Navegando por Assunto "Arquitetura colonial"

Agora exibindo 1 - 5 de 5

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Casarões históricos de Santarém: estudo sobre os sobrados e prédios históricos e sua significação dentro da área central da cidade de Santarém
(Universidade Federal do Pará, 2013) COUTO, Estefany Miléo de; MARQUES, Fernando Luiz Tavares; http://lattes.cnpq.br/0365104813041022
This research presents a study on the houses and historical buildings located in the central area of the city of Santarem in Para, which is the core founder of the city, these studies were performed using tools such as inventory and preservation ethnographic techniques, based on processes performed by organs and institutions of reference in this field, and with IPHAN DPHAC with intent to identify the historical and artistic values revelantes through physical surveys and documentary, in order to rescue the memory and local identity through the preservation of these works architectural, that despite the many influences and changes that have suffered during this process, still represent singular and notable examples of architecture from an era that can only be contemplating in Santarem.
Acesso aberto (Open Access)
Casas nobres em Belém do Pará segunda metade do século XVIII e início do século XIX
(Universidade Federal do Pará, 2013-08-30) MORGADO NETO, José Marques; MARQUES, Fernando Luiz Tavares; http://lattes.cnpq.br/0365104813041022
This paper investigates the Noble Houses built in Belém in the second half of the eighteenth and early nineteenth century, identified, selected and analyzed based on literature, documentary and iconographic research. The historic city center of the city mentioned is used as a spatial area where the neighborhoods of Cidade Velha and Campina are inserted. They correspond to the primitive nuclei which shaped the urban space of Belém, former headquarters of the Province and State of Grão-Pará during the Administrative Model Colony in Portuguese America. Knowledge about the type of residential building Noble Houses and subsequent identification of specimens in the center of Belém is to reveal their occurrence in the Amazonian soil in a social, economic and political context specific to the Portuguese Ancient Regime. Three buildings were selected as case study: 1) Solar do Barão de Guajará, 2) the Casa Rosada, 3) and the House of Eleven Windows. At first, the genealogy in the Noble Portuguese House was searched, with an understanding of the symbolic values and semantic variations related to their morphology, as well as the knowledge of its architecture. Subsequently, we investigated the residential architecture of the Aristocracy in the Brazilian colonial settings, systematizing the main features from principles found in Portuguese genesis. Finally, the three selected Noble Houses were analyzed, guided by the knowledge of initial studies of its Portuguese and Luso-Brazilian congeners, establishing analogies among them and recognizing local specificities. The result of this research provides a knowledge basis for a specific genre of residential construction, the Noble House, which enables the identification of other specimens in Belém, and in other locations in the state of Pará, in urban or rural areas, making it also possible more informed interventions when these are necessary for its preservation, for we must know what we restore.
Acesso aberto (Open Access)
Igreja de Santana do Bujaru caracterização tipológica, histórica e estilística a partir de suas referências documentais, físicas e icônicas
(Universidade Federal do Pará, 2013-04-03) NASCIMENTO, Claudia Helena Campos; MARQUES, Fernando Luiz Tavares; http://lattes.cnpq.br/0365104813041022
This study aimed to characterize and understand the architectural object at physical, historical and visual aspects, by documents, reports and especially from the architectural object itself. Based on the material object - architectural - and the cultural object - social heritage and history - were used methodological approaches physics research (surveys, photographic records, material and technical analysis), history (documentary and iconographic) and ethnography as a means to understand relations of the church of Santana do Bujaru (Bujaru/PA) with the site and region, and the importance of the building to the community, identifying the relationship of belonging and ownership over time, that characterize its importance as a cultural heritage.
Acesso aberto (Open Access)
Itinerário de influências ibero-italianas na arte e na arquitetura: retábulos da Belém do século XVIII
(Universidade Federal do Pará, 2012-01-31) HAMOY, Idanise Sant'Ana Azevedo; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
The altarpieces are domains that integrate art and architecture, and they were initially used as an educational tool for the propagation of Christian faith, which reached its apogee during the Catholic Reformation. These models were brought from Europe to the colonies, and in Belém there are examples that stand out for their unusual characteristics. With the proposed change in the liturgy by the II Vatican Council, they have lost their original function, but as a revealing example of the historical, artistic and religious condition from a time that present an evolution in its composition and form, they require documentation and analytical studies in the Amazon region which depict the practices and knowledge that enabled the making of these altarpieces with local labor. This research aims to analyze, starting from five types of altarpieces from Belém of the XVIII century, the iberian-italian influences in art and architecture production, emphasizing in the miscegenation’s processes of cultural encounters that occurred between settlers, missionaries, technicians (especially Bolognese architect Antonio Landi), indians and black slaves. In this sense, based on historical documents, drawings by Landi, architecture tractates, History of Art, iconographic analysis of the altarpieces it may be depicted the historical and local social context and iberian-italian context, the evolutionary study of altarpieces, academic and cultural references, and the five altarpieces based on Panofsky’s iconographic image reading methodology, on a new way of looking basis.
Acesso aberto (Open Access)
O vocabulário ornamental de Antônio José Landi: um álbum de desenhos para o Grão Pará
(Universidade Federal do Pará, 2011-02-09) OLIVEIRA, Domingos Sávio de Castro; SOUZA, José Afonso Medeiros; http://lattes.cnpq.br/6045766440369156
The architecture of the city of Belém, in Pará, in the second half of century XVIII is marked by the works of the Italian architect Antônio José Landi responsible for the project and construction, or remodels, of buildings that mark the landscape of the city until the current days. Analyzing the published bibliography regarding the artist, it is possible to notice a fluctuation between the authors in what says about the classification of his artistic style. It is possible to attribute this fact to the influences suffered by the architect throughout his formation in Europe, what printed in his language elements of some artistic chains. It’s objective of this work, through a systemize study of the ornament used for the architect, to perceive his ornamental vocabulary and to supply then beddings studies regarding the influences that the workmanship of Landi can have provoked in the local art. For in such a way, the ornates had been congregated in four groups in order to facilitate the visualization of his vocabulary and his ornamental language. Vast was his production between Italy, Portugal and Brazil, however, had been prioritized the ornaments used in the workmanship carried through in Brazilian lands, its characteristics, its use and its variations. The applied methodology consisted in bibliographical research, survey and analysis of the drawings carried through in Brazil and photographic register and analysis of the workmanships executed in Belém. To the end of the research, it is concluded that the Italian artist developed his art, with the use of an ornamental vocabulary formed by the artistic influences suffered by him in the Europe and of the conditions of the Amazonian environment, its limitations of materials and manpower.