Navegando por Assunto "Afeto"

Agora exibindo 1 - 3 de 3

Acesso aberto (Open Access)
Um amor sem fim: interações e afetos entre ouvintes de um programa romântico de rádio em Belém, no Pará
(Universidade Federal do Pará, 2020-03-24) SILVA, Vanessa Monteiro da; SEIXAS, Netília Silva dos Anjos; http://lattes.cnpq.br/2301685130625189
The objective of this research is to understand the dynamics of WhatsApp group interactions that lead to the construction of affective bonds between listeners and radio programs, based on the Amor Sem Fim radio program. The program has been broadcast since 1993 on the 99FM radio, in Belém, Pará. Amor Sem Fim proposes to pack “the hearts in love” and, more than presenting a romantic musical production, it also serves as loving mail among its listeners. Through a board called Clube da Amizade, listeners have the chance to get to know each other, and, from there, develop (or not) some kind of relationship. Throughout this duration, several couples have already graduated through the program, and Amor Sem Fim continues to play its role as cupid. Since 2014, the program has had a new way to interact with the listener: WhatsApp. Without having more space to talk live during Amor Sem Fim, the inclusion of the app as a form of participation on the radio made listeners advance in their forms of interaction, creating WhatsApp groups formed only by people who like to listen to the program. With that, they started to interact independently of the transmission time of Amor Sem Fim and the mediation by Clube da Amizade. One of these groups is Amigos do Aelson, whose interactions left the virtual field and went to the face-to-face, with listeners promoting meetings in malls, clubs, and restaurants. With this interaction, the members of the group end up establishing ties, ranging from friendships to romances. This study proposes to have a relational conception (FRANÇA, 2016; SODRÉ, 2006), having as the guiding theories the studies of interactions (LEMOS, 1997; THOMPSON, 1998, 2018; PRIMO, 2007) and the relationships of affection established between listeners (RECUERO, 2005; 2009; RUDIGER, 2013; GRISA, 2003). For this, it is necessary to understand the specifics of the radio medium, from classic studies (LOPES, 1988; BACHELARD, 2005; MCLEISH, 2001), to the present, with its new characteristics and transformations (KISCHINHEVSKY, 2007, 2016; SILVER, 2002, 2008; QUADROS, 2003, 2017). To achieve the objective of this research, the methodology adopted followed a qualitative approach, with the use of techniques such as interviews, field diary, participant observation, and documentary research. Based on the data obtained and the theory consulted, the data analysis showed that the listener presents different forms of interaction, trusts friendship with the speaker, creates affective bonds in the group and perceives the program as a bond that unites them all.
Acesso aberto (Open Access)
Artivismo sapatão amazônida na cultura digital como dispositivo de afeto
(Universidade Federal do Pará, 2024-12-10) SALIMOS, Nícia Coelho; MELO, Ana Cláudia da Cruz; http://lattes.cnpq.br/4777116947247545
The research investigates the lesbofeminist artivism of amazonian collectives from the state of Pará, which I term sapativistas, focusing on the visual expressions, digitally available, that constitute an "artified device of sapatão1 affection." The concept of device is grounded in Michel Foucault (1979) and directed towards the intersections of gender, race, and class, as explored particularly by bell hooks (1995; 2019) and Sueli Carneiro (2005; 2019). It is understood as a cultural practice that articulates affection, identity, and LBTQ+ resistance in the context of digital culture. The research seeks to understand how the visual and poetic productions of collectives such as Sapato Preto Amazônida and Rede ALAMP, on Instagram and in physical spaces, express and construct an imaginary of resistance and affect, highlighting symbols and narratives of belonging. The identification of these images as forms of art is based on concepts of artivism, drawing from Lucy Lippard (2024), and on the hypothesis of artification, primarily introduced by Ellen Dissanayake (2009). The analysis methodology combines feminist approaches with sapatão and queer epistemologies, drawing from authors such as Adrienne Rich (2012), Audre Lorde (2019), Glória Anzaldúa (2000; 2005), Ann Cvetkovich (2021), and Sara Ahmed (2006; 2010). These perspectives help to understand dissident poetic production through the lens of lesbian existence and continuum, unveiling the aesthetic and affective codes present in the images and collective actions, as well as the impact of these productions in expanding lesbian visibility and fostering public policies. Among the findings, the research identifies contemporary lesbofeminist artivism in the Amazon region, which operates on digital social networks and appropriates these spaces to create existence and, above all, to expand, make visible, and resignify images while bringing people together in physical or non-physical spaces through encounters of political and cultural resistance. From the perspectives of activist poetics and artification, the sapativistas emerge not only as activist subjects and social protagonists across all analyzed groups but also as creative artivists who reframe images, turning them into powerful forms of affection and emotional impact. With this study, we aim to highlight historically dissident artistic expressions and contribute to the debate on the role of digital culture in the expansion and reconfiguration of lesbian and feminist discourses by Amazonian collectives. This is a challenging endeavor in the face of social media algorithms shaped by a concept of compulsory heteronormativity, while simultaneously promoting new forms of political articulation for the local sapphic community.
Acesso aberto (Open Access)
A casa de Marlene
(Universidade Federal do Pará, 2018-06-29) NASCIMENTO, Suely da Silva; SAMPAIO, Valzeli Figueira; http://lattes.cnpq.br/6142863342585522
This memorial presents the research “Marlene’s House”, which I developed in the Academic Master of Arts, Graduate Program in Arts, Institute of Art Sciences, Federal University of Pará. family and affective memories, in which photos, videos, audios, writings, feelings and emotions merge. The course is divided into moments experienced before and during the academy. I report the contribution of the disciplines and the production of articles. I talk about the construction of this poetics perceived in this path and tale about the day to day of the making of the research. My way of doing poetry, my mother’s schoolbook as the image that generates this whole process, the experimentation of creating an artist’s book and the photograph of my mother’s house complete this memorial. As well as my thoughts that there is still a significant poetic material to be worked on, in the future.