Programa de Pós-Graduação em Comunicação, Cultura e Amazônia - PPGCOM/ILC

URI Permanente desta comunidadehttps://repositorio.ufpa.br/handle/2011/4452

O Programa de Pós-graduação em Comunicação, Cultura e Amazônia (PPGCOM) é vinculado ao Instituto de Letras e Comunicação (ILC) da Universidade Federal do Pará (UFPA) e iniciou suas atividades no ano de 2010, com a implantação do seu curso de mestrado, autorizado pela Coordenação de Aperfeiçoamento de Pessoal de Ensino Superior (CAPES). Sua proposta geral é promover a análise dos fenômenos comunicacionais em sua relação com as práticas culturais e sociais contemporâneas e em suas peculiaridades na Amazônia, aprofundando o conhecimento profissional e acadêmico e possibilitando a formação de pesquisadores na área da Comunicação.

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Amazônia ameaçada: análise do discurso jornalístico nos portais de notícias O Liberal.com – PA e A Crítica – AM sobre desmatamento e queimadas no contexto da pandemia da COVID-19
(Universidade Federal do Pará, 2022-07-26) MANGAS, Laiza Monik de Oliveira; COSTA, Luciana Miranda
The year 2020 was marked by the beginning of the COVID-19 pandemic and the increase in deforestation and fires in Brazilian Amazon. Data from Inpe (2020) recorded 10,312, 88 km2 of consolidated deforestation in the region, in addition to 103,161 outbreaks of fires during that year. Months of August and September were the ones with the highest rate of fires and the states of Pará, Mato Grosso and Amazonas accounted for 70% of deforestation. Meanwhile, "the herd passed" [a figure of speech refering to Ricardo Salles speech] with the approval of 593 acts by the federal government related to changes in rules on environmental protection in Brazil (OBSERVATÓRIO DO CLIMA, 2021). Amid the health, political and environmental crisis, journalism played an important role in providing information to population (CASERO-RIPOLLÉS, 2020). In this context, this research analyzes how was the coverage on deforestation and burning in two of the main news portals of the North region of the country: “O Liberal.com – PA” and “A Crítica – AM”, during the month of September 2020, considering the pandemic period and its adversities. The main theoretical and methodological framework chosen was the Critical Discourse Analysis - CDA (FAIRCLOUGH, 2001). Through the analysis of the newspapers it can be concluded that Jair Bolsonaro government, in the midst of the COVID-19 pandemic, managed to occupy a privileged space in the publications, with a speech aimed at alleviating the problems in the Amazon and widely reproduced by the two newspapers without significant counterpoints. Justifications that attributed deforestation and burning to the climate itself in Amazon and to agricultural activities traditionally carried out by rural, indigenous and quilombola communities were used. In addition, the credibility of scientific data on the subject disclosed by institutions such as the National Institute for Space Research - INPE was questioned.
Acesso aberto (Open Access)
Amazônia ameaçada: análise do discurso jornalístico nos portais de notícias O Liberal.com – PA e A Crítica – AM sobre desmatamento e queimadas no contexto da pandemia da COVID-19
(Universidade Federal do Pará, 2022-07-26) MANGAS, Laiza Monik de Oliveira; COSTA, Luciana Miranda; http://lattes.cnpq.br/1310961057480638; https://orcid.org/0000-0003-3843-4499
The year 2020 was marked by the beginning of the COVID-19 pandemic and the increase in deforestation and fires in Brazilian Amazon. Data from Inpe (2020) recorded 10,312, 88 km² of consolidated deforestation in the region, in addition to 103,161 outbreaks of fires during that year. Months of August and September were the ones with the highest rate of fires and the states of Pará, Mato Grosso and Amazonas accounted for 70% of deforestation. Meanwhile, "the herd passed" [a figure of speech refering to Ricardo Salles speech] with the approval of 593 acts by the federal government related to changes in rules on environmental protection in Brazil (OBSERVATÓRIO DO CLIMA, 2021). Amid the health, political and environmental crisis, journalism played an important role in providing information to population (CASERORIPOLLÉS, 2020). In this context, this research analyzes how was the coverage on deforestation and burning in two of the main news portals of the North region of the country: “O Liberal.com – PA” and “A Crítica – AM”, during the month of September 2020, considering the pandemic period and its adversities. The main theoretical and methodological framework chosen was the Critical Discourse Analysis - CDA (FAIRCLOUGH, 2001). Through the analysis of the newspapers it can be concluded that Jair Bolsonaro government, in the midst of the COVID-19 pandemic, managed to occupy a privileged space in the publications, with a speech aimed at alleviating the problems in the Amazon and widely reproduced by the two newspapers without significant counterpoints. Justifications that attributed deforestation and burning to the climate itself in Amazon and to agricultural activities traditionally carried out by rural, indigenous and quilombola communities were used. In addition, the credibility of scientific data on the subject disclosed by institutions such as the National Institute for Space Research - INPE was questioned.
Acesso aberto (Open Access)
O aplicativo alerta clima indígena: digitalização das terras indígenas à luz da ecologia da comunicação
(Universidade Federal do Pará, 2021-11-17) RAYOL, Clarissa da Silva; COSTA, Luciana Miranda
This dissertation aims to analyze, in the light of the ecology of communication, the digitization of Indigenous Lands experienced by the Alerta Clima Indígena application, developed by Ipam together with the Raoni Institute, Indigenous of Roraima (CIR) and the Commission of Chiefs and Leaders of the Araribóia Indigenous Land (CCOCALITIA), whose purpose is to disseminate scientific data on climate, fire and deforestation of Indigenous Lands in the Brazilian Amazon. The platform also has resources for creating alerts against threats to Indigenous Lands and inserting information about traditional uses such as hunting, fishing and gathering. In this context, based on ecology of communication (DI FELICE, 2017), this characterization is an experimental and qualitative research context of the immersive perspective in which the researcher enters the networks and integrates as supplying all in das. In the investigative path, we present a description of the app's partner associations and the collaborative construction of indigenous workshops while, later, we immerse ourselves in the app's interactive architectures and then analyze the independent processes experienced by the Mẽbêngôkôkókre (Kayapó) people, from the perspective of two residents of the Capoto/Jarina Indigenous Land located in the state of Mato Grosso. In this sense, the experience of digitization, of Indigenous Lands, from the Alerta Clima Indígena app in the “creation of hybrid worlds” (DI FELICE, 2021), where scientific data, technologies, rains, wind, animals and how trees have their own capabilities and are transformed by them, as well as indigenous peoples and creativity in the forms of appropriation of the invention from the new practices for the Management of Indigenous Lands.
Acesso aberto (Open Access)
Comunicação e resistência: meios e usos da comunicação por grupos sociais atingidos pelo desastre da Hydro Alunorte em Barcarena, Pará
(Universidade Federal do Pará, 2020-10-28) SANTOS, Andressa Arielly de Souza; STEINBRENNER, Rosane Maria Albino; http://lattes.cnpq.br/1508467019000744; https://orcid.org/0000-0003-4321-7245
communication triggered by the social groups affected by the Hydro Alunorte disaster, in Barcarena, Pará, located in a historical context of environmental injustice (ACSERALD, 2001) that crosses the socio-environmental conflicts in the Amazon. What motivated our study was the fact that the media coverage of the environmental disaster, denounced by local communities and occurred in the beginning of 2018, involving the leakage of tailings from the Norwegian company Hydro Alunorte, leader in the global aluminum market, has achieved national repercussion. and international, but with little space for popular and local voices (STEINBRENNER, GUERREIRO NETO; BRAGANÇA; CASTRO, 2020). Thus, our intention, based on an exploratory study of a qualitative character (YIN, 2016), considering a period of 24 months from the occurrence of the disaster, was precisely to seek the other voices, usually and historically invisible, in order to understand, from the perspective of mediatization (HEPP, 2014), the communication processes and practices (FRANCE, 2016) for resistance (PERUZZO, 1998) that mark in this period the actions of the mobilized social groups, in what we call the field of communicative resistance, in reaction to the impacts caused by the disaster and in the defense of rights and their territories in the municipality of Barcarena, understood as mining "sacrifice zone" (CASTRO, 2019).
Acesso aberto (Open Access)
Comunicação pública da ciência na Amazônia: uma análise dos processos comunicacionais do projeto Ciência na Ilha, em Cotijuba, Belém-PA
(Universidade Federal do Pará, 2021-12-09) BATISTA, Elissandra Cristina; STEINBRENNER, Rosane Maria Albino; http://lattes.cnpq.br/1508467019000744
The axis of this research aims to understand how the communication processes of the project "Science on the Island: education and scientific divulgation in the Amazon" contribute to the dialogue and interaction between scientific knowledge and the knowledge of the riverside population of Cotijuba Island, in Belém, Pará. Highlighting the context of face-to-face communication in which the extension project UFPA‘s Science Club takes place, the communicational processes of the event are investigated through the theories of Public Communication of Science and the relational paradigm, in which the communication ceases to be a restricted process and is taken as a place of constitution of social phenomena. In the logic of the ecology of knowledges, defended by Boaventura Santos, and also by the process of learning to unlearn, the science fair is also analyzed through the lens of decolonial theories, which seek to break with the Cartesian methods of abyssal modern thinking, which creates imaginary lines of visibility and invisibility, bypassing the world's sociocultural diversity. Considering that one of the objectives of Science on the Island is to make science and the riverside communities Interact and vice-versa, the premises of the ecology of knowledge are essential in this investigation. In the methodological procedures it is made a content analysis, under Bardin‘s inspiration, of the documental program of 11 editions of the fair, between 2006 and 2019, with special focus on five of them, held on Cotijuba island, at the Marta da Conceição State School; and also semi-structured interviews with students and teachers of the riverside school and of the UFPA‘s Science Club, that has held the fair in schools on the most populated islands of Belém for 15 years. The methodology also includes the observation of the communicational processes in two editions of the Science on the Island, in Cotijuba. Thus, the fair reveals itself in this study with multiple characteristics of Public Communication of Science, with strong traces of the unidirectional and functionalist system, but also within relational dialogical conceptions. By involving experimental research on the daily life and experiences of basic education students, the project contributes to the demystification process of scientific production. And as an interactional device it creates bridges between diversities and asymmetries, crossing the river and seeking to overcome the abyssal lines of knowledge.
Acesso aberto (Open Access)
Espetáculos Culturais Amazônicos: a festa como resistência e experiência estética
(Universidade Federal do Pará, 2023-03-24) LIMA, Nair Santos; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
The thesis deals with the Amazonian cultural festivals with an emphasis on cultural shows, which, over time, have been re-signified from their traditional places. The visibility of these events occurs through mediatization, a process obtained by the technological means of communication and enhanced by a model of globalization, which naturalizes them as a marketing product. In conducting the research, the difference between "Amazonian festivals", which are cultural manifestations within the scope of the Brazilian territory (Legal Amazon), and "Amazonian cultural festivals" - culminating with the "Amazonian cultural shows", which are those constituted of the aesthetic experience of the imaginary of these populations and, therefore, typical of the riverside or caboclo culture. It was noticed, even though the term “caboclo” has been reconfigured since the knowledge of these peoples revealed a unique importance in the cultural context and inserted in the academic spaces of the various sciences, consubstantiated, above all, in the idea of a specific Amazonian culture, of intrinsic characteristics of the Amazonian being, as well as the understanding of Amazonian researchers on the subject. The locus of enunciation takes place in the cities of Juruti and Santarém, in the state of Pará and in the city of Parintins, in Amazonas, whose corpus of analysis are the festival of the tribes, the festival of Sairé, and the folkloric festival of Parintins. Bibliographical research was the procedure that conducted all phases of this study and the analysis of the phenomenon is theoretically and methodologically based on semiotic conversion – mental activity of a symbolic nature produced by human thought and which acts in the production of new meanings. The corpus is based on three documentaries contemplated by the Aldir Blanc law referring to the three parties, however, other audiovisuals about the environment of the parties posted on YouTube, and selected by criteria of relevance, representativeness and participation of the organizers and/or “party makers”. served as support for the analysis. From this perspective, it is understood that the Amazonian cultural shows are means of expressiveness and resistance of a culture that operates as a form of communication, and that through the YouTube platform and languages of digital or mediatized communication, the place is transposed, gains visibility, profit and produces new meanings, whether through the re-establishment of belonging ties with the local culture or the ways of celebrating and being- together.
Acesso aberto (Open Access)
Inovação social nos veículos jornalísticos independentes: um olhar para as narrativas sobre povos indígenas na Amazônia
(Universidade Federal do Pará, 2023-06-02) DUARTE, Glenda Suelem Magno; CUNHA, Elaide Martins da; http://lattes.cnpq.br/3778190981135428; https://orcid.org/0000-0001-7723-7055
This dissertation seeks to analyze and understand the manifestations of innovation in journalism by looking at the productions of the following journalistic vehicles: InfoAmazonia, Agência Pública and Amazônia Real. The three of them classify themselves as independent vehicles and prioritize the Amazon in their posts. In order to compose the research corpus and delimit the investigated theme, a total of 38 reports on indigenous peoples in the region were selected. As the main theoretical references on communication and innovation in journalism, this research is based on studies by Rosseti (2013), Barbosa (2014), Longhi and Flores (2017), Pedro Varoni (2017), Martins (2018, 2021), Longhi (2020), Martins and Sousa (2020), Storch and Feil (2021), among others. A qualitative methodological approach is adopted, through State of the Art research techniques, with Norma Ferreira (2002) and Sampaio and Mancini (2007), and Content Analysis, with Laurence Bardin (2011). Among the innovation axes identified in the state of the art, we used the 'narrative' axis as a category of analysis. Based on this proposal, we sought to understand whether this and/or others axes of innovation in journalism are present in the analyzed reports and how they are constituted and delineated in these productions. It was based on the hypothesis that independent vehicles have their own way of addressing the matter of indigenous peoples, focused on a narrative of social nature that seeks to value the protagonism of these peoples in their approaches. With this, the main results point to the themes 'indigenous female protagonism', 'invasion of indigenous lands', 'politics', 'resistance', 'covid-19 (health)' and 'violence', contributing to the understanding of the social dimension of innovation in independent journalism.
Acesso aberto (Open Access)
A marca Instituto Evandro Chagas e a Amazônia enquanto território produtor de ciência
(Universidade Federal do Pará, 2023-06-26) BASTOS, Fábio Augusto Silva; AMARAL FILHO, Otacílio; http://lattes.cnpq.br/2605877670235703; https://orcid.org/0000-0001-5467-8528
This study analyzes the brand discourse of the Instituto Evandro Chagas (IEC) considered one of the most important research institutions in the North region founded in 1936, to understand how this discourse presents the Amazon region as a territory that produces science. Four institutional disclosure documents of the IEC from 1990 to 2021 and semi-structured interviews with researchers from the institution were used as research corpus, in addition to documents referring to the history of the Institute. This is an exploratory qualitative research, as a methodology for brand analysis, it uses a multiperspective approach (BONIN, 2008) with brand concepts and project/manifestations model proposed by Semprini (2010) together with the theory of social discourses, media discourse analysis, and reading contract of Verón (1983; 1986; 1987; 2004). As a theoretical view to observe the investments in the brand's meaning, the concept of the Amazon Brand (AMARAL, 2011, 2015, 2016) is used with other authors who analyze the Amazon region, its history, imagery, and symbolic constructions (COSTA, 2017; DUTRA, 2003; GONDIM, 2007; LOUREIRO, 2022). Decolonial theories (QUIJANO, 1993; MIGNOLO, 2003, 2017) and abyssal thinking (BOAVENTURA, 2009) are also used as an epistemological basis for a critical point of view about symbolic constructions of the hegemonic model of science as a way of legitimizing Eurocentric superiority and as a factor of geopolitical hierarchization in the production of knowledge. As a result, there is an ambiguous condition: it appears that the Amazon region is discredited and peripheral when the local production of science is in focus, but at the same time, it retains a high degree of visibility in the production of science in/ and about the Amazon.
Acesso aberto (Open Access)
O massacre de Eldorado do Carajás para além do factual: a reconstrução narrativa de uma tragédia no jornalismo literário
(Universidade Federal do Pará, 2023-04-14) DIAS, Erica Marques; COSTA, Alda Cristina Silva da; http://lattes.cnpq.br/2403055637349630
The present research sought to understand how literary journalism constructs the narrative sense of conflicts by land in the Amazon, specifically the massacre of Eldorado do Carajás, tragedy occurred on April 17, 1996, that resulted in 19 workers killed and more than 60 injured in a stretch of the PA-150, called Curva do S, in the state of Pará. The fact was news in the daily newspapers of Brazil and the world, as well as in products of literary journalism, as the book-report. Therefore, this dissertation starts from issues that permeate the conflicts in the field and the in-depth approach of real cases in products of the journalistic-literary genre. Thus, we analyze the narrative construction of conflicts by land, having as corpus of analysis the book-report The Massacre: Eldorado do Carajás - A History of Impunity (2019), written by the journalist Eric Nepomuceno, strategies used in this journalistic modality and operationalized in the text. In the light of the methodological support of J.B. Thompson’s of Depth (2011), the work was taken by the socio-historical analysis, outlining the historical and social course of conflicts in the field and literary journalism; the formal or discursive in which the pragmatic analysis of the journalistic narrative was used, based on Motta (2007); and the reinterpretation/interpretation of O Massacre. The three stages were essential for the identification of the narrative resources used by the author when giving space to a violent reality that appears from time to time in the news. Nepomucene rebuilds a calamity that put an end to nineteen people and marked the lives of hundreds. It shows that this history is not only part of the past, but of the present of thousands of rural workers who live in the daily hope of having their land plot and a life without threats and deaths.
Acesso aberto (Open Access)
Representações de mulheres gordas em quadrinhos de autoria feminina da/na Amazônia
(Universidade Federal do Pará, 2023-03-29) GILLET, Fabiana Oliveira; SANTOS, Luiz Cezar Silva dos; http://lattes.cnpq.br/2449524316115443
characters. It seeks to understand which are the representations of fat female characters on webcomics made by women authorship from Amazon, if there are those representations and which are the readings of those artists about fat bodies, as artists, drawers, and women, and if there are comic artists who identify as fat women. The relevance of the discussions involving the studies of the fat body in Brazil is highlighted, as research are still under development in the Social and Communication Sciences. It is considered that social representations in hegemonic media products play a fundamental role in the conception and maintenance of social models constitutive of the imaginary, ordering what will be accepted or repressed in society. Thus, it is important to emphasize that comics, as media, are vectors of speeches and stereotyped representations (BOFF, 2014; EISNER, 2005; THENSUAN, 2020), creating and strengthening social stigmas as in the case of fatphobia (ARRUDA, 2021, JIMENEZ, 2020). Therefore, this study aligns the idea that the media bios (SODRÉ, 2002) develops fatphobia, which highlights the importance of an approach from the perspective of communication science (ARRUDA, 2021). We intend to contribute to the research and debate on communication as a vector for maintenance or transformation of models, stereotypes and social stigmas; reflecting on fatphobia and the field of studies on gender and comics. In order to analyze the representation of characters and the production of meanings about fat corporality in webcomics produced by female comics authors from Amazon, we seek to identify fat characters in webcomics and illustrations of female artists from Brazilian Amazon region; dialogue with comics authors through semi-structured interviews (DUARTE, 2005; GASKELL, 2002) about the representation of fat women in webcomics; to analyze the meanings apprehended about fat corporality in the data collected from the analysis of the images (JOLY, 2007) of the illustrations and webcomics; and to discuss the representations of the female fat body and the senses produced and apprehended by these representations. We conclude that the senses seized in the representations present convergences with the discourses of acceptance and self-love diffused by the hegemonic media based on the body positive movement in line with the biosociabilities of consumption of the plus size industry (AIRES, 2019), generating resignifications in the regimes of visibility of the fat body, creating positive stereotypes, with invisibilities of larger fat bodies.

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