews that the members consider Movida as a place where they can share the pain and find people who understand the situation in which they find themselves. In the group, they locate similar individuals, with whom the exchanges of experiences are carried out at every encounter of Movida.

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